New Books in Ancient History

Political Theorist Joel Alden Schlosser has turned his attention to Herodotus, an historian and political thinker from classical Greece, to learn how we might better think about and consider solutions to significant contemporary problems, especially those that contribute to global climate change. Schlosser explains that we are currently living in a new geologic and climatic age, the Anthropocene, which is defined as the current period where humans have had a direct effect on the geology and climate of the earth and the surrounding atmosphere. In finding ourselves in this new and potentially catastrophic period, we need to consider how to stop or solve this ongoing and evolving environmental crisis. Schlosser encourages us to turn out attention to Herodotus and his Histories, and