Private Passions

Bel Mooney describes her pleasures as: watching for kingfishers, riding pillion on a motorbike, and dancing to a 1962 Wurlitzer. That entertaining list reflects something of her enjoyment of a life which has brought many challenges as well as pleasures. Bel Mooney started out as a writer almost 50 years ago, and in 1976 was one of the first journalists to speak from personal experience about the terrible loss of having a stillborn baby; that article led to the founding of the first national stillbirth society. She’s a novelist, children’s writer and broadcaster, and the advice columnist for the Daily Mail, a job she says is more worthwhile than any other she’s done.In Private Passions, Bel Mooney talks very openly about the ups and downs of a life which has brought about many transformations, about how her stillbirth changed her, and about finding happiness again after the ending of her marriage to Jonathan Dimbleby. Music plays a central role, and her choices include sacred music by Mozart and Pergolesi, Beethoven’s String Quartet in F major, Nigel Kennedy playing unaccompanied Bach, and jazz poetry from Christopher Logue. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

Michael Berkeley’s guest is Bella Hardy, a passionate interpreter of traditional songs who has also blossomed into an accomplished songwriter, drawing on the Peak District, where she grew up, as well as influences from as far away as Nashville and China.Despite being only in her early thirties Bella has nine acclaimed solo albums to her name. She was part of the first - and highly memorable - Folk Prom in the Albert Hall in 2008 and she’s held the title of BBC Radio 2 Folk Singer of the Year.Bella talks to Michael about her passion for storytelling, which is reflected in her love of opera as well as traditional songs – we hear both an aria from Maria Callas and an unaccompanied folk song by Oxfordshire glover Freda Palmer, recorded in the 1950s. She talks about learning to play music by ear; her teenage years playing festivals in a folk band; and the challenges and satisfactions of running her own record label – and raising money to produce her albums through internet crowd funding.A contemporary carol by Philip Stopford illustrates Bella's love of community singing, and her many inspirations are reflected in her choice of music played on instruments as diverse as the English accordion and a form of Chinese lute called the pipa.Producer: Jane Greenwood A Loftus production for BBC Radio 3

Steve Punt is well known thanks to the popular Radio 4 Friday night comedy, The Now Show - with fellow-host Hugh Dennis, he’s been mocking politicians and celebrities for an astonishing twenty years now. He also presents The Third Degree, the Radio 4 quiz which pits undergraduates against professors. But behind the scenes he’s been busy writing for a whole host of other shows, such as Mock the Week and The Mary Whitehouse Experience, for comedians Jasper Carrott and Rory Bremner; he even used to write for the puppets on Spitting Image. He says “Weirdly, I think people are more inclined to believe comedians than they are politicians.” In Private Passions, Steve talk to Michael Berkeley about how it all began: when he was bad at games at school, and forced to play the clown. He reminisces about his first job, in a music shop in Croydon, which he describes as being so rich in comic material that it was a bit like a sitcom – all of life was there. He talks about how audiences have changed thanks to social media, and why he worries that mocking politicians may just be a way of feeding their gigantic egos.Music choices include Sibelius’s Violin Concerto, piano music by Debussy and by Scott Joplin, Shostakovich’s Jazz Suite, Dave Brubeck, and a comic masterpiece by Dudley Moore, “Bedazzled”. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

At first glance chocolate brownies, puff pastry and Battenberg cake don’t seem to have a great deal in common with theoretical maths, but Eugenia Cheng has harnessed her love of cooking in order to tackle the fear of maths so many of us share – and has published a book about it called How to Bake Pi.Her mission is to rid the world of "maths phobia", and to this end she gave up her secure job teaching at Sheffield University to open up the world of maths to students from other disciplines as Scientist in Residence at the School of the Art Institute of Chicago, which also gives her the opportunity to pursue her own research in Category Theory - the purest form of maths. And she’s a highly accomplished pianist, performing in concert halls around the world, as well as founding Liederstube - a popular venue for lieder and art song in Chicago which has hosted performers such as Gerald Finley and Richard Wiegold.Eugenia explains to Michael how chocolate brownies and pure maths are related; how she prefers to work in cafes and bars with pen and paper rather than on a computer, and how her intensely emotional response to music is a release from the intensely ordered world of pure mathematics. And they dismantle stereotypes about Chinese ‘tiger mothers’, girls and maths, and the idea that people who are good at maths are automatically good at music.Eugenia chooses music from Bach’s Matthew Passion, Rachmaninov’s Second Piano Concerto – which she herself has played – and from Mahler’s Resurrection Symphony and Janacek’s opera The Makropulos Case, which take her on an emotional and philosophical journey towards a reconciliation with mortality. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Michael Berkeley's guest is the best-selling author, illustrator, and Children's Laureate Lauren Child.I Will Not Ever Never Eat a Tomato; I Am Too Absolutely Small for School; I Am Not Sleepy and Will Not Go to Bed - these are just three of Lauren Child's bestselling, funny and touching picture books for young children. Her big-eyed characters such as Charlie and Lola, and Hubert Horatio Bartle Bobton-Trent, capture the way children negotiate the small but significant challenges of family life, school and growing up. And they're illustrated with Lauren's trademark collages of her drawings and paintings, magazine cuttings, fabrics and photographs. But she writes for older children too - novels featuring the feisty Clarice Bean and, most recently, Ruby Redfort, who has to juggle her mundane life at school with being a top international secret agent and expert code-breaker. The winner of numerous awards, including the Kate Greenaway Medal and multiple Smarties Prizes, Lauren Child has been Britain's Children's Laureate since 2017.In conversation with Michael Berkeley, Lauren talks about the struggle she faced in her twenties to find direction in life, the challenge and joy of adopting her daughter from Mongolia, and why she can't work unless she's feeling melancholy. She chooses a Mongolian long song for her daughter; music by Satie that conjures up her own childhood; and music by Puccini and Vivaldi used in films that had a huge impact on the development of her imagination. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Ahead of this week's first test against India, Michael Berkeley's guest is cricket commentator Henry Blofeld.Henry was a very promising young cricketer, but his prospects of a first-class career were ended by a near-fatal accident at the age of seventeen. He eventually found his way to cricket journalism and ultimately to Test Match Special, where he was a mainstay for nearly fifty years, illuminating each match with his forensic knowledge of the game, as well as entertaining listeners with sightings of snoozing policemen, passing buses, and pigeons on the outfield.But last year Henry Blofeld declared his long innings in the commentary box closed. At his final test at Lords he was given the great honour of ringing the bell for the start of play, which he did attired in one of his signature colourful outfits - an orange shirt, yellow trousers and shoes, a pale green jacket and a yellow patterned bow tie.In conversation with Michael Berkeley, Henry Blofeld reveals how his accident changed the course of his life, and discusses the difficult decision to retire from broadcasting, and the joy of finding love later in life. He chooses music from Mozart and Puccini which reflects his life-long love of opera; music from Gilbert and Sullivan which reminds him of his Norfolk childhood; a Schubert symphony; and music from Ravi Shankar that recalls the time he almost played for England against India.

