Isobel O’Hare’s all this can be yours (University of Hell Press, 2019) presents a series of erasures crafted from celebrity sexual assault apologies. These poems offer fierce explorations of the truth hidden behind apologies intended to explain away or dilute culpability, rather than accept responsibility. The result is a powerful collection that opens up a wider conversation surrounding sexual assault and the need for change on a systemic level.Isobel O’Hare is a poet and essayist who has dual Irish and American citizenship. She is the author of the chapbooks Wild Materials (from Zoo Cake Press, 2015), The Garden Inside Her (from Ladybox Books, 2016), and Heartbreak Machinery (forthcoming from dancing girl press in 2019). Her collection of erasures of celebrity sexual assault apologies, all this can be yours, is now available from University of Hell Press. And she is currently editing an anthology of erasure poetry, called Erase the Patriarchy, due out from University of Hell Press in 2019.Isobel earned an MFA in Poetry from Vermont College of Fine Arts and has been the recipient of awards from Split This Rock and The Helene Wurlitzer Foundation of New Mexico. Her work has been reviewed in Harper's Magazine, VICE, Fast Company, The Irish Times, AV Club, and many other publications. Isobel also co-edits the journal and small press Dream Pop with poet Carleen Tibbetts.Andrea Blythe is a co-host of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She serves as an associate editor for Zoetic Press and is a member of the Science Fiction and Fantasy Poetry Association. Learn more at: www.andreablythe.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Basic Programming ( Lavender Ink, 2018), the latest collection by Megan Burns, is an exercise in balance. Between grief and healing. Between humanness and technology. Between examination and acceptance. Building from her brother's death and journeying through her grieving process, Burns guides readers into her heart and back out the other side, all of us changed and inquisitive after learning just what it means to be who we are both as people and programs.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The poetry and prose in Ivy Johnson’s Born Again (The Operating System, 2018) beautifully dives into the ecstatic expression of religious experience. With its confessional style, this collection gives power to the female voice, rending open that which would be hidden behind closed doors. The work blends sensuality and spirituality, merging the grounded reality of existing a physical body in the world with a sense of worship, prayer, and spell casting.I submerge my hands in ink and smear them across the wallI cover my body in rich purple paint and rub against white paperI place a sticker of the Virgin Mary on my bedroom window next to the fire escapeShe hurts with the glow of blue frostI race down the stairs to make snow angels in the dog-pissFill the silhouette of my body with marigolds— from “Take a Moment to Gather Yourself”Ivy Johnson is a poet and performance artist in Oakland, CA. Her book, As They Fall, is a collection of 110 notecards for aleatoric ritual and was published by Timeless, Infinite Light in 2013. She is co-founder of The Third Thing, an ecstatic feminist performance art duo. Portable Press at Yo-Yo Labs published their self-titled chapbook, The Third Thing, in 2016. Her book Born Again came out with The Operating System in 2018. Her most recent chapbook, an excerpt from her current memoir project, came out with Sky Trail press and is called Precious Moments. If you'd like a copy, email her at ivy.m.johnson@gmail.com.Andrea Blythe is a co-host of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She serves as an associate editor for Zoetic Press and is a member of the Science Fiction and Fantasy Poetry Association. Learn more at: www.andreablythe.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In her first full-length collection, A Cruelty Special to Our Species (Ecco Books, 2018), Emily Jungmin Yoon examines forms of violence against women. At its core these poems delves into the lives of Korean comfort women of the 1930s and 40s, reflecting on not only the history of sexual slavery, but also considering its ongoing impact. Her poems beautifully lift the voices of these women, helping to make them heard and remembered — while also providing insight into current events, environmentalism, and her own personal experiences as a woman in the world.During her interview, Emily Jungmin Yoon recommends Autobiography of Death (New Directions Books, 2018), written by Kim Hyesoon and translated by Don Mee Choi, and Hardly War (Wave Books, 2016) by Choi.Andrea Blythe is a co-host of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018),  a collaborative chapbook written with Laura Madeline Wiseman. She serves as an associate editor for Zoetic Press and is a member of the Science Fiction and Fantasy Poetry Association. Learn more at: www.andreablythe.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Pillow of Dreams (Nivedita Lakhera, 2017) is an intensely emotional and inspirational collection of poetry and art by Dr. Nivedita Lakhera. She experienced a stroke, divorce, and then a heartbreak all at the young age of 27. She is a doctor of Internal Medicine and is serving as a Hospitalist in San Jose, California. Her career in medicine has inspired some of her greatest work, such as a poem written about the last moments of life of a cancer patient she treated. In this book, she opens each section with a letter written to the reader. In these sections you will meet: Saibo – the one who loves, Meera- the one who yearns, Anahita-the one who heals, and Mulan – the one who conquers. One hundred percent of the book sale profits go towards developing telemedicine software for Syrian refugee camps, developing countries, tribal / remote areas and acute disaster situations. Her work has inspired many and she is a keynote speaker at multiple conferences. Jeremy Corr is the co-host of the hit Fixing Healthcare podcast along with industry thought leader Dr. Robert Pearl. A University of Iowa history alumnus, Jeremy is curious and passionate about all things healthcare, which means he’s always up for a good discussion! Reach him at jeremyccorr@gmail.com. Audio Player Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this episode, we speak with Vernon Keeve III about his book Southern Migrant Mixtape (Nomadic Press, 2018), a collection published by Nomadic Press. Memoir comes in many forms, be it poetry or prose. Keeve’s work is a bridge between both worlds. In a manner that is simultaneously universal and intimate, his book is an unflinching view at what it is to be black, queer, disenfranchised, jubilant, and resilient. Via his deft pen, Keeve turns his focus on how his own personal history is deeply connected to, and is bolstered by, the black experience in society. It is via this collection, Keeve hopes to create a legacy for the story of his family, his culture, and the future. As he writes in “The decomposition of Emmett,” There is a dis- ease in the land. This collection dissects the diss, the unease, and the sickness of American generations as a means of healing and reconciliation. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Published by the University of Hawaii Press in 2016, Nick Admussen’s exciting new book Recite and Refuse: Contemporary Chinese Prose Poetry explores the development of twentieth-century prose poetry within the unique political and cultural context of Communist China. In this ambitious study, Admussen attempts not only to define prose poetry but also to trace its ever-shifting role in modern Chinese society. In doing so, he produces a study which comprehensively analyses the dynamic manner in which Chinese prose poetry engages with a range of diverse cultural discourses, including science, popular culture and political rhetoric. Throughout the book, Admussen foregrounds the protean nature of the genre by exploring how prose poetry has been used by poets working both within and outside of official Communist Party strictures. Moreover, he identifies Chinese prose poetry as a unique tradition, distinct from Euro-American manifestations of the genre. In addition to these insightful analyses, Recite and Refuse also contains a number of original translations of important Chinese prose poems, including Ouyang Jianghe’s stunning “Hanging Coffin”. Miranda Corcoran received her PhD in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational   paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this special episode of New Books in Australian and New Zealand Studies, we are joined by two fantastic Australian poets. In her new poetic narrative, Walking with Camels: The Story of Bertha Strehlow (UWA Publishing, 2018), poet Leni Shilton takes us back to Central Australia of the 1930s to tell the story of Bertha Strehlow, one of very few white women living among Aboriginal people at the time. In her new collection, The Sky Runs Right Through Us: Poems from the Edge of the Indian Ocean (UWA Publishing, 2018), poet Renee Pettitt-Schipp recounts her time working with asylum seeker and islander students on Christmas Island and the Cocos (Keeling) Islands, an experience that can never be forgotten, even after her return to the Australian mainland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization. Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory. Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Beginning with a rereading of the earliest writing (inventories and transaction records), Young builds his case for the primacy of the list by explicating the ways lists negotiate tensions and paradoxes that have persisted across time. Young extends the work of Foucault, Latour, Borges, Benjamin, Ong, Innis and many others, demonstrating that listing is a cultural technique that constitutes concepts and categories on which technical systems and social institutions are built. List Cultures explores the pop charts and the innerworkings of Buzzfeed, giving readers a chance to see our world anew through the lens of media materialism. Lists draw borders, create hierarchies, and provide points of reference in the world of tastemaking and fandom, and speed the spread of viral media through databases and traced signatures. As an extension and counterpoint, the exploration of lists in the administrative states of Renaissance Italy and Nazi Germany provide careful reflections on how lists have been used to establish facts, determine personhood, police subjects, and build structures of knowledge that expose bodies to violence. Making the case for modernity as primarily logistical in orientation, Young closes List Cultures with a heartening meditation on ways the list has been used to remake old orders, explode boundaries, and extend horizons of possibility. Following Wolfgang Ernst’s argument that real-time data collection channels ancient forms of organizing time, List Cultures‘ final chapter plays with a binary of narrative and non-narrative modes of writing and thinking, asking us to consider how lists can displace the logic of logistical modernity and preserve a heterotopian space for thinking “other.” Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry