Private Passions

Earlier this year, when Hannah Sullivan won the biggest prize in the poetry world, the TS Eliot Prize, the chair of the judges announced: “A star is born. Where has she come from?” Such a prestigious prize is a rare honour, as the book, Three Poems, was Hannah Sullivan’s first published collection. Up until then, she’d established a successful academic career, studying at Cambridge, teaching at Harvard and for the last seven years at New College Oxford, where she’s an Associate Professor of English. In Private Passions, Hannah Sullivan talks to Michael Berkeley about the time in New York which inspired her prize-winning poems, and why she wanted to capture what it’s like to be alone and vulnerable in a strange city. She reads from a new poem about Grenfell Tower, which will be published next year. And she reveals a passion for Nina Simone. Other music choices include Strauss’s “Der Rosenkavalier”, the Dvorak Cello Concerto, the Schubert String Quintet, and a setting of a poem by Thomas Campion so perfect she wishes she’d written it: “What is love but mourning?”A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

At the age of 27, Peter Piot’s life was changed by the arrival of a special package from Africa. He was working as a researcher in a microbiology lab in Antwerp, Belgium; and, in September 1976, the lab was alerted that a package was on its way from Zaire: samples of blood from an epidemic that was stirring along the river Congo. Several Belgian nuns had already died of a strange new disease. The disease – which Peter Piot and his team identified, and named – was Ebola, and he went on to play a leading role in helping to contain the epidemic. He then led research into the worldwide epidemic which followed, the new disease of AIDS, becoming President of the International Aids society. Peter Piot has held prominent positions in the United Nations and in the World Health Organisation and has been ennobled both in Belgium and in Britain, where in 2016 he was made an honorary Knight Commander of the Order of St Michael and St George. It’s a career which has taken him all over the world, and though Peter Piot is now the director of the London School of Hygiene and Tropical Medicine in London, he still travels a great deal. His musical choices reflect that, with music from Africa, including a piece performed for him on his 60th birthday by the 'king of Rumba Rock', Papa Wemba. He includes, too, a rarely heard viol piece by the Flemish composer Leonora Duarte, which he discovered when he was studying in Antwerp. With the horrifying return of Ebola, Peter Piot reflects on a career which has been spent very close to the dead and dying. And he chooses music which helps him make sense of the tragedies he has witnessed first-hand: Kathleen Ferrier singing Gluck’s heart-breaking aria “Che Faro”. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

As the 50th anniversary of the moon landings approaches, James Burke talks to Michael Berkeley about the music that brings back memories of the heady days when, new to science broadcasting, he was chosen by the BBC to lead the coverage of the Apollo Missions and the moment the first human stepped onto the Moon. James Burke has the rare gift of making complex ideas comprehensible to a wide audience – and providing a great deal of entertainment along the way. He began his BBC career on Tomorrow’s World, and his series Connections, which offered a new perspective on the history of science and technology, was a television landmark. James is the author of more than a dozen books, and his series about his long-running project The Knowledge Web was broadcast recently on Radio 4. The surprising thing about James Burke is that he studied Middle English at university and got into science broadcasting quite by accident while working in Italy. He tells Michael how it happened and plays a Neapolitan song which reminds him of the years he spent there as a young man. He chooses music that reminds him of his musical childhood – Mozart’s Clarinet Quintet which he played at school, and a piece by Handel which he sang. His lifelong love of playing the guitar is reflected in music by Albeniz, and James makes some truly startling predictions about how technology is about to utterly transform our lives. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Sarah Langford is a barrister; in her words, her job is “to represent the mad and the bad, the broken and the hopeful” – telling their stories in court. After thirteen years of practice, she decided to tell their stories in a book, too. In Your Defence was published last year and has had a huge impact. In it she tells the stories of eleven people she represented in both the criminal and family courts: harrowing stories of mothers whose babies are taken away at birth, teenagers caught up in addiction, a wife who’s abused, a boy whose parents fight over him for years. In Private Passions, she talks to Michael Berkeley about why she felt it was important to get these people’s stories into the public domain, at a time when the criminal justice system in Britain is facing overwhelming pressure. One of the challenges of the job is to decompress, after the emotions of a day fighting a case in court, and this is where listening to music is crucial. “When I was coming home on the train from court, I would often find myself wrestling with emotions about all that had happened that day. I had Bach’s cello suites on my phone playlist and would listen over and over whilst writing my attendance note and closing the case, both literally and mentally. The music helped me remove myself from the carriage and also gave me a way to feel contemplative about what had gone on.” Other choices include Lutoslawski, Messiaen, Paul Dukas, Benjamin Clementine, and choral music by Morten Lauridsen. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

In the early 1990s Harry Enfield went from being a part-time milkman to one of our biggest comedy stars, and many of the characters he created have become embedded in our national psyche - Loadsamoney, Kevin the Teenager, Tim Nice-But-Dim, Wayne and Waynetta Slob, Stavros and Smashie and Nicey, to name just a few. He started out on Spitting Image and Saturday Night Live, and his television shows in the 1990s reinvigorated British sketch comedy, gaining him more than 13 million viewers a week. Films, documentaries, and more comedy series have followed, as well as a hugely successful theatre show with his comedy partner of nearly 30 years, Paul Whitehouse.Harry tells Michael Berkeley about how his journey from punk to opera - his great musical passion - developed when he was living in a council flat in his twenties and borrowing a record a week from the library. We hear parts of two Verdi operas that inspired the theme tunes for his first two television series. He reveals why he’s chosen the aria Largo al Factotum from The Barber of Seville in tribute to Paul Whitehouse and we hear a moving performance by John Tomlinson as Boris Godunov. Music by Elgar and by Schubert brings back memories of Harry's time at university and he talks movingly about family life and his relationship with his father Edward, who enjoyed a late-flowering career as a journalist and broadcaster. And he quotes a less than flattering entry about his grandparents from Virginia Woolf’s diary. Harry doesn’t usually do interviews so it’s a real pleasure to hear him talking about his life through the music he loves.Producer: Jane Greenwood A Loftus production for BBC Radio 3

June Spencer can walk down the street unrecognised, but as soon as she starts to speak, she’s known instantly by millions. That’s because, since the very first episode in 1950, she’s played Peggy in The Archers – that’s more than 68 years. The only remaining member of the original cast, she’s been honoured with both an OBE and a CBE. As part of the celebrations for her 100th birthday she talks to Michael Berkeley about her life-long love of music. A keen pianist, she had to leave school at 14 to look after her sick mother, but persisted with music and acting classes and forged a successful career on stage and in radio. June tells Michael why she thinks The Archers has such enduring appeal and why it’s so important for the series to have topical and challenging story lines. For many years her character Peggy struggled with her husband Jack Woolley’s Alzheimer’s - a disease which sadly claimed the life of June’s own husband. June chooses music by Vivaldi which reminds her of her late son David, a talented ballet dancer; pieces by Rossini and by Bruch which recall her Mediterranean holiday home; and music by Mendelssohn and by Rachmaninov which reminds her of the early days of her acting career.These pieces illuminate a moving conversation between June and Michael about the realities of old age and the pleasure of memory. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Lucasta Miller is a writer fascinated by the Romantic, and the dark excesses of the Gothic. Her latest subject is a poet, Letitia Landon, whose life was scandalous and whose sudden death is like a scene from a detective novel. In her day, Landon was an icon, hailed as a “female Byron” – and a favourite of the Brontë sisters, who were the subject of Lucasta Miller’s previous book. Both biographies were years in the making, partly because they involved such meticulous research, partly because Lucasta Miller was at the same time writing journalism, editing books, teaching English to refugees, bringing up children and generally holding together a household, the other half of which is the singer Ian Bostridge. In Private Passions, Lucasta Miller talks to Michael Berkeley about her lasting obsession with the gothic, and about the dark secrets concealed in Letitia Landon’s life. The theme of dark secrets takes her to the first German Romantic opera, Weber’s Der Freischütz, and the terrifying Wolf’s Glen. She discusses too what biographers can bring to our understanding of music and chooses a song by Clara Schumann, written just as she was on the point of marriage to Robert. And in relation to her own husband, Lucasta talks honestly about how difficult the life of a professional musician is, both for them and for their family at home. Does husband Ian Bostridge make it onto the playlist? As she says, she felt she was damned if she chose him, damned if she didn’t. So she does include him in the end, singing a lyrical song by Hans-Werner Henze which was written for Bostridge. Other musical choices include Maria Callas singing from Bellini’s Norma, and the Bach cello suites played by Stephen Isserlis.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