Audrey Niffenegger had a huge worldwide success with her first novel, The Time-Traveller's Wife, which sold eight million copies in thirty-six languages. It was made into a film, of which, she says, the least said the better. But that commercial success bought her creative freedom - and what she's done with it is intriguing. After a second novel, about the ghosts in Highgate Cemetery, Audrey Niffenegger has gone back to her first love of art, combining story-telling with comic-book-style illustrations. Her latest graphic novel, "Bizarre Romance", features thirteen stories: about angels, monsters, fairies, cats, and - in her words - "oddballs in love". In Private Passions Audrey Niffenegger tells Michael Berkeley about her own improbable long-distance romance with artist Eddie Campbell, who now illustrates her books. Her eclectic music list goes back to the twelfth century, with music by Hildegard von Bingen, and forward to Philip Glass, Radiohead, and the American experimental composer Pauline Oliveros, who recorded music fourteen feet down in an underground cistern. In fact, so great is Audrey Niffenegger's love of minimalism that she confesses she was even once seduced into listening, for some time, to the low mesmeric thrumming she heard in a foreign hotel room - before she realised it was not the radio but the the hotel heating system. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Paco Peña first started playing the guitar at the age of six; it was his older brother's guitar, and since there were nine children in the family, all living in two rooms in a crowded house in Córdoba, he had a ready-made audience right from the beginning. He made his first professional appearance at the age of twelve, and toured through Spain before moving to London in the 1960s, where he found himself sharing concerts with Jimi Hendrix. Over the last fifty years, he's established a world-wide reputation as a pre-eminent master of flamenco guitar. He's a composer, too, of both a requiem and a mass in flamenco style. In Private Passions, Paco Peña takes us back to the Spain of his childhood; this was only a few years after the end of the Spanish Civil War, and he describes the country he was born into as "fragile and tortured". He talks too about making a living as a musician on the Costa Brava, where he met his wife, and about what it was like to arrive in London in the 1960s, a time when flamenco guitar was relatively unknown. Music choices include Mozart, Beethoven, de Falla - the Argentinian composer Eduardo Falú - and Bach, the composer Peña always listens to before going on stage to perform. He includes too the track he regards as flamenco at its quintessential best, by singer Camarón de la Isla and guitarist Paco de Lucía. And he gives away a few trade secrets about how to master passionate flamenco strumming - it involves painting your fingernails with glue. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

The actor Adjoa Andoh talks to Michael Berkeley about her passion for theatre, opera, and the music that reflects both her English and African heritage.Whether you're a regular at the National Theatre or Old Vic, prefer your entertainment on the big screen, or like to curl up on the sofa in front of Dr Who or Casualty (or - even - with the radio), you'll be familiar with the work of Adjoa Andoh. The daughter of a history teacher and of an exiled Ghanaian journalist, she was heading for a career in the law before making a dramatic switch to acting, and has scarcely been out of work since. Her recent theatre work includes playing the exiled Black Panther leader in Assata Taught Me at The Gate, and Casca in Nicholas Hytner's highly acclaimed production of Julius Caesar at the Bridge Theatre.She chooses music by Vaughan Williams, Rimsky-Korsakov, Bernstein, Puccini, Britten, and the African musician Dade Krama - music which reflects joyous moments in her life but also the challenges she's faced: growing up mixed race in rural England in the 60s and 70s, forging a career as an actor without a drama school training, and speaking up about being the mother of a transgender child. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Kim Moore won the prestigious Geoffrey Faber Memorial Prize this year for her first poetry collection, "The Art of Falling", and is still only in her thirties. The judges described her prize-winning collection as "thrilling: language at its most irresistible and essential". But however thrilling, poets need to make a living, and Kim Moore's day job has been as a trumpet teacher, in Cumbria where she lives. She's also conducted brass bands. In Private Passions, Kim Moore explores her musical passion for brass, from Handel's Messiah through to Britten's Serenade for Tenor, Horn and Strings, taking in the Grimethorpe Colliery Band on the way. She tells Michael Berkeley how she started writing, and about her sequence of poems exploring a dark and abusive relationship. She reflects too on the influence of her father's job as a scaffolder, and how a fear of falling and images of falling haunt her work. And there are some true confessions about what it's like to play the trumpet in a bandstand with one dog and the drunk who slept there the night before. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.