Hit Parade | Music History and Music Trivia

Hey Hit Parade fans! Here's an episode from another show we think you’ll like. Slate's history podcast One Year introduces you to people and ideas that changed American history, one year at a time. The new season of One Year covers 1995, a year when homegrown terrorists attacked Oklahoma City and America went online. This episode is about “Macarena”—yes, that “Macarena,” the song and the dance that became the defining left-field pop happening of the mid-’90s. This bilingual song by a pair of Spaniards, and a couple of Miami DJs they’d never met, brought joy to millions, and it topped the charts for months, winding up Billboard’s No. 1 hit of 1996—over smashes by Mariah Carey, Boyz II Men and Celine Dion. And then, just as quickly, “Macarena” became a cultural pariah.If you like this episode, follow One Year wherever you get podcasts.One Year is produced by Josh Levin, Evan Chung, and Madeline Ducharme. Additional production help from Cheyna Roth. Mixing by Merritt Jacob.Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $1 right now. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part 2 of this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data of some your favorite holiday hitmakers to compare their long legacies to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A ’60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin’. How did the legendary “Little Miss Dynamite” become Santa’s little helper? And will she ever pass Mariah and go back to No. 1?Podcast production by Asha Saluja.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Bing. Nat. Dean. John and Paul. Darlene. Mariah. Ariana. Musicians so famous, with so many classic hits, you don’t even need their last names. Now here are a few more, with fewer hits: Vince Guaraldi. José Feliciano. Donny Hathaway. The Waitresses. What do all of these acts have in common? Years from now, each of them may be known primarily for a single holiday chestnut. In fact, in the streaming era, some of them already are consumed largely in December.In this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data to compare these acts’ long hitmaking histories to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A ’60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin’. How did the legendary “Little Miss Dynamite” become Santa’s little helper? And will she ever pass Mariah and go back to No. 1?Podcast production by Asha Saluja.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of this episode, Chris Molanphy continues his analysis of how Cyndi Lauper, Aimee Mann, and The Bangles, three contemporary female acts with rock foundations and pop sensibilities, progressed out of their distinctive rock scenes and into the spotlight. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty-five years ago, in the fall of 1986, women with rock foundations and pop sensibilities were doing quite well on the charts. Three acts in particular were drawing sizable attention—and they were all singing on the same album: Cyndi Lauper’s True Colors, which featured backing vocals by the Bangles and ’Til Tuesday’s Aimee Mann.It turns out these women had more than that brief coincidence in common. Lauper, Mann and the Bangles came up at the same postpunk, new-wave moment in ’80s pop. And they fought many of the same battles: record-label machinations…a media that stoked rivalries, whether or not they existed…and a sexist music industry that repeatedly underestimated their skills. In this Hit Parade episode, Chris Molanphy recounts how these women emerged from distinctive rock scenes––from punk-era New York and Boston, to L.A.’s Paisley Underground—then outgrew them. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of this episode of Hit Parade, Chris Molanphy traces the lineage of ’90s bands like Green Day, Offspring and Blink‑182 to their descendants in ’00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. Podcast production by Asha Saluja with help from Rosemary Belson.We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we’re offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you’ll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Punk happened, past tense.” That’s what Boomer-era critics and true-believer punks told the younger generations. Punk’s whole reason for being was rejecting the mainstream. But punk wasn’t just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time. In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of ’90s bands Green Day, Offspring and Blink‑182, and ’00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it’s still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy. Podcast production by Asha Saluja with help from Rosemary Belson.We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we’re offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you’ll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn’t a perfect year—but Hit Parade host Chris Molanphy is fond of ’71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

At any given time, the music world is celebrating some anniversary, but 1971 has received more than its share of commemorations this year. And with good reason: Carole King. Marvin Gaye. Joni Mitchell. Sly Stone. Janis Joplin. The Who. All released their best work a half-century ago.For our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn’t a perfect year—but Hit Parade host Chris Molanphy is fond of ’71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson.Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In part 2 of this episode of Hit Parade, Chris Molanphy continues his deep dive on Yacht Rock, the retroactive genre label for the sleek, jazzy, R&B-flavored sound that cropped up in the late '70s and early '80s amongst polished, perfectionist West Coast studio musicians.Whatever you call it, this music really did command the charts at the turn of the ’80s: from Steely Dan to George Benson, Michael McDonald to Kenny Loggins, Toto to…Michael Jackson?! Believe it: even Thriller is partially a Yacht Rock album. This month, Hit Parade breaks down what Yacht Rock was and how it took over the charts four decades ago—from the perfectionism of “Peg,” to the bounce of “What a Fool Believes,” to the epic smoothness of “Africa.”This episode was released in August 2020 exclusively for Slate Plus listeners. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   Learn more about your ad choices. Visit megaphone.fm/adchoices