Private Passions

Memory, desire, madness: these are the themes that fascinate Lisa Appignanesi and that she’s explored over the last forty years in novels, in memoirs, and in prize-winning books such as “Mad, Bad and Sad”, a history of women and mind doctors. Lisa Appignanesi is the Chair of the Royal Society of Literature and a former President of English PEN, an organisation which campaigns for free speech. She’s written about cabaret, about Proust and fin-de-siecle Paris, about Simone de Beauvoir, about Freud, and about her own troubled search for identity. In Private Passions she tells Michael Berkeley about her childhood in Poland, where she was born Elżbieta Borensztejn, and about the way identities in her family were always shifting, “always there for the making”. She reflects on the power of the dead to haunt us, expressed by Monteverdi in his opera Orfeo, and admires the strength of singers Bessie Smith and Lotte Lenya, alongside music choices such as Mozart's ’The Marriage of Figaro’, Laurie Anderson, and Prokofiev’s ‘Peter and the Wolf’. Produced by Elizabeth Burke A Loftus Production for BBC Radio 3

Tim Firth is the man behind the show that captured the nation’s heart: Calendar Girls, the true story about a Women’s Institute who produced a naked calendar. It’s been a film, a play, and is now a musical.He’s also responsible for the hugely successful film Kinky Boots, as well as multi-award winning TV shows, films and more musicals including Neville’s Island, The Flint Street Nativity, Preston Front, and most recently The Band, a collaboration with his long-time friend Gary Barlow and Take That.But surprisingly there are no songs from musical theatre in Tim’s choices for Private Passions. Instead he shares with Michael Berkeley his love of Baroque, with music from Bach and from Albinoni (first heard on his honeymoon), and he chooses music by Delius and by Copland that resonates with the folk music he loved as a child. Tim talks movingly about the emotional impact of music in his life, whether it’s writing the perfect song for a show or being spellbound by hearing Gorecki for the first time in a forest in the Lake District. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Sigrid Rausing is a writer, publisher and philanthropist. She’s the co-founder of Portobello books, the owner of Granta books, and the editor of Granta literary magazine, a role she says she hugely enjoys. It’s impossible though to talk about her own achievements without mentioning her Swedish family background: her grandfather founded the packaging company Tetra Pak, and his brilliant idea for the invention of waxed cardboard cartons for milk and fruit juice brought him great wealth - and has allowed his grand-daughter to found one of the biggest philanthropic organizations in this country. But the family has been marked by great tragedy too: in 2012, Sigrid’s sister-in-law Eva died of a drugs overdose and her brother, who was also an addict, was arrested for possession of drugs, and for keeping his wife’s body at home with him.In conversation with Michael Berkeley, Sigrid talks about the terrible effect of drug addiction on her family, and the guilt she and everyone around her feels about what happened. She looks back on her early career as an anthropologist, and reflects on the pleasures and challenges of editing a literary magazine. Music choices include Mozart’s clarinet concerto, Brahms’s Handel Variations, Liszt’s transcription of Schubert, and Ella Fitzgerald singing “Anything Goes”. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Michael Berkeley talks to the actor Clarke Peters about his passion for breaking down barriers between musical traditions. Best known for his television roles as Detective Lester Freeman in The Wire and Albert Lambreaux in Treme, Clarke has also appeared in films such as Notting Hill, Mona Lisa and Three Billboards Outside Ebbing, Missouri. And he has a rich career in music too – from busking in France in his youth to working as a backing singer for David Essex and for Joan Armatrading – if you listen carefully you can hear him on her iconic song Love and Affection. And he’s appeared in Chicago, Chess, and Porgy and Bess to name but a few musicals. In 1990 he created the award winning revue Five Guys Named Moe, based on the music of Louis Jordan. Clarke’s choices of music reflect the trans-Atlantic nature of his life: a piece written in France by the New Orleans composer Gottschalk, which he heard when filming Treme; music by Ravel and by Debussy; and Gershwin’s Rhapsody in Blue, which always takes him straight back to his birthplace, New York. And his final piece – Nat King Cole playing Rachmaninoff - illustrates perfectly his desire to open people’s ears to the cultural breadth of classical music. Producer: Jane Greenwood A Loftus production for BBC Radio 3

This week’s Private Passions is pretty crowded, with Kirsty Wark, Fiona Bruce, Emily Thornberry and Theresa May all putting in appearances - in the person of Jan Ravens, from the award-winning Radio 4 show Dead Ringers. Jan’s career has been a series of firsts – she was, in 1979, the first female president of the Cambridge Footlights, and the show she directed in Edinburgh went on to win the first ever Perrier Award. She was one of the first women to appear with Jasper Carrott and on Spitting Image, and last year she made her solo Edinburgh debut with her show Difficult Woman.Jan tells Michael how her difficult childhood was transformed by writing and performing at Cambridge, about the battles she’s fought to have women equally represented on comedy shows and discusses the frequently negative perception of women in positions of power.And she demonstrates just how she got inside the voice of Theresa May. Jan’s passion isn’t just for female speaking voices but for singing voices too, and she’s chosen to hear four women singers: Maria Callas, Kathleen Ferrier, Jessye Norman and Barbara Cook.Producer: Jane Greenwood A Loftus production for BBC Radio 3

