This week’s Private Passions is pretty crowded, with Kirsty Wark, Fiona Bruce, Emily Thornberry and Theresa May all putting in appearances - in the person of Jan Ravens, from the award-winning Radio 4 show Dead Ringers. Jan’s career has been a series of firsts – she was, in 1979, the first female president of the Cambridge Footlights, and the show she directed in Edinburgh went on to win the first ever Perrier Award. She was one of the first women to appear with Jasper Carrott and on Spitting Image, and last year she made her solo Edinburgh debut with her show Difficult Woman.Jan tells Michael how her difficult childhood was transformed by writing and performing at Cambridge, about the battles she’s fought to have women equally represented on comedy shows and discusses the frequently negative perception of women in positions of power.And she demonstrates just how she got inside the voice of Theresa May. Jan’s passion isn’t just for female speaking voices but for singing voices too, and she’s chosen to hear four women singers: Maria Callas, Kathleen Ferrier, Jessye Norman and Barbara Cook.Producer: Jane Greenwood A Loftus production for BBC Radio 3

Actor and theatre director Daniel Evans shares with Michael Berkeley his passions for musical theatre, opera and the piano. Daniel Evans grew up in the Rhondda Valley and won praise and prizes at Eisteddfods as a teenager. Since then his career has been something of a high-wire act: balancing performing versus directing and theatre management, stage versus screen, popular musicals versus edgy new dramas.He first made his name twenty years ago as an actor, in Peter Pan at the National Theatre and then as an outstanding interpreter of Sondheim, twice winning Oliviers for Best Actor in a Musical. He’s also well known for his roles in television and film, from Spooks and Dr Who to Great Expectations.And then in 2009 Daniel Evans was appointed Artistic Director of Sheffield Theatres and he’s now at Chichester Festival Theatre. His stage production of The Full Monty went into the West End and continues to be on tour nationwide, and Flowers for Mrs Harris - a new musical about the life of a post-war char lady being transformed by the sight of a Christian Dior dress – won three UK Theatre Awards. Daniel tells Michael about meeting Sondheim whilst performing in New York, about his passion for singing, and about the importance of the tradition of the actor-manager in British theatre. He chooses music by Sondheim and Bernstein that reflects his passion for musical theatre, and he shares his love of opera with music by Britten and Donizetti.And we hear Bryn Terfel sing a Welsh folk song which takes Daniel back to the valleys and Eisteddfods of his childhood. Producer: Jane Greenwood A Loftus production for BBC Radio 3

