New Books in Poetry

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this episode, I interview Anna Veprinska about her book Empathy in Contemporary Poetry after Crisis (Palgrave Macmillan, 2021) recently published by Palgrave Macmillan. In it, Veprinska examines the representation of empathy in contemporary poetry that responds to moments of traumatic crisis, focusing specifically on the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. Rather than taking a straightforward approach that uncritically heralds empathy, Veprinska explores the various techniques poets use that invite and refuse empathy, thereby displaying empathetic dissonance, a term that Veprinska coins to describe the struggle poets and poetry have with the question of the value and possibility of empathy in the face of the crises to which they respond.Veprinska’s text is anchored by a tripartite structure of negation in which she explores the unsaid, the unhere, and the ungod, all of which deal with the internally fractured and dissonant nature of poetic empathy. By mingling textual analysis with philosophy, psychology, history, and trauma studies, Empathy in Contemprary Poetry after Crisis seeks to sketch out and approach the limits of empathy and to show how poetry is uniquely situated as a medium through which we can be with each other in the aftermath of world-altering events.Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Juliane Okot Bitek, of the Emily Carr University of Art and Design and writer-in-residence at Simon Fraser University, has written a terrific book of poetry on the 1994 Genocide of Tutsi in Rwanda. Published in 2016 by the University of Alberta, and simply titled, 100 Days (University of Alberta Press, 2016), Okot Bitek’s poetry is a form of witnessing violence that records the senseless loss of life in a way that reminds us violence is human and universal. Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of (white, foreign) producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

