Hit Parade | Music History and Music Trivia

The story of Fleetwood Mac is an oft-told rock n’ roll tale: British blues-rock band sells poorly until two Americans join, bringing California vibes and lots of drama. Everybody fights, cheats, drugs and boozes. Out pops Rumours and tons of hits.It’s more complicated than that. Those two Americans—Stevie Nicks and Lindsey Buckingham—got all the media coverage and wrote many great songs. But the quiet lady behind the keyboards, Christine McVie, actually wrote more of the hits: “Don’t Stop.” “Say You Love Me.” “Hold Me.” “Little Lies.” “Everywhere.” They were all Christine compositions.Join Chris Molanphy as he remembers Christine McVie, who died in late 2022 at age 79, and restores her rightful place as the glue that held Fleetwood Mac together.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam the Sham over the Rolling Stones? The Knack over Donna Summer? Wilson Phillips over Mariah Carey? Glass Animals over Harry Styles?On Billboard’s year-end Hot 100, upsets are quite common. Songs that seemed to dominate the chart all year are defeated by stealthily ubiquitous earworms. Sometimes the obvious song takes the prize: “Hey Jude,” “Every Breath You Take” or “I Will Always Love You.” And then sometimes it’s a one-hit wonder: Domencio Mudugno, Daniel Powter, Gotye, Glass Animals—all won the year-end Hot 100 prize.Join Chris Molanphy as he explains the secrets behind having the hit of the year—and why it doesn’t always go to a superstar.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we’re excited to share an episode from Slate’s Decoder Ring that we think you’re going to love.For this episode, a story from Slate senior producer Evan Chung about how Yanni, John Tesh and a number of other surprising acts made it big in the 1990s. It’s a throwback to a simpler time— when musicians struggled to find their big break, but discovered it was possible with a telephone, a television, and our undivided attention.This story originally aired in 2019 on Studio 360 from PRX.We hear from George Veras, Pat Callahan, and John Tesh.This episode was written and produced by Slate’s Evan Chung. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Slate’s Executive Producer of narrative podcasts. Merritt Jacob is Senior Technical Director. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam the Sham over the Rolling Stones? The Knack over Donna Summer? Wilson Phillips over Mariah Carey? Glass Animals over Harry Styles?On Billboard’s year-end Hot 100, upsets are quite common. Songs that seemed to dominate the chart all year are defeated by stealthily ubiquitous earworms. Sometimes the obvious song takes the prize: “Hey Jude,” “Every Breath You Take” or “I Will Always Love You.” And then sometimes it’s a one-hit wonder: Domencio Mudugno, Daniel Powter, Gotye, Glass Animals—all won the year-end Hot 100 prize.Join Chris Molanphy as he explains the secrets behind having the hit of the year—and why it doesn’t always go to a superstar.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Punk was meant to be angry. But the so-called Angry Young Men of the late ’70s U.K. scene were secret sophisticates in punk clothing. They delivered withering lyrics and snarling attitude over melodies a pop fan could love.In so doing, Elvis Costello, Joe Jackson and Graham Parker helped transform a slew of back-to-basic styles—pub-rock, power-pop, post-punk—into the catchall category New Wave. It would take over the charts at the turn of the ’80s. But the launch of the MTV era forced these sardonic troubadours to adjust their songwriting for a New Romantic age.Join Chris Molanphy as he chronicles the history of three men who wrote the book on alternative rock before it had a name.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Punk was meant to be angry. But the so-called Angry Young Men of the late ’70s U.K. scene were secret sophisticates in punk clothing. They delivered withering lyrics and snarling attitude over melodies a pop fan could love.In so doing, Elvis Costello, Joe Jackson and Graham Parker helped transform a slew of back-to-basic styles—pub-rock, power-pop, post-punk—into the catchall category New Wave. It would take over the charts at the turn of the ’80s. But the launch of the MTV era forced these sardonic troubadours to adjust their songwriting for a New Romantic age.Join Chris Molanphy as he chronicles the history of three men who wrote the book on alternative rock before it had a name.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the ’70s, funk was pop—the cutting edge of Black music and the way listeners got their groove on, before disco and hip-hop. After James Brown taught a generation a new way to hear rhythm, and George Clinton tore the roof off with his P-Funk axis, nothing would be the same.Rising alongside blaxploitation at the movies, funk took many forms: Curtis Mayfield’s superfly storytelling. War’s low-riding grooves. Kool & the Gang’s jungle boogie. Earth, Wind and Fire’s jazzy crescendos. But when funk began fusing with rock and disco took over the charts, would these acts have to give up the funk?Join Chris Molanphy as he traces the history of funk’s first big decade. You’ll ride the mighty, mighty love rollercoaster and get down just for the funk of it.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the ’70s, funk was pop—the cutting edge of Black music and the way listeners got their groove on, before disco and hip-hop. After James Brown taught a generation a new way to hear rhythm, and George Clinton tore the roof off with his P-Funk axis, nothing would be the same.Rising alongside blaxploitation at the movies, funk took many forms: Curtis Mayfield’s superfly storytelling. War’s low-riding grooves. Kool & the Gang’s jungle boogie. Earth, Wind and Fire’s jazzy crescendos. But when funk began fusing with rock and disco took over the charts, would these acts have to give up the funk?Join Chris Molanphy as he traces the history of funk’s first big decade. You’ll ride the mighty, mighty love rollercoaster and get down just for the funk of it.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do you call a song that bombed on the charts back in the day, that now booms out of radios and streaming apps nationwide? Chris Molanphy has a name for these songs: legacy hits. Elton John’s “Tiny Dancer.” Etta James’s “At Last.” The Romantics’ “What I Like About You.” Peter Gabriel’s “In Your Eyes.” Talking Heads’ “Once in a Lifetime.” Many catalysts can change a song’s trajectory, from movie scenes to stadium singalongs, wedding DJs to evolving tastes. Sometimes the hivemind just collectively decides that this Whitney Houston hit, not that one, is her song for the ages. Join Chris as he explains how the charts sometimes get it wrong, and how legacy hits correct the record—and counts down 10 of his favorite flops-turned-classics. Podcast production by Kevin Bendis and Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do you call a song that bombed on the charts back in the day, that now booms out of radios and streaming apps nationwide? Chris Molanphy has a name for these songs: legacy hits. Elton John’s “Tiny Dancer.” Etta James’s “At Last.” The Romantics’ “What I Like About You.” Peter Gabriel’s “In Your Eyes.” Talking Heads’ “Once in a Lifetime.” Many catalysts can change a song’s trajectory, from movie scenes to stadium singalongs, wedding DJs to evolving tastes. Sometimes the hivemind just collectively decides that this Whitney Houston hit, not that one, is her song for the ages. Join Chris as he explains how the charts sometimes get it wrong, and how legacy hits correct the record—and counts down 10 of his favorite flops-turned-classics. Podcast production by Kevin Bendis and Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices