The MIT Press Podcast

A discussion with the the author of Free Will (from The MIT Press Essential Knowledge series) and Free Will as an Open Scientific Problem, Mark Balaguer, in which we discuss the scientific arguments for and against the possibility of free will.In this largely antimetaphysical treatment of free will and determinism, Mark Balaguer argues that the philosophical problem of free will boils down to an open scientific question about the causal histories of certain kinds of neural events. In the course of his argument, Balaguer provides a naturalistic defense of the libertarian view of free will.The metaphysical component of the problem of free will, Balaguer argues, essentially boils down to the question of whether humans possess libertarian free will. Furthermore, he argues that, contrary to the traditional wisdom, the libertarian question reduces to a question about indeterminacy--in particular, to a straightforward empirical question about whether certain neural events in our heads are causally undetermined in a certain specific way; in other words, Balaguer argues that the right kind of indeterminacy would bring with it all of the other requirements for libertarian free will. Finally, he argues that because there is no good evidence as to whether or not the relevant neural events are undetermined in the way that's required, the question of whether human beings possess libertarian free will is a wide-open empirical question.

The journal of Global Environmental Politics (GEP) has hit a tremendous milestone in 2020—celebrating its 20 years of publication with the MIT Press! In this episode, two of the journal’s Co-Editors Matthew Hoffmann and Erika Weinthal reflect on the origins and goals of GEP, its immeasurable impact on the discussions of relationships between global political forces and environmental change, and the thought process behind the journal’s upcoming 20th-anniversary volume.

A discussion with the the author of Citizenship (from The MIT Press Essential Knowledge series), Dimitry Kochenov, in which we discuss the glorification of citizenship and the structures of power underlying this supposedly positive concept. Featuring an incredible new soundtrack produced by artists and author of High Static, Dead Lines (Strange Attractor Press, December 2018) Kristen Gallerneaux.The glorification of citizenship is a given in today's world, part of a civic narrative that invokes liberation, dignity, and nationhood. In reality, explains Dimitry Kochenov, citizenship is a story of complacency, hypocrisy, and domination, flattering to citizens and demeaning for noncitizens. In this volume in the MIT Press Essential Knowledge series, Kochenov explains the state of citizenship in the modern world.Kochenov offers a critical introduction to a subject most often regarded uncritically, describing what citizenship is, what it entails, how it came about, and how its role in the world has been changing. He examines four key elements of the concept: status, considering how and why the status of citizenship is extended, what function it serves, and who is left behind; rights, particularly the right to live and work in a state; duties, and what it means to be a “good citizen”; and politics, as enacted in the granting and enjoyment of citizenship.Citizenship promises to apply the attractive ideas of dignity, equality, and human worth—but to strictly separated groups of individuals. Those outside the separation aren't citizens as currently understood, and they do not belong. Citizenship, Kochenov warns, is too often a legal tool that justifies violence, humiliation, and exclusion.

Quantitative Science Studies (QSS) is a newly launched open access journal that was born out of a collaboration between the International Society for Scientometrics and Informetrics (ISSI) and the MIT Press. In this episode, Editor-in-Chief Ludo Waltman discusses the origins of QSS, its growing inaugural issue, and its future as a publishing outlet run for and by the scientometric community.

In this episode, Gita Manaktala, Editorial Director at the MIT Press, and Ellen Finnie, Co-Interim Associate Director for Collections at MIT Libraries, discuss the Ideas series: a hybrid print and open access book series for general readers, that provides fresh, strongly argued, and provocative views of the effects of digital technology on culture, business, government, education, and our lives.Learn more about the full series here.

The authors of Data Feminism (2020), Catherine D'Ignazio and Lauren Klein, along with Catherine Ahearn, Content Lead at PubPub, discuss the value and process of open peer review, share experiences and best practices, and explore issues surrounding peer review transparency.

Stefan Van der Stigchel discusses how we filter out what is irrelevant so we can focus on what we need to know.We are surrounded by a world rich with visual information, but we pay attention to very little of it, filtering out what is irrelevant so we can focus on what we think we need to know. Advertisers, web designers, and other "attention architects" try hard to get our attention, promoting products with videos on huge outdoor screens, adding flashing banners to websites, and developing computer programs with blinking icons that tempt us to click. Often they succeed in distracting us from what we are supposed to be doing. In How Attention Works, Stefan Van der Stigchel explains the process of attention and what the implications are for our everyday lives.The visual attention system is efficient, Van der Stigchel writes, because it doesn't waste energy processing every scrap of visual data it receives; it gathers only relevant information. We focus on one snippet of information and assume that everything else is stable and consistent with past experience; that's why most people miss even the most glaring continuity errors in films. If an object doesn't meet our expectations, chances are we won't see it. Van der Stigchel makes his case with examples from real life, explaining, among other things, the limitations of color perception (and why fire trucks shouldn't be red); the importance of location (security guards and radiologists, for example, have to know where to look); the attention-getting properties of faces and spiders; what we can learn from someone else's eye movements; why we see what we expect to see (magicians take advantage of this); and visual neglect and unattended information.

On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.

Bonus to the Ways of Hearing podcast and bookA behind-the-scenes conversation with the creators of Ways of Hearing, the podcast and book. Hosted by author Damon Krukowski, with Radiotopia and Showcase executive producer Julie Shapiro, sound designer Ian Coss, MIT Press editor Matthew Browne, and graphic designer James Goggin. Recorded live before a studio audience at the PRX Podcast Garage, April 9, 2019. Mixed by Ian Coss.

On this episode of the MIT Press podcast, Thomas Lin, Editor-in-Chief of Quanta Magazine, discusses the research and current climate behind the science and math in Alice and Bob Meet the Wall of Fire: The Biggest Ideas in Science from Quanta and The Prime Number Conspiracy: The Biggest Ideas in Math from Quanta.