This episode covers a range of topics from Old’s use of line breaks (enjambment that runs contrary to the tedious, end-stopped rhyming lines of hymnals) to the degree to which any art work can be really considered to be autobiographical as artists work from intuition. The episode features Olds reading from two of her poems in Arias (Knopf, 2019).Sharon Olds is the author of twelve books of poetry. Arias was short-listed for the 2020 Griffin Poetry Prize and her 2012 collection Stag’s Leap won both the Pulitzer Prize and England’s T. S. Eliot Prize. Olds is the Eric Maria Remarque Professor of Creative Writing at New York University’s Graduate Creative Writing Program.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet’s great-grandmother. Through several years of research, Russell would seek the words to fill the diary’s omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traversed centuries as the past bleeds into the present.Lauren Russell is the author of Descent (Tarpaulin Sky Press, 2020) and What’s Hanging on the Hush (Ahsahta Press, 2017). She has received fellowships from the National Endowment for the Arts, Cave Canem, and the Wisconsin Institute for Creative Writing, and work has appeared in various publications, including the The New York Times Magazine and the Academy of American Poets’ Poem-a-Day. She was assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh from 2016 to 2020. In August 2020, she joined the faculty of Michigan State University as an assistant professor in the Residential College in the Arts and Humanities and director of the RCAH Center for Poetry.Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com and his website address is https://www.drphiliplance.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets prizes, a Marcia Keach Poetry Prize, and a Robert Pinsky Global Fellowship. She holds an MFA in Creative Writing from Boston University, where she studied with Nobel Laureate Louise Glück and three-term U.S. Poet Laureate Robert Pinsky. Her poems are published internationally and translated into ten languages. She is the author of the chapbook Skurtu, Romania and the full poetry collection The Amoeba Game. Before moving to Romania, she was a lecturer in creative writing at Boston University and taught composition to incarcerated students through BU’s Prison Education Program. She is currently based in Bucharest, where she coaches writing clients around the world and is working on her forthcoming poetry collection Faith Farm.Read “Offering” by Tara Skurtu at thecommononline.org/offering.Find out more about Tara Skurtu at taraskurtu.com, or visit her writing coach page at taraskurtu.com/oneonone.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary.“This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.”“It is not a fallacy that the pulpería owner who wakes updressed in a tunic of warriors’ pelos, or the milkmanpressing his rough hands against the cow’s tectonic body,remembers the skirted boy with an ovarian lipstick for a tongue,the boy who offered a tenth of his knees to the teethof a country with dentures.”— from “Finding Logic in a Crushed Head”Roy G. Guzmán received a 2019 grant from the National Endowment for the Arts and a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Poetry fellowship. Raised in Miami, Florida, Guzmán currently lives in Minneapolis. Catrachos is their first book of poetry, published by Graywolf Press in May 2020. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Like a storm waiting to break over a plain, Shakira Croce pulls at tensions and heartstrings in a debut collection filled with longing, wit, and intelligence. Through masterful imagery, Croce floats between the rural and urban with ease, pulling back the veil to see what lies beneath. These poems do not shy away from looking at life in all its beauty, violence, or complexities because within those boundaries we can begin to understand what it means to be human. As she writes in Homecoming, "It’s about finding/the space/to bring out what’s already/inside you." In Leave It Raw (Finishing Line Press, 2020), Croce makes that space and empties out the heart for all to see.Shakira Croce’s poetry translations have appeared in Babel magazine, and her poetry has been featured in several literary magazines and journals, including the New Ohio Review, Pilgrimage Press, HIV Here & Now, Transactions, Ducts, pioneertown, Permafrost Magazine, and Shark Reef. She was a featured reader in the Boundless Tales Reading Series, and she was a finalist in the Linda Flowers Literary Award competition.Croce holds a Bachelor of Arts from Sarah Lawrence College and a Master’s in Public Administration from Pace University. Born in Geneva, New York in 1987, she grew up in Gainesville, Georgia and later studied in Florence, Italy. She currently works in New York City as Assistant Director of Communications and Public Relations at New York’s largest Medicaid Special Needs Health Plan, Amida Care.  She lives with her husband, son, and two cats in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Freedom Knows My Name (Xavier Review Press, 2020), Kelly Harris-DeBerry creates the world anew from scraps of memories and rhythm. She bounces between the pages, as well as the accompanying audio version of the poems, with confidence. Kalamu Ya Salaam writes in the introduction “The poet’s task is to turn words into song, utter incantations that heal, inspire, be more than ordinary talk” and Harris-DeBerry has a voice that encompasses each other those tasks. It is strong and it is unwavering. Whether she is on the page or in readers’ ears, Harris-DeBerry’s poetry is a bounty of culture, womanhood, home, and possibility. In an age where everything can be, and is, commodified for profit and the cool factor yet the actual Black artists producing the work can be undervalued, Harris-DeBerry’s poetry honors and respects the legacies of Southern migration, the Midwest, and Blackness.Kelly Harris-DeBerry received her MFA in Creative Writing from Lesley University in Cambridge, Mass. She has received fellowships from the Fine Arts Work Center and Cave Canem. Some of her publishing credits include: 400yrs: The story of Black people in poems written from love 1619–2019, Words Beats & Life The Global Journal of Hip Hop, Angles in the Wilderness: Young and Black in New Orleans and Beyond, Torch Literary Magazine, The National Parks Service Centennial Commemoration publication with Sonia Sanchez, Yale University's Caduceus Journal, Southern Review, Say it Loud: Poems for James Brown and many more. Her podcast episode for About Place Journal called Congo Square: Sustaining the Sacred Post-Katrina highlights her talents as a producer and researcher. Kelly is a former guest poetry editor for Bayou Magazine at the University of New Orleans. She serves her literary community as the New Orleans Poets & Writers’ Literary Coordinator and on various community boards. Kelly is a cultural leader with business savvy. Learn more at www.kellyhd.com.Athena Dixon is a NE Ohio native, poet, essayist, and editor. Her essay collection, The Incredible Shrinking Woman, is forthcoming from Split/Lip Press (2020). Athena is also the author of No God in This Room, a poetry chapbook (Argus House Press). Her poetry is included in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). Learn more at www.athenadixon.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

A radical and vivid rendering of poetry from the first Buddhist nuns that brings a new immediacy to their voices.The Therigatha ("Verses of the Elder Nuns") is the oldest collection of known writings from Buddhist women and one of the earliest collections of women's literature in India. Composed during the life of the Buddha, the collection contains verses by early Buddhist nuns detailing everything from their disenchantment with their prescribed roles in society to their struggles on the path to enlightenment to their spiritual realizations. Among the nuns, a range of voices are represented, including former wives, women who lost children, women who gave up their wealth, and a former prostitute.In The First Free Women: Poems of the Early Buddhist Nuns (Shambhala), Matty Weingast revives this ancient collection with a contemporary and radical adaptation. In this poetic re-envisioning that remains true to the original essence of each poem, he infuses each verse with vivid language that is not found in other translations.Simple yet profound, the nuance of language highlights the beauty in each poem and resonates with modern readers exploring the struggles, grief, failures, doubts, and ultimately, moments of profound insight of each woman. Weingast breathes fresh life into this ancient collection of poetry, offering readers a rare glimpse of Buddhism through the spiritual literature and poetry of the first female disciples of the Buddha.Matty Weingast is co-editor of Awake at the Bedside and former editor of the Insight Journal at Barre Center for Buddhist Studies.Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: Yakir1212englander@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry