New Books in Ancient History

Today I talked to Rob Tempio, the editor of a wonderful collection of books from Princeton University Press called "Ancient Wisdom for Modern Readers." The series presents the timeless and timely ideas of classical thinkers in lively new translations. Enlightening and entertaining, these books make the practical wisdom of the ancient world accessible for modern life. The titles of the various volumes gives you a good idea of what's on offer.  How to Drink (Obsopeous) How to Be Content (Horace) How to Be a Bad Emperor (Suetonius) How to Think about God (Cicero) How to Win an Argument (Cicero) How to Be Free (Epicutetus) How to Run a Country (Cicero) How to Grow Old (Cicero)  How to Keep your Cool (Seneca) There are 19 pearls of Ancient Wisdom currently in the series with more to come. Enjoy! Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Political Theorist Robert Bartlett spoke with the New Books in Political Science podcast about two of his recent publications, which take on translating the work of two distinct classical thinkers, Aristotle and Aristophanes. In discussing these thinkers, we talked about two of Aristophanes’ earliest extant plays, The Acharnians and The Knights. We also discussed Aristotle’s text, The Art of Rhetoric. All three of these works focus on the interaction of the words spoken by a public individual, and how those words are also received and considered by an audience, especially the citizens of the state. This conversation took us to ancient Athens and some of the earliest western thinking about the interrelationship between political rhetoric and emotions, and how these connections can be both useful and dangerous, especially for democracies.Bartlett explains that Aristotle’s Art of Rhetoric (University of Chicago Press, 2019) is an important component of Aristotle’s thinking about politics, and one of his later works. The Art of Rhetoric explores the idea and art of persuasion, and Aristotle provides a defense of rhetoric for the polis. Bartlett also examines the way that Aristotle’s Rhetoric, while attacked by Thomas Hobbes in his writing, as he does with so many of Aristotle’s works, actually provides the basis for Hobbes’ understanding of the passions, and thus the basis for Hobbes’ own political theory. In an effort to examine the way that rhetoric and persuasion work, especially within politics, Aristotle delineates a clear account of the passions in Book II of The Rhetoric, and this, combined with the three modes of persuasion (ethos, pathos, logos), are key to considering how rhetoric can be used, for good or ill. It is inevitable that political rhetoric will come forward in societies, however large or small, simple or complex. Thus, Aristotle’s work explains not only how to best make use of rhetoric, it also explains the ways in which rhetoric can be misused, abused, and how it can threaten the society when used corruptly, especially by demagogues. Bartlett’s translation of Aristotle’s text guides the reader with clarity and accessibility, and his interpretative essay explores these important dimensions of understanding how rhetoric works, how it accesses our emotions, and how it can be used corruptly. This is particularly important to consider in our current political climates, in the United States and elsewhere, as we have seen the rise of demagogues and the inflaming of passions within the political sphere. Against Demagogues: What Aristophanes Can Teach Us about the Perils of Populism and the Fate of Democracy (University of California Press, 2020) examines many of the same themes as Aristotle explores in The Rhetoric, but in Aristophanes’ work, Bartlett notes, the use of comedy and narrative skewer the demagogue and his abuse of rhetoric. Once again Bartlett has translated the ancient Greek work, in this case, the two plays, The Acharnians and The Knights, and has provided an interpretative essay of each play. Against Demagogues also provides the contemporary reader with considerations of Aristophanes’ relevance, especially in his attack on demagogues. As Bartlett notes, the term “demagogue” itself only become negative in its valence when Aristophanes uses it this way in The Knights.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plato and the Mythic Tradition in Political Thought (Harvard UP, 2020) is an ambitious reinterpretation and defense of Plato’s basic enterprise and influence, arguing that the power of his myths was central to the founding of philosophical rationalism.Plato’s use of myths—the Myth of Metals, the Myth of Er—sits uneasily with his canonical reputation as the inventor of rational philosophy. Since the Enlightenment, interpreters like Hegel have sought to resolve this tension by treating Plato’s myths as mere regrettable embellishments, irrelevant to his main enterprise. Others, such as Karl Popper, have railed against the deceptive power of myth, concluding that a tradition built on Platonic foundations can be neither rational nor desirable.Tae-Yeoun Keum challenges the premise underlying both of these positions. She argues that myth is neither irrelevant nor inimical to the ideal of rational progress. She tracks the influence of Plato’s dialogues through the early modern period and on to the twentieth century, showing how pivotal figures in the history of political thought—More, Bacon, Leibniz, the German Idealists, Cassirer, and others—have been inspired by Plato’s mythmaking. She finds that Plato’s followers perennially raised the possibility that there is a vital role for myth in rational political thinking.Tejas Parasher is Junior Research Fellow in Political Thought and Intellectual History at King’s College, University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoices

James Fredal is Associate Professor in the Department of English at The Ohio State University. The recipient of multiple awards for his work in rhetorical theory and history, Fredal is the author in 2006 of Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes and now The Enthymeme: Syllogism, Reasoning and Narrative in Ancient Greek Rhetoric (Penn State UP, 2020).Central to rhetorical theory, the enthymeme is most often defined as a truncated syllogism. Suppressing a premise that the audience already knows, this rhetorical device relies on the audience to fill in the missing information, thereby making the argument more persuasive. James Fredal argues that this view of the enthymeme is wrong. Presenting a new exegesis of Aristotle and classic texts of Attic oratory, Fredal shows that the standard reading of Aristotle's enthymeme is inaccurate--and that Aristotle himself distorts what enthymemes are and how they work.From close analysis of the Rhetoric, Topics, and Analytics, Fredal finds that Aristotle's enthymeme is, in fact, not syllogistic and is different from the enthymeme as it was used by Attic orators such as Lysias and Isaeus. Fredal argues that the enthymeme, as it was originally understood and used, is a technique of storytelling, primarily forensic storytelling, aimed at eliciting from the audience an inference about a narrative. According to Fredal, narrative rather than formal logic is the seedbed of the enthymeme and of rhetoric more broadly.The Enthymeme reassesses a fundamental doctrine of rhetorical instruction, clarifies the viewpoints of the tradition, and presents a new form of rhetoric for further study and use. This groundbreaking book will be welcomed by scholars and students of classical rhetoric, the history of rhetoric, and rhetorical theory as well as communications studies, classical studies, and classical philosophy.Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Earthquakes and Eschatology in the Gospel according to Matthew (Mohr Siebeck, 2020), Brian Carrier provides a comprehensive analysis of the role that seismic language plays within the Matthean Gospel narrative. After reconstructing what connotations seismic language likely carried in Matthew's cultural context, the author utilizes an historically informed author-oriented narrative criticism that is complemented with redaction criticism to analyze the relationships that Matthew's seismic references display with regards to each other and to the overall narrative. This analysis leads to the conclusion that Matthew's seismic references collectively indicate that the life, death, and resurrection of Jesus together represent the partial fulfillment of the Old Testament eschatological Day of the Lord.Join us as we talk with Brian Carrier about his recent book, Earthquakes and Eschatology in the Gospel according to Matthew!Brian Carrier earned his PhD in Biblical Studies from The Catholic University of America, and currently serves as Director of Discipleship at The District church in Washington, DC.Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at mmorales@gpts.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it.The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read.Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Political Theorist Joel Alden Schlosser has turned his attention to Herodotus, an historian and political thinker from classical Greece, to learn how we might better think about and consider solutions to significant contemporary problems, especially those that contribute to global climate change. Schlosser explains that we are currently living in a new geologic and climatic age, the Anthropocene, which is defined as the current period where humans have had a direct effect on the geology and climate of the earth and the surrounding atmosphere. In finding ourselves in this new and potentially catastrophic period, we need to consider how to stop or solve this ongoing and evolving environmental crisis. Schlosser encourages us to turn out attention to Herodotus and his Histories, and he argues that these works, which dive into thinking about community and collective engagement, may provide guidance for contemporary politics and society. This is a fascinating structuring of reading Herodotus as an historian, examining his thinking and his critiques of Athens, of Persia, and of the political life and decisions that have been made by those in positions of power, and also in reading for guidance, to compel contemporary thinking in unanticipated ways. Schlosser centers his explication of Herodotus on the discussion of the nomoi, the informal cultures and traditions that make up our understanding of the fabric of political life, as well as the laws written by legislatures and that are more concrete. These nomoi are created by humans, to manage life. The nomoi contribute to the flourishing of society and should be designed to shift and adapt with time and circumstances. If the nomoi are not changed, they can become sclerotic, or corrupt and destructive of both humans and non-humans. This emphasis on fluidity is quite important to how we may want to craft our thinking in ways like Herodotus’s thinking.Herodotus, as Schlosser notes, is a storyteller, and in the way that he tells stories, instead of writing factual histories like Thucydides, or making logical arguments like so many philosophers, Herodotus is able to engage in complexities of examples and of thinking. This mode of storytelling comes from older Greek traditions of the oral tales like those that Homer sang, or that the playwrights of Athens produced to communicate comedy and tragedy. This approach allows Herodotus to integrate not just the human experience, but also the experience of the non-human, all of the systems of energy that also exist and are natural, like the weather, the geography of a place, animals and other wildlife, diseases and illnesses. This weaving together of the human and the natural and non-human lays out a complexity of thinking and understanding that Schlosser suggests can be quite important for us to learn as we face complex natural, human, and non-human systems of energy that we need to repair or work collaboratively with in order to try to solve some of the more significant problems of the Anthropocene.Herodotus in the Anthropocene (U Chicago Press, 2020) is an elegant argument that makes the case for Herodotus’s continued import, not just in the stories he tells, but in the way he grasps the world around him and how he discusses that world, of different systems of energy, and the complexities of these different entities. Herodotus, and Schlosser, compel us to broaden our ways of thinking and how we think, what we consider, and why.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon Critchley's Tragedy, the Greeks, and Us (Vintage, 2020) does not offer a comprehensive theory of tragedy. Instead, it takes issue with the bland simplifications that philosophers have offered in place of a robust engagement with tragedies, plural. Critchley examines Nietzche's wishful speculation on the origin of tragedy, Aristotle's dry and under-examined notion of catharsis, and Plato's excessive hatred of tragedy, finding that each attempt to find an essence of tragedy ignores the fact that tragedy as a form is uninterested in tidy endings or comforting morals. Critchley insists we go back to the experience of theatre in search of what Anne Carson calls a "more devastating" account of what it's like to watch these plays, which somehow resonate with us after more than two thousand years.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Signs of the Messiah: An Introduction to John’s Gospel (Lexham Press, 2021), Andreas J. Köstenberger—veteran New Testament scholar and expert on the Gospel of John—guides readers through John and highlights its plot and message. John’s Gospel is written to inspire faith in Jesus. By keeping the Gospel’s big picture in view, readers will see Jesus’ mighty signs and be compelled to trust more fully in the Messiah. Readers will have a deeper grasp of John’s message and intent through this short and accessible introduction.Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He can be reached at jonrichwright@gmail.com, on Twitter @jonrichwright, or jonathanrichardwright.com. Learn more about your ad choices. Visit megaphone.fm/adchoices