At thirty-two, Robert Icke is already one of this country’s leading theatre directors. He’s best-known for his modern adaptations of classic texts; his version of the Greek tragedy the Oresteia won him an Olivier in 2016 for Best Director, and both the Critics Circle and the Evening Standard Theatre Awards. He wrote a seventy-minute prequel to the Aeschylus play himself, so there’s no shortage of ambition; and playfulness too – in Mary Stuart, which starred Juliet Stevenson and Lia Williams, a coin was tossed each night to decide which of them would play Elizabeth I and which Mary Stuart. He’s about to leave the Almeida after six years. His first production as a freelance director in Europe is with Ivo van Hove, in his International Theatre Amsterdam.Robert Icke has a lot to say about the state of theatre in this country, which he thinks is in big trouble. He’s particularly concerned about young people trying to enter the profession, when wages are so low and it’s so expensive to live in London, where most work is being made. Tickets have become so expensive that it’s simply impossible for young people to go to the theatre and see what’s being done. Rob’s musical tastes span 12th-century polyphony to 1960s pop music. And he includes a Chopin piece which he is struggling with himself on the piano, helped by his boyhood piano teacher Mrs White in Middlesborough, who now comes to all his shows.A Loftus production for BBC Radio 3. Produced by Elizabeth Burke.

The actress and comedian Jess Robinson tells Michael Berkeley how her training as a classical singer informs her impressions of a vast range of singers, including Kate Bush, Bjork, Lady Gaga, Billie Holiday and Julie Andrews.A regular on Radio 4’s The Now Show, Dead Ringers, and 15 Minute Musicals, Jess made her name starring on stage in Little Voice and playing Joan Collins’ daughter in Full Circle. Her musical impressions propelled her to the semi finals of Britain’s Got Talent in 2017 and she’s currently on tour with her show No Filter.Jess chooses songs by Samuel Barber and Debussy that were favourites from her classical singing lessons, and pieces that remind her of the rich musical heritage of her family, including a 20th-century organ prelude that she plays in her local church as a double act with her mother – her mother plays the keyboards but Jess plays the pedals, as her mother’s legs are too short to reach them! And we hear Jess’s grandmother singing a traditional Yiddish song, recorded after she arrived in Britain on one of the very last Kindertransports in 1939.Producer: Jane Greenwood A Loftus production for BBC Radio 3

Barbara Hosking was born above her father’s dairy in Penzance, back in the 1920s, and ended up in the corridors of power serving two British prime ministers. Two years ago, at the age of 90, she decided to come out as gay, which, she says, is the best thing she’s ever done.Barbara Hosking talks to Michael Berkeley about moving from Cornwall to a new world in London after the War, meeting Eastern European emigres and discovering lesbian clubs where women could dance together openly. All sorts of women were there, from the posh to the very poor, from “respectable” women to prostitutes. Despite her early Labour party affiliation, she found herself working for Edward Heath, whom she admired greatly, and who she persuaded not to wear a terrible old cardigan when he was conducting with the London Symphony Orchestra. She talks too about finding happiness late in life with her partner Margaret.Music choices include Edward Heath conducting Elgar, Strauss’s opera Ariadne Auf Naxos, Schubert’s Winterreise, and Britten’s Billy Budd. And a love song in Yiddish, a language she taught herself and which she loves. Producer: Elizabeth Burke A Loftus production for BBC Radio 3