Creative Control

Today we have a special holiday episode where KC chatted with World Changing Ideas Host Talib Visram and The New Way We Work Host Kate Davis to reflect on the past year here at Fast Company and to share some of their New Year's resolutions. 

We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!

Tracy Oliver has made it a point in her career as a film and TV producer and writer to center her work around Black women—but, most importantly, Black women who are allowed to be more than just savior figures or martyrs of Black trauma. From the box office hit Girls Trip to her latest show Harlem, Tracy creates worlds where Black women can be ridiculous, gross, lighthearted—they can just be human. In our conversation, Tracy explains the importance of basing your work around what you want to see in the world, and how to ask for what you're worth.

How can you make satire of reality when reality itself is stranger than fiction? And when reality feels flat-out depressing, is anyone in the mood to laugh? It’s what writer and director Adam McKay was thinking about while making Don’t Look Up. Adam’s latest film stars Leonardo DiCaprio and Jennifer Lawrence as a pair of astronomers who are desperately trying to alert the world that a comet is about to end life on Earth as we know it—“trying” being the operative word here. In our conversation, Adam explains the delicate dance of making comedy and satire today, and the creative freedom in subverting your expectations.

Kenny G is one of those artists you love, hate, or just allow to quietly exist in the background of your life, like so much of his smooth jazz has done over his 40-year career. Even if you don't like Kenny G's take on jazz, you can't deny he's an incredibly skilled musician who, even after decades of playing the saxophone, stays in the mindset of a neophyte. In our conversation, Kenny explains how trusting his ideas and a relentless pursuit of perfection fuels his creativity and success.

We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!

John Cho is at a point in his career where he can be intentional with what projects he chooses. And his intention for his latest project was to push himself like no other role has done before. John stars as Spike Spiegel in Netflix's adaptation of the beloved anime Cowboy Bebop—and the role took him to the brink of both his creativity and his body. In our conversation, John explains the clarity he found while nursing an on-set injury, the acting advice that changed his perspective, and how he's returning to the simplicity of creativity.

There's little you can do about the inherent stressors in the creative process. But what you can do is learn how to better manage the negative emotions that impede your work flow. In our conversation, Michael Parke, assistant professor of management at the Wharton School, gives key strategies for how we can all better recognize and handle stress to become better creatives and leaders.

Nick Kroll's career has largely been defined by the cavalcade of memorable characters he's created over the years through his comedy specials, The Kroll Show, and of course his hit Netflix show Big Mouth. While Nick is exceptionally good at slipping into an array voices and personas, he’s pushing himself to step in front of those characters to reveal more of himself—and that's proving to be his greatest creative challenge to date. In our conversation, Nick unpacks how he’s tackling that challenge and where he’s taking the expanding universe of Big Mouth.

 If you've never wondered about the web of legalities and social landmines Seth Green tumbles through to make Robot Chicken, then he considers his job complete. Since premiering in 2005, Robot Chicken has won 6 Emmys and a die-hard following that's kept the show around for 11 seasons. But creating jokes around popular pop culture characters adds a legal filter to his creativity. On top of that, as the social and political landscapes have become increasingly thorny, Seth is contending with what role a show like Robot Chicken plays in reflecting the world back at itself—he’s also figuring out how to stay calm and carry on through it all.