Private Passions

As part of Radio 3’s celebration of forests this autumn, Michael Berkeley’s guest is the American novelist Richard Powers. His latest novel, The Overstory, is his twelfth, and it’s a monumental work which was entirely inspired by trees. It all started when Powers was teaching in California, and visited the giant redwoods there. That encounter amounted he says to “a religious conversion”. He realised he’d been blind to these amazing creatures all his life. So, to make up for lost time, in his new Booker long-listed novel he gives trees a voice: "A woman sits on the ground, leaning against a pine. Its bark presses hard against her back, as hard as life. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things, in words before words."Inspired by his passion for trees, Richard Powers has now moved to live in the forests of the Smoky Mountains which run along the border between North Carolina and Tennessee. "In 15 to 20 minutes, I can be up and walking in these forests that are recovering from a century-and-a-half of logging and see the way that nature persists and transforms and perseveres."On a brief trip to London, he looks back over a thirty-year writing career in which each novel is more audacious than the last. But one theme runs through all his writing: the power of music, and Powers plays the cello, guitar, clarinet and saxophone. His music choices include Dowland’s “Time Stands Still”, Bartok’s String Quartet No. 4, Bach’s Cantata BWV 100, and Charles Ives’ Concord Sonata. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Big Issue founder John Bird talks to Michael Berkeley about the role music played in transforming his life. For two weeks in 1970 John Bird worked in the Houses of Parliament washing dishes; in 2015 he returned as a life peer. To say he didn’t have a great start in life is something of an understatement. Born in 1946 in a Notting Hill slum, he was five when his family was made homeless and at seven he was taken into care. Much of his teens was spent in reform school, he slept rough, and he went to prison several times for stealing. But John Bird turned his life around and has devoted it to fighting for social justice and particularly for homeless people, founding the Big Issue in 1991 with Gordon Roddick. Nearly thirty years on, and with over 200 million copies sold, it’s become a multi-million pound social investment enterprise, and has helped 92,000 vendors earn nearly £120 million pounds. John tells Michael about the music that cut through his chaotic childhood, and we hear Brahms’ Academic Festival Overture, played to John's class by a beleaguered music teacher and which John has never forgotten.Passionate about making classical music accessible to all and breaking down notions of elitism in music, John chooses works by Grieg, Tchaikovsky, Weber, Wagner and Steve Reich, music he has discovered on his extraordinary journey from reform school and prison to the House of Lords. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Ed Vulliamy has worked all around the world as a journalist; he’s best-known for his prize-winning coverage of the war in Bosnia, on television and in The Guardian. The war crimes he reported on led to his becoming a witness in the trial of the Bosnian Serb leader Radovan Karadzic, and he was the first journalist since the Nuremberg trials to testify at an international war crimes tribunal. He went on to cover the 9/11 attacks in New York, and more recently the drug wars on the US/Mexico border. Ed Vulliamy is also the son of the much-loved children’s author Shirley Hughes, something that often eclipses all his other achievements, and he was immortalised as a teenager in her books. Music has been crucial to him all through his career, and in conversation with Michael Berkeley he reveals that his very first job was as an extra in a production of Aida.He talks movingly about his experience in Bosnia, about the psychological after-effects of being so near the horror of war, and about why he wishes he’d been a cartoonist instead. Music choices include Verdi, Schubert, Shostakovich, Joan Baez, Mozart’s “Marriage of Figaro”, and the Bosnian singer Amira Medunjanin.Produced by Elizabeth Burke A Loftus production for BBC Radio 3

Bel Mooney describes her pleasures as: watching for kingfishers, riding pillion on a motorbike, and dancing to a 1962 Wurlitzer. That entertaining list reflects something of her enjoyment of a life which has brought many challenges as well as pleasures. Bel Mooney started out as a writer almost 50 years ago, and in 1976 was one of the first journalists to speak from personal experience about the terrible loss of having a stillborn baby; that article led to the founding of the first national stillbirth society. She’s a novelist, children’s writer and broadcaster, and the advice columnist for the Daily Mail, a job she says is more worthwhile than any other she’s done.In Private Passions, Bel Mooney talks very openly about the ups and downs of a life which has brought about many transformations, about how her stillbirth changed her, and about finding happiness again after the ending of her marriage to Jonathan Dimbleby. Music plays a central role, and her choices include sacred music by Mozart and Pergolesi, Beethoven’s String Quartet in F major, Nigel Kennedy playing unaccompanied Bach, and jazz poetry from Christopher Logue. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

Michael Berkeley’s guest is Bella Hardy, a passionate interpreter of traditional songs who has also blossomed into an accomplished songwriter, drawing on the Peak District, where she grew up, as well as influences from as far away as Nashville and China.Despite being only in her early thirties Bella has nine acclaimed solo albums to her name. She was part of the first - and highly memorable - Folk Prom in the Albert Hall in 2008 and she’s held the title of BBC Radio 2 Folk Singer of the Year.Bella talks to Michael about her passion for storytelling, which is reflected in her love of opera as well as traditional songs – we hear both an aria from Maria Callas and an unaccompanied folk song by Oxfordshire glover Freda Palmer, recorded in the 1950s. She talks about learning to play music by ear; her teenage years playing festivals in a folk band; and the challenges and satisfactions of running her own record label – and raising money to produce her albums through internet crowd funding.A contemporary carol by Philip Stopford illustrates Bella's love of community singing, and her many inspirations are reflected in her choice of music played on instruments as diverse as the English accordion and a form of Chinese lute called the pipa.Producer: Jane Greenwood A Loftus production for BBC Radio 3

Steve Punt is well known thanks to the popular Radio 4 Friday night comedy, The Now Show - with fellow-host Hugh Dennis, he’s been mocking politicians and celebrities for an astonishing twenty years now. He also presents The Third Degree, the Radio 4 quiz which pits undergraduates against professors. But behind the scenes he’s been busy writing for a whole host of other shows, such as Mock the Week and The Mary Whitehouse Experience, for comedians Jasper Carrott and Rory Bremner; he even used to write for the puppets on Spitting Image. He says “Weirdly, I think people are more inclined to believe comedians than they are politicians.” In Private Passions, Steve talk to Michael Berkeley about how it all began: when he was bad at games at school, and forced to play the clown. He reminisces about his first job, in a music shop in Croydon, which he describes as being so rich in comic material that it was a bit like a sitcom – all of life was there. He talks about how audiences have changed thanks to social media, and why he worries that mocking politicians may just be a way of feeding their gigantic egos.Music choices include Sibelius’s Violin Concerto, piano music by Debussy and by Scott Joplin, Shostakovich’s Jazz Suite, Dave Brubeck, and a comic masterpiece by Dudley Moore, “Bedazzled”. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

At first glance chocolate brownies, puff pastry and Battenberg cake don’t seem to have a great deal in common with theoretical maths, but Eugenia Cheng has harnessed her love of cooking in order to tackle the fear of maths so many of us share – and has published a book about it called How to Bake Pi.Her mission is to rid the world of "maths phobia", and to this end she gave up her secure job teaching at Sheffield University to open up the world of maths to students from other disciplines as Scientist in Residence at the School of the Art Institute of Chicago, which also gives her the opportunity to pursue her own research in Category Theory - the purest form of maths. And she’s a highly accomplished pianist, performing in concert halls around the world, as well as founding Liederstube - a popular venue for lieder and art song in Chicago which has hosted performers such as Gerald Finley and Richard Wiegold.Eugenia explains to Michael how chocolate brownies and pure maths are related; how she prefers to work in cafes and bars with pen and paper rather than on a computer, and how her intensely emotional response to music is a release from the intensely ordered world of pure mathematics. And they dismantle stereotypes about Chinese ‘tiger mothers’, girls and maths, and the idea that people who are good at maths are automatically good at music.Eugenia chooses music from Bach’s Matthew Passion, Rachmaninov’s Second Piano Concerto – which she herself has played – and from Mahler’s Resurrection Symphony and Janacek’s opera The Makropulos Case, which take her on an emotional and philosophical journey towards a reconciliation with mortality. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Michael Berkeley's guest is the best-selling author, illustrator, and Children's Laureate Lauren Child.I Will Not Ever Never Eat a Tomato; I Am Too Absolutely Small for School; I Am Not Sleepy and Will Not Go to Bed - these are just three of Lauren Child's bestselling, funny and touching picture books for young children. Her big-eyed characters such as Charlie and Lola, and Hubert Horatio Bartle Bobton-Trent, capture the way children negotiate the small but significant challenges of family life, school and growing up. And they're illustrated with Lauren's trademark collages of her drawings and paintings, magazine cuttings, fabrics and photographs. But she writes for older children too - novels featuring the feisty Clarice Bean and, most recently, Ruby Redfort, who has to juggle her mundane life at school with being a top international secret agent and expert code-breaker. The winner of numerous awards, including the Kate Greenaway Medal and multiple Smarties Prizes, Lauren Child has been Britain's Children's Laureate since 2017.In conversation with Michael Berkeley, Lauren talks about the struggle she faced in her twenties to find direction in life, the challenge and joy of adopting her daughter from Mongolia, and why she can't work unless she's feeling melancholy. She chooses a Mongolian long song for her daughter; music by Satie that conjures up her own childhood; and music by Puccini and Vivaldi used in films that had a huge impact on the development of her imagination. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Ahead of this week's first test against India, Michael Berkeley's guest is cricket commentator Henry Blofeld.Henry was a very promising young cricketer, but his prospects of a first-class career were ended by a near-fatal accident at the age of seventeen. He eventually found his way to cricket journalism and ultimately to Test Match Special, where he was a mainstay for nearly fifty years, illuminating each match with his forensic knowledge of the game, as well as entertaining listeners with sightings of snoozing policemen, passing buses, and pigeons on the outfield.But last year Henry Blofeld declared his long innings in the commentary box closed. At his final test at Lords he was given the great honour of ringing the bell for the start of play, which he did attired in one of his signature colourful outfits - an orange shirt, yellow trousers and shoes, a pale green jacket and a yellow patterned bow tie.In conversation with Michael Berkeley, Henry Blofeld reveals how his accident changed the course of his life, and discusses the difficult decision to retire from broadcasting, and the joy of finding love later in life. He chooses music from Mozart and Puccini which reflects his life-long love of opera; music from Gilbert and Sullivan which reminds him of his Norfolk childhood; a Schubert symphony; and music from Ravi Shankar that recalls the time he almost played for England against India.

Audrey Niffenegger had a huge worldwide success with her first novel, The Time-Traveller's Wife, which sold eight million copies in thirty-six languages. It was made into a film, of which, she says, the least said the better. But that commercial success bought her creative freedom - and what she's done with it is intriguing. After a second novel, about the ghosts in Highgate Cemetery, Audrey Niffenegger has gone back to her first love of art, combining story-telling with comic-book-style illustrations. Her latest graphic novel, "Bizarre Romance", features thirteen stories: about angels, monsters, fairies, cats, and - in her words - "oddballs in love". In Private Passions Audrey Niffenegger tells Michael Berkeley about her own improbable long-distance romance with artist Eddie Campbell, who now illustrates her books. Her eclectic music list goes back to the twelfth century, with music by Hildegard von Bingen, and forward to Philip Glass, Radiohead, and the American experimental composer Pauline Oliveros, who recorded music fourteen feet down in an underground cistern. In fact, so great is Audrey Niffenegger's love of minimalism that she confesses she was even once seduced into listening, for some time, to the low mesmeric thrumming she heard in a foreign hotel room - before she realised it was not the radio but the the hotel heating system. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.