Actor and theatre director Daniel Evans shares with Michael Berkeley his passions for musical theatre, opera and the piano. Daniel Evans grew up in the Rhondda Valley and won praise and prizes at Eisteddfods as a teenager. Since then his career has been something of a high-wire act: balancing performing versus directing and theatre management, stage versus screen, popular musicals versus edgy new dramas.He first made his name twenty years ago as an actor, in Peter Pan at the National Theatre and then as an outstanding interpreter of Sondheim, twice winning Oliviers for Best Actor in a Musical. He’s also well known for his roles in television and film, from Spooks and Dr Who to Great Expectations.And then in 2009 Daniel Evans was appointed Artistic Director of Sheffield Theatres and he’s now at Chichester Festival Theatre. His stage production of The Full Monty went into the West End and continues to be on tour nationwide, and Flowers for Mrs Harris - a new musical about the life of a post-war char lady being transformed by the sight of a Christian Dior dress – won three UK Theatre Awards. Daniel tells Michael about meeting Sondheim whilst performing in New York, about his passion for singing, and about the importance of the tradition of the actor-manager in British theatre. He chooses music by Sondheim and Bernstein that reflects his passion for musical theatre, and he shares his love of opera with music by Britten and Donizetti.And we hear Bryn Terfel sing a Welsh folk song which takes Daniel back to the valleys and Eisteddfods of his childhood. Producer: Jane Greenwood A Loftus production for BBC Radio 3

David Rieff has admitted ruefully that he’s made a career out of telling people what they don’t want to hear: whether it’s the politics of the global food crisis in his book “The Reproach of Hunger”, or the failure of the West to prevent the terrible bloodbath of Bosnia in his provocatively-titled “Slaughterhouse: Bosnia and the failure of the West”. As a war correspondent, Rieff has worked in the Balkans, in Rwanda and the Congo, in Israel-Palestine, in Afghanistan and Iraq. He’s not afraid to tackle the big issues: immigration, exile, American imperialism. There are thirteen books in all, including a memoir about his mother, the American writer Susan Sontag. In Private Passions, David talks to Michael Berkeley about being “Susan Sontag’s son”, and whether that label has at times been a burden. He’s her only child and Sontag was only 19 when he was born. He reflects on the privilege and yet strangeness of his New York upbringing, and how he has used that background “to make a living being a critic of everything. That’s an immense privilege.” David Rieff is a passionate fan of Early music, and his choices include the 16th-century composer Orlando di Lassus, and Alfred Deller singing Purcell. Other choices include Bach’s moving cantata “Ich Habe Genug”, Shostakovich, Beethoven, and Bluegrass.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Rebecca Stott grew up in a community where the following things were forbidden: newspapers, television, cinema, radio, pets, universities, wristwatches, cameras, holidays – and music. Her family belonged to one of the most reclusive sects in Protestant History, the “Exclusive Brethren”, which has 45,000 followers worldwide. How and why she left the Brethren is the gripping story told in her memoir, “In the Days of Rain”, which won a Costa Prize in 2017. Before that there were two historical novels; two books about Darwin; and a body of academic work about 19th century writers. Rebecca Stott is currently Professor of literature and creative writing at the University of East Anglia. It’s a remarkable career for someone who grew up not being allowed to read freely, or even to enter a library. In Private Passions Rebecca Stott tells the story of how her family escaped from the sect, and how the outside world flooded in, in all its technicolour. The discovery of music was particularly exciting, and she has never forgotten the impact of Rachmaninov and of Mozart. She reveals that after she wrote about the sect, she gathered hundreds of thousands of pages of testimony from other former members, telling stories of scandal and suffering. And she reflects on the lifelong influence of growing up in a religious sect that believed the world would end any minute, and everyone on earth would literally disappear into the air. Music choices include Pergolesi’s “Stabat Mater”, Klezmer music, Mozart’s Piano Concerto no 21, Rachmaninov, Paul Simon, and Leonard Cohen. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Michael Berkeley’s guest on the centenary of Armistice Day is the historian Margaret MacMillan.In this year’s Reith Lectures, Margaret Macmillan delivered a powerful series of lectures exploring war and society, and our complex feelings towards those who fight. She is Emeritus Professor of International History at the University of Oxford, and Professor of History at the University of Toronto in her native Canada.But she wasn’t always as well known as she is now; her book Peacemakers, about the Paris Conference at the end of the First World War, was rejected by a string of publishers – before winning the 2002 Samuel Johnson Prize and catapulting her into the public eye in her late fifties.Many more best-selling and prize-winning books have followed, including Nixon in China, The Uses and Abuses of History, and The War That Ended Peace, about the long build-up to the First World War.In conversation with Michael Berkeley, Margaret Macmillan reflects on how our perception of the First World War has changed in the last hundred years, and sounds a note of warning as she perceives worrying parallels between the years leading up to that conflict and the state of the world today. Both her grandfathers fought in the First World War and she chooses music which reflects her Welsh and Scottish heritage, as she argues for the importance of personal stories within the big picture of history.She and Michael Berkeley explore the paradox that great works of literature, art, and music are created out of the horror of war, and she chooses music from both World Wars by Ravel, by Strauss and by Tippett; all of whom, in different ways, bring beauty out of appalling suffering and destruction.Producer: Jane Greenwood A Loftus production for BBC Radio 3

It’s the size and shape of a cauliflower, and weighs about 3 lbs. And yet the average human brain has so many intricate and complex connections that if you counted one connection every second it would take you more than three million years.Professor Anil Seth has devoted his career to trying to understand the brain, puzzling over the mystery of consciousness itself. He’s Professor of Cognitive and Computational Neuroscience at the Sackler Centre at the University of Sussex, and the author of a popular book, “The 30-second Brain”. In Private Passions, he muses on how our consciousness of the world, and of ourselves, is “one of the big central mysteries of life”. And it’s a mystery we face every day – when we fall asleep and when we wake up. In conversation with Michael Berkeley, Anil Seth explores the concept of free will (he doesn’t believe in it); why music evokes such strong memories; and how meditation changes the structure of the brain. Music choices include Chopin, Bach, Nina Simone, and an ancient Hindi mantra.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke