The MIT Press Podcast

Mark Polizzotti translates authors from Patrick Modiano to Gustave Flaubert. In this episode, Polizzotti demystifies the process of translation and demonstrates its capacity for art. Beginning with the first translators, some 2,000 years ago--"traitors" who brought the Bible to the common public via translation--and illuminating the implications of contemporary machine translation, Polizzotti offers a riveting take on language and its elasticity. This conversation about Sympathy for the Traitor: A Translation Manifesto is, in interviewer Chris Gondek's words, much like the book itself a "discussion, a reframing, and a corrective."

Carla Cevasco, Assistant Professor of American Studies at Rutgers, The State University of New Jersey, discusses her recent article, "This is My Body: Communion and Cannibalism in Colonial New England and New France." Her article was published in the December 2016 issue of The New England Quarterly.Abstract:Analyzing the material culture of English, French, and Native communion ceremonies, and debates over communion and cannibalism, this article argues that peoples in the borderlands between colonial New England and New France refused to recognize their cultural similarities, a cross-cultural failure of communication with violent consequences.

This episode features an interview with MIT Press author Varun Sivaram about his new book Taming the Sun. Varun Sivaram is the Philip D. Reed Fellow for Science and Technology at the Council on Foreign Relations. He teaches “Clean Energy Innovation” at Georgetown University, is a Fellow at Columbia University's Center for Global Energy Policy, and serves on Stanford University's energy and environment boards. He has advised both the mayor of Los Angeles and the governor of New York on energy and was formerly a consultant at McKinsey & Co. He holds a PhD in condensed matter physics from Oxford University, where he was a Rhodes Scholar. PV Magazine called him “The Hamilton of the Solar Industry,” Forbes named him one of its 30 under 30, and Grist selected him as one of the top 50 leaders in sustainability.

“…Using VR scent, touch, and sight to alter the subjective experience of taste is going to be very large project; not just an academic project but also for those in the food industry.”Does feeling and smelling donuts in a Virtual Reality setting contribute to eating less and feeling fuller? In this episode, Jeremy Bailenson, Founding Director of the Virtual Human Interaction Lab at Stanford University, discusses a study (recently published in Presence: Teleoperators and Virtual Environments journal) that sought to explore the effects of haptic and olfactory cues through virtual food on human satiation and eating behavior. Bailenson also discusses the benefits and caveats to standalone consumer VR; the trend of high-end, location-based VR; reality-blurring (when a virtual memory gets mistaken for a physical one); and more.Related Content: Presence article: “Exploring the Influence of Haptic and Olfactory Cues of a Virtual Donut on Satiation and Eating Behavior” by Benjamin J. Li and Jeremy N. Bailenson Book: Experience on Demand

NFT, BTC, DAO, ETH, WAGMI, HODL. It would have been hard to avoid these acronyms only a year ago. The hype around cryptocurrencies and blockchain art was almost as annoying as the glee with which crypto sceptics welcomed the sudden onset of the crypto winter.But for all the popularity of Bored Apes and Ponzi scheme stories, there seems to have been little serious engagement with the philosophical, political, and aesthetic implications of the blockchain. The academy appears to have dismissed the crypto world out of hand, citing its financial unviability and the deeply ‘problematic’ philosophical foundations of its technology.Rhea Myers is a crypto artist, writer, and hacker who searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Her engagement in the technical history and debates in blockchain technology is complemented by a broader sense of the crypto movement and the artistic and political sensibilities that accompanied its ascendancy.Remodelling the tropes of conceptual art and net art to explore what blockchain technology reveals about our concepts of value, culture and currency, Myers’s work has become required viewing for anyone interested in the future of art, consensus, law, and collectivity.Rhea Myers speaks to Pierre d’Alancaisez about art’s role in mapping and shaping the emergent properties of blockchain technologies, the crypto-libertarian, anarchy-capitalist nexus, and the enduring legacy of the conceptual art movement.Proof of Work brings together annotated presentations of Myers’s blockchain artworks with essays, reviews, and fictions—a sustained critical encounter between the cultures and histories of the artworld and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous. PostScript Viruses, 1993 Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III by Art & Language Futherfield Gallery, London Is Art, 2014/15, Art Is, 2014/17 Pierre's essay on the speculative deficit and NFT art Certificate of Inauthenticity, 2020 Rhea Myers is an artist, writer, and blockchain developer and activist. Now an acknowledged pioneer whose work has graced the auction room at Sotheby’s, Myers focussed on blockchain tech in 2011, becoming one of the first artists to enter into creative, speculative, and conceptual engagement with ‘the new internet’.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

Anne Graziano and Eliyahu Keller, editors of Thresholds 46: SCATTER!, talk about the mission of the journal; the making of the SCATTER! issue; the role of student journals; and how to make architectural knowledge and education more accessible.Established in 1992, Thresholds is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture.About the Speakers:Anne Graziano is a student of architecture, artist, and editor. She is currently a Master of Architecture candidate and graduate fellow at MIT. Her studies focus on representation and circulation of architecture and architectural knowledge as it pertains to digital and physical infrastructures.Eliyahu Keller is an architect, researcher, and author. He is currently pursuing a PhD in history, theory, and criticism of architecture and art at MIT. He has served as a research assistant for the Harvard-Mellon Urban Initiative and was a member of the Berlin Portal Research Group.Related Content: Thresholds 45: MYTH Thresholds 46: SCATTER! on Facebook Thresholds 46: SCATTER! on Instragram

How the way we perceive our bodies plays a critical role in the way we perceive ourselves: stories of phantom limbs, rubber hands, anorexia, and other phenomena.The body is central to our sense of identity. It can be a canvas for self-expression, decorated with clothing, jewelry, cosmetics, tattoos, and piercings. But the body is more than that. Bodily awareness, says scientist-writer Moheb Costandi, is key to self-consciousness. In Body Am I: The New Science of Self-Consciousness (MIT Press, 2022), Costandi examines how the brain perceives the body, how that perception translates into our conscious experience of the body, and how that experience contributes to our sense of self. Along the way, he explores what can happen when the mechanisms of bodily awareness are disturbed, leading to such phenomena as phantom limbs, alien hands, and amputee fetishes.Costandi explains that the brain generates maps and models of the body that guide how we perceive and use it, and that these maps and models are repeatedly modified and reconstructed. Drawing on recent bodily awareness research, the new science of self-consciousness, and historical milestones in neurology, he describes a range of psychiatric and neurological disorders that result when body and brain are out of sync, including not only the well-known phantom limb syndrome but also phantom breast and phantom penis syndromes; body integrity identity disorder, which compels a person to disown and then amputate a healthy arm or leg; and such eating disorders as anorexia.Wide-ranging and meticulously researched, Body Am I (the title comes from Nietzsche's Thus Spoke Zarathustra) offers new insight into self-consciousness by describing it in terms of bodily awareness.Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.

In Break On Through, Lucas Richert explores Anti-psychiatry, psychedelics, and radical challenges to psychiatry and the conventional treatment of mental health in the 1970s. In this interview Lucas discusses the issues that run through the sixties and seventies and how they're forming debates about mental health today."Antipsychiatry," Esalen, psychedelics, and DSM III: Radical challenges to psychiatry and the conventional treatment of mental health in the 1970s.The upheavals of the 1960s gave way to a decade of disruptions in the 1970s, and among the rattled fixtures of American society was mainstream psychiatry. A "Radical Caucus" formed within the psychiatric profession and the "antipsychiatry" movement arose. Critics charged that the mental health establishment was complicit with the military-industrial complex, patients were released from mental institutions, and powerful antipsychotic drugs became available. Meanwhile, practitioners and patients experimented with new approaches to mental health, from primal screaming and the therapeutic use of psychedelics to a new reliance on quantification. In Break on Through, Lucas Richert investigates the radical challenges to psychiatry and to the conventional treatment of mental health that emerged in the 1970s and the lessons they offer for current debates.Drawing on archives and government documents, medical journals, and interviews, and interweaving references to pop (counter)culture into his account, Richert offers fascinating stories of the decade's radical mental health practices. He discusses anti-Vietnam War activism and the new diagnosis of post-traumatic stress disorder given to some veterans; the radical psychiatrists who fought the system (and each other); the entry of New Age-style therapies, including Esalen's Human Potential Movement, into the laissez-faire therapeutic marketplace of the 1970s; the development of DSM III; and the use of LSD, cannabis, and MDMA.Many of these issues have resonance today. Debates over medical marijuana and microdoses of psychedelics echo debates of the 1970s. With rising rates of such disorders as anxiety and depression, practitioners and patients continue to search for therapeutic breakthroughs.

The intersection between cutting-edge neuroscience and the emerging field of network science has been growing tremendously over the past decade. Olaf Sporns, editor of Network Neuroscience, and Distinguished Professor, Provost Professor of Department of Psychological and Brain Sciences at Indiana University Bloomington, discusses the applications of network science technology to neuroscience. Dr. Sporns hopes the launch of Network Neuroscience will contribute to the creation of a common language used by scientists and researchers in the neuroscientific community to unify the field of neuroscience again.Network Neuroscience is open for submissions. Check out the guidelines and submit your work!

Listen as Peter Krause and Sean Lynn-Jones discuss the key differences between united and hegemonic power and the internal structure of violent and nonviolent national movements, as outlined in Krause’s article “The Structure of Success: How the Internal Distribution of Power Drives Armed Group Behavior and National Movement Effectiveness” from International Security 38:3 (Winter 2013/14). This conversation was recorded on January 17, 2014.