David Rieff has admitted ruefully that he’s made a career out of telling people what they don’t want to hear: whether it’s the politics of the global food crisis in his book “The Reproach of Hunger”, or the failure of the West to prevent the terrible bloodbath of Bosnia in his provocatively-titled “Slaughterhouse: Bosnia and the failure of the West”. As a war correspondent, Rieff has worked in the Balkans, in Rwanda and the Congo, in Israel-Palestine, in Afghanistan and Iraq. He’s not afraid to tackle the big issues: immigration, exile, American imperialism. There are thirteen books in all, including a memoir about his mother, the American writer Susan Sontag. In Private Passions, David talks to Michael Berkeley about being “Susan Sontag’s son”, and whether that label has at times been a burden. He’s her only child and Sontag was only 19 when he was born. He reflects on the privilege and yet strangeness of his New York upbringing, and how he has used that background “to make a living being a critic of everything. That’s an immense privilege.” David Rieff is a passionate fan of Early music, and his choices include the 16th-century composer Orlando di Lassus, and Alfred Deller singing Purcell. Other choices include Bach’s moving cantata “Ich Habe Genug”, Shostakovich, Beethoven, and Bluegrass.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Rebecca Stott grew up in a community where the following things were forbidden: newspapers, television, cinema, radio, pets, universities, wristwatches, cameras, holidays – and music. Her family belonged to one of the most reclusive sects in Protestant History, the “Exclusive Brethren”, which has 45,000 followers worldwide. How and why she left the Brethren is the gripping story told in her memoir, “In the Days of Rain”, which won a Costa Prize in 2017. Before that there were two historical novels; two books about Darwin; and a body of academic work about 19th century writers. Rebecca Stott is currently Professor of literature and creative writing at the University of East Anglia. It’s a remarkable career for someone who grew up not being allowed to read freely, or even to enter a library. In Private Passions Rebecca Stott tells the story of how her family escaped from the sect, and how the outside world flooded in, in all its technicolour. The discovery of music was particularly exciting, and she has never forgotten the impact of Rachmaninov and of Mozart. She reveals that after she wrote about the sect, she gathered hundreds of thousands of pages of testimony from other former members, telling stories of scandal and suffering. And she reflects on the lifelong influence of growing up in a religious sect that believed the world would end any minute, and everyone on earth would literally disappear into the air. Music choices include Pergolesi’s “Stabat Mater”, Klezmer music, Mozart’s Piano Concerto no 21, Rachmaninov, Paul Simon, and Leonard Cohen. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Michael Berkeley’s guest on the centenary of Armistice Day is the historian Margaret MacMillan.In this year’s Reith Lectures, Margaret Macmillan delivered a powerful series of lectures exploring war and society, and our complex feelings towards those who fight. She is Emeritus Professor of International History at the University of Oxford, and Professor of History at the University of Toronto in her native Canada.But she wasn’t always as well known as she is now; her book Peacemakers, about the Paris Conference at the end of the First World War, was rejected by a string of publishers – before winning the 2002 Samuel Johnson Prize and catapulting her into the public eye in her late fifties.Many more best-selling and prize-winning books have followed, including Nixon in China, The Uses and Abuses of History, and The War That Ended Peace, about the long build-up to the First World War.In conversation with Michael Berkeley, Margaret Macmillan reflects on how our perception of the First World War has changed in the last hundred years, and sounds a note of warning as she perceives worrying parallels between the years leading up to that conflict and the state of the world today. Both her grandfathers fought in the First World War and she chooses music which reflects her Welsh and Scottish heritage, as she argues for the importance of personal stories within the big picture of history.She and Michael Berkeley explore the paradox that great works of literature, art, and music are created out of the horror of war, and she chooses music from both World Wars by Ravel, by Strauss and by Tippett; all of whom, in different ways, bring beauty out of appalling suffering and destruction.Producer: Jane Greenwood A Loftus production for BBC Radio 3

It’s the size and shape of a cauliflower, and weighs about 3 lbs. And yet the average human brain has so many intricate and complex connections that if you counted one connection every second it would take you more than three million years.Professor Anil Seth has devoted his career to trying to understand the brain, puzzling over the mystery of consciousness itself. He’s Professor of Cognitive and Computational Neuroscience at the Sackler Centre at the University of Sussex, and the author of a popular book, “The 30-second Brain”. In Private Passions, he muses on how our consciousness of the world, and of ourselves, is “one of the big central mysteries of life”. And it’s a mystery we face every day – when we fall asleep and when we wake up. In conversation with Michael Berkeley, Anil Seth explores the concept of free will (he doesn’t believe in it); why music evokes such strong memories; and how meditation changes the structure of the brain. Music choices include Chopin, Bach, Nina Simone, and an ancient Hindi mantra.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

As part of Radio 3’s celebration of forests this autumn, Michael Berkeley’s guest is the American novelist Richard Powers. His latest novel, The Overstory, is his twelfth, and it’s a monumental work which was entirely inspired by trees. It all started when Powers was teaching in California, and visited the giant redwoods there. That encounter amounted he says to “a religious conversion”. He realised he’d been blind to these amazing creatures all his life. So, to make up for lost time, in his new Booker long-listed novel he gives trees a voice: "A woman sits on the ground, leaning against a pine. Its bark presses hard against her back, as hard as life. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things, in words before words."Inspired by his passion for trees, Richard Powers has now moved to live in the forests of the Smoky Mountains which run along the border between North Carolina and Tennessee. "In 15 to 20 minutes, I can be up and walking in these forests that are recovering from a century-and-a-half of logging and see the way that nature persists and transforms and perseveres."On a brief trip to London, he looks back over a thirty-year writing career in which each novel is more audacious than the last. But one theme runs through all his writing: the power of music, and Powers plays the cello, guitar, clarinet and saxophone. His music choices include Dowland’s “Time Stands Still”, Bartok’s String Quartet No. 4, Bach’s Cantata BWV 100, and Charles Ives’ Concord Sonata. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Big Issue founder John Bird talks to Michael Berkeley about the role music played in transforming his life. For two weeks in 1970 John Bird worked in the Houses of Parliament washing dishes; in 2015 he returned as a life peer. To say he didn’t have a great start in life is something of an understatement. Born in 1946 in a Notting Hill slum, he was five when his family was made homeless and at seven he was taken into care. Much of his teens was spent in reform school, he slept rough, and he went to prison several times for stealing. But John Bird turned his life around and has devoted it to fighting for social justice and particularly for homeless people, founding the Big Issue in 1991 with Gordon Roddick. Nearly thirty years on, and with over 200 million copies sold, it’s become a multi-million pound social investment enterprise, and has helped 92,000 vendors earn nearly £120 million pounds. John tells Michael about the music that cut through his chaotic childhood, and we hear Brahms’ Academic Festival Overture, played to John's class by a beleaguered music teacher and which John has never forgotten.Passionate about making classical music accessible to all and breaking down notions of elitism in music, John chooses works by Grieg, Tchaikovsky, Weber, Wagner and Steve Reich, music he has discovered on his extraordinary journey from reform school and prison to the House of Lords. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Ed Vulliamy has worked all around the world as a journalist; he’s best-known for his prize-winning coverage of the war in Bosnia, on television and in The Guardian. The war crimes he reported on led to his becoming a witness in the trial of the Bosnian Serb leader Radovan Karadzic, and he was the first journalist since the Nuremberg trials to testify at an international war crimes tribunal. He went on to cover the 9/11 attacks in New York, and more recently the drug wars on the US/Mexico border. Ed Vulliamy is also the son of the much-loved children’s author Shirley Hughes, something that often eclipses all his other achievements, and he was immortalised as a teenager in her books. Music has been crucial to him all through his career, and in conversation with Michael Berkeley he reveals that his very first job was as an extra in a production of Aida.He talks movingly about his experience in Bosnia, about the psychological after-effects of being so near the horror of war, and about why he wishes he’d been a cartoonist instead. Music choices include Verdi, Schubert, Shostakovich, Joan Baez, Mozart’s “Marriage of Figaro”, and the Bosnian singer Amira Medunjanin.Produced by Elizabeth Burke A Loftus production for BBC Radio 3

Bel Mooney describes her pleasures as: watching for kingfishers, riding pillion on a motorbike, and dancing to a 1962 Wurlitzer. That entertaining list reflects something of her enjoyment of a life which has brought many challenges as well as pleasures. Bel Mooney started out as a writer almost 50 years ago, and in 1976 was one of the first journalists to speak from personal experience about the terrible loss of having a stillborn baby; that article led to the founding of the first national stillbirth society. She’s a novelist, children’s writer and broadcaster, and the advice columnist for the Daily Mail, a job she says is more worthwhile than any other she’s done.In Private Passions, Bel Mooney talks very openly about the ups and downs of a life which has brought about many transformations, about how her stillbirth changed her, and about finding happiness again after the ending of her marriage to Jonathan Dimbleby. Music plays a central role, and her choices include sacred music by Mozart and Pergolesi, Beethoven’s String Quartet in F major, Nigel Kennedy playing unaccompanied Bach, and jazz poetry from Christopher Logue. Produced by Elizabeth Burke A Loftus production for BBC Radio 3