New Books in Communications

Translation is a mysterious process that combines the elements of writing – rhythm and voice, meaning, structure and nuance – with the challenge of problem-solving. The American writer Harry Mathews said, “translation is the paradigm, the exemplar of all writing, since it demonstrates most vividly the yearning for transformation that underlies every act involving speech.”Anna Birkenhauer-Molad is an award-winning translator and teacher of literary translation, whose work has brought some of the best Hebrew prose and poetry to the German-reading public. Among the authors whose writings she has translated are: David Grossman, Aharon Applefeld, Haim Baer, Yoel Hoffman and Yehuda Amichai.In 2018, Anna was awarded the German Medal of Honor by the President of Germany for her contribution to cultural relations between Germany and Israel.Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Children are considered to be a group of special interest by media scholars and advocates, especially because they are seen as a vulnerable group whose rights must be protected and also because they represent the future of the world, and so their education and socialisation is of particular importance. While there has been global research on children’s media practices, in India, there has been very little critical work in this area.Usha Raman and Sumana Kasturi’s edited book Childscape, Mediascape: Children and Media in India (Orient BlackSwan, 2023) fills this gap by bringing together, for the first time, a variety of perspectives from media researchers, practitioners and those involved in secondary school education, with a focus on children, childhood and media. Questioning what it means to ‘grow up digital’ in twenty-first century India, this collection explores a variety of themes relating to children and the media landscape. The volume contains twelve essays on relevant topics such as digital media literacy among children and their new media practices; mediated childhood and child rights; children as both consumers and producers of social media; digitality and education; children’s entertainment and leisure practices, and issues of identity, representation and community in a mediated world. The book also contains a comprehensive introduction by the volume editors.This volume will be of value to scholars of media and communication studies and cultural studies, while also drawing readers from psychology and journalism. The chapters offer critical insights of relevance to parents, teacher training institutes, child-focused NGOs, and others who work with children.Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

50 Years of Text Games: From Oregon Trail to A.I. Dungeon is an extensively researched book chronicling the first half-century of interactive fiction: video games made from words. Covering one text game released in each year from 1971 to 2020, in-depth chapters dive into classics like Zork, Trade Wars, and Hitchhiker's Guide; beloved fan games like Galatea and Photopia; wild experiments from Dwarf Fortress to Howling Dogs; and breakout hits like 80 Days, Fallen London, and Lifeline. Over 600 pages of coverage and dozens of original maps and flowcharts help explain the structure and design of each game included.Aaron A. Reed has been creating and researching interactive stories for twenty years, focusing on understanding the many ways authors and players can tell stories together. He holds a PhD in interactive storytelling, and is currently based in California freelancing as a character and narrative consultant for games.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich.Xiaoning’s research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People’s Republic of China from 1949 to 1989.In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China’s modernization and Chinese women’s filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this lively and far-reaching text, Nick Witham (University College London) tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history.For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past: Historians, Publishers, and Readers in Postwar America (University of Chicago Press, 2023), Witham challenges this interpretation by telling the stories of Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner - writers who, in the decades after World War II, published widely read books of national history.Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. Not just a matter of writing style, popular accessibility was also a product of an author's frame of mind, the editor's skill, and the publisher's marketing acumen, among other factors. Rooted in extensive archival work, Popularizing the Past persuasively demonstrates the cross-influences of popular history writing and American popular culture.James West is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Caribbean American Narratives of Belonging (Ohio State University Press, 2023), Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.Vivian Nun Halloran is Professor of English and Associate Dean for Diversity and Inclusion in the College of Arts and Sciences at Indiana University Bloomington. She is a scholar of Caribbean literature, food studies, ethnic American literature, postmodernism, and popular culture. She previously wrote The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State University Press, 2016) and Exhibiting Slavery: The Caribbean Postmodern Novel as Museum (University of Virginia Press, 2009).Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What if animals and humans could speak to one another? Tom Mustill—the nature documentarian who went viral when a thirty‑ton humpback whale breached onto his kayak—asks this question in his thrilling investigation into whale science and animal communication.“When a whale is in the water, it is like an iceberg: you only see a fraction of it and have no conception of its size.”On September 12, 2015, Tom Mustill was paddling in a two-person kayak with a friend just off the coast of California. It was cold, but idyllic—until a humpback whale breached, landing on top of them, releasing the energy equivalent of forty hand grenades. He was certain he was about to die, but they both survived, miraculously unscathed. In the interviews that followed the incident, Mustill was left with one question: What could this astonishing encounter teach us?Drawing from his experience as a naturalist and wildlife filmmaker, Mustill started investigating human–whale interactions around the world when he met two tech entrepreneurs who wanted to use artificial intelligence (AI)—originally designed to translate human languages—to discover patterns in the conversations of animals and decode them. As he embarked on a journey into animal eavesdropping technologies, where big data meets big beasts, Mustill discovered that there is a revolution taking place in biology, as the technologies developed to explore our own languages are turned to nature.From seventeenth-century Dutch inventors, to the whaling industry of the nineteenth century, to the cutting edge of Silicon Valley, How to Speak Whale: A Voyage into the Future of Animal Communication (Grand Central Publishing, 2022) examines how scientists and start-ups around the world are decoding animal communications. Whales, with their giant mammalian brains, virtuoso voices, and long, highly social lives, offer one of the most realistic opportunities for this to happen. But what would the consequences of such human animal interaction be?Here are some recordings of whale songs:  Humpback Orca Blue Frances Sacks is a graduate of Wesleyan University where she studied in the Science and Society Program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications