Hit Parade | Music History and Music Trivia

After the so-called-but-not-really “death” of disco, dance music in the 1980s moved to its own beat. There was synthpop, electro, hi-NRG and house. But the scrappy genre that seemed to pull it all together was called freestyle—a breakbeat-tempo, Latin-flavored genre fortified with dizzying, proudly synthetic beats. Freestyle grew out of the clubs and streets of New York and Miami and briefly dominated ’80s dance-pop.Freestyle’s flagship artists were only medium-level stars: Shannon. Exposé. Lisa Lisa. Stevie B. Nu Shooz. Sweet Sensation. But these acts—most especially their yearning, floridly romantic, rhythmically hectic songs—punched above their weight on the charts and even affected the hits of superstars from Madonna to Duran Duran, Whitney Houston to Pet Shop Boys.Join Chris Molanphy as he defines the byways of this bespoke dance genre and traces how it bridged the disco era into the hiphop era.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Kate Bush's Top Five hit due to Stranger Things to the impact of TV on music like Moonlighting and The OC, this episode dives into the influence of television on music's success over the years. Explore how shows revive old hits, propel artists like Vonda Shepherd to fame, and transform songs into chart-topping hits through TV exposure. With insights on the success of 'Running Up That Hill', this podcast sheds light on the long history of TV's role in driving music popularity.

For decades, British alt-pop goddess Kate Bush had never had a Top 10 hit in America. Now, in 2022, she finds herself in the Hot 100’s Top Five—and television got her there. Her classic “Running Up That Hill” is featured prominently in the latest season of Netflix’s hit ’80s horror fantasy show Stranger Things.This puts Bush in a long lineage of hits spawned or made bigger by TV, dating all the way back to Davy Crockett and Peter Gunn, through Hawaii Five-O and Happy Days, and peaking in the ’80s with Miami Vice and Family Ties.Join host Chris Molanphy as he walks through more than six decades of hits from the so-called boob tube and reveals why—thanks to our streaming age—Kate Bush’s hit might be the biggest TV tune of all.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

What was in the water in Virginia Beach? Starting in the ’90s and peaking in the ’00s, Pharrell Williams, Timothy “Timbaland” Mosley and Missy Elliott—friends and family from the Tidewater Region—made nerdy pop normal on the charts. Their productions whirred, gurgled, pinged and rumbled—the handiwork of studio geeks—while their lyrics embraced the freaky: Missy demanding that you work it…Pharrell declaring he’s a hustler, baby…Timbaland bringing sexy back.Join host Chris Molanphy as he explains how these three supa-dupa fly Virginia Beach geniuses helped us get our freak on. For over two decades, they never left you without a dope beat to step to.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

What was in the water in Virginia Beach? Starting in the ’90s and peaking in the ’00s, Pharrell Williams, Timothy “Timbaland” Mosley and Missy Elliott—friends and family from the Tidewater Region—made nerdy pop normal on the charts. Their productions whirred, gurgled, pinged and rumbled—the handiwork of studio geeks—while their lyrics embraced the freaky: Missy demanding that you work it…Pharrell declaring he’s a hustler, baby…Timbaland bringing sexy back.Join host Chris Molanphy as he explains how these three supa-dupa fly Virginia Beach geniuses helped us get our freak on. For over two decades, they never left you without a dope beat to step to.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall’s “Convoy” come to exist, and what had it been trying to say? For this episode, which was inspired by a listener’s question, we’ve updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers. Some of the voices you’ll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump.This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com.If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Five years ago this month, Hit Parade launched on the Slate podcast network. What have we learned in that half-decade? And what episodes did you love the most? We asked you to vote—and the results may surprise you. Sure, you enjoyed our shows about Madonna, Nirvana, Whitney, Mariah, Bruce, Stevie and Janet. But even more than that, you loved our nerdy deep dives about the producers behind “Le Freak”…the rules for One-Hit Wonders…the college-rockers from Athens, Ga.…the man behind Meat Loaf…the smooth players behind Yacht Rock…and that explainer about why you had to pay top dollar for CDs in the ’90s with only one good song.Join host Chris Molanphy as he shares his founding principles for Hit Parade, and counts down your 20 favorite shows. Happy fifth birthday to us! We’re finally old enough for kindergarten.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Five years ago this month, Hit Parade launched on the Slate podcast network. What have we learned in that half-decade? And what episodes did you love the most? We asked you to vote—and the results may surprise you. Sure, you enjoyed our shows about Madonna, Nirvana, Whitney, Mariah, Bruce, Stevie and Janet. But even more than that, you loved our nerdy deep dives about the producers behind “Le Freak”…the rules for One-Hit Wonders…the college-rockers from Athens, Ga.…the man behind Meat Loaf…the smooth players behind Yacht Rock…and that explainer about why you had to pay top dollar for CDs in the ’90s with only one good song.Join host Chris Molanphy as he shares his founding principles for Hit Parade, and counts down your 20 favorite shows. Happy fifth birthday to us! We’re finally old enough for kindergarten.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early ’70s was a great time for R&B queens on the charts: Roberta Flack. Dionne Warwick. Patti LaBelle. Chaka Khan. They had come through the ’60s—Dionne as a smooth pop-and-B star, Patti as a girl-group frontwoman, Roberta as a cabaret pianist—and found themselves in a new decade with limitless possibilities. Flack turned folk songs into chart-topping, Grammy-winning R&B. Warwick shifted from Brill Building pop to Philly soul. LaBelle threw her insane voice at rock, funk and glam. And a relative newcomer, Rufus frontwoman Chaka Khan, followed in their footsteps, commanding the band and converting to disco, then electro. By the ’80s, all four women were ready for a major chart victory lap.Join host Chris Molanphy as he traces four parallel careers that expanded the definition of soul from the ’60s through the ’80s and beyond. These soul sisters, flow sisters, bold sisters…killed us softly, walked on by and were, finally, every woman.Podcast production by Kevin Bendis.HostChris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

The early ’70s was a great time for R&B queens on the charts: Roberta Flack. Dionne Warwick. Patti LaBelle. Chaka Khan. They had come through the ’60s—Dionne as a smooth pop-and-B star, Patti as a girl-group frontwoman, Roberta as a cabaret pianist—and found themselves in a new decade with limitless possibilities. Flack turned folk songs into chart-topping, Grammy-winning R&B. Warwick shifted from Brill Building pop to Philly soul. LaBelle threw her insane voice at rock, funk, and glam. And a relative newcomer, Rufus frontwoman Chaka Khan, followed in their footsteps, commanding the band and converting to disco, then electro. By the ’80s, all four women were ready for a major chart victory lap.Join host Chris Molanphy as he traces four parallel careers that expanded the definition of soul from the ’60s through the ’80s and beyond. These soul sisters, flow sisters, bold sisters…killed us softly, walked on by and were, finally, every woman. Learn more about your ad choices. Visit megaphone.fm/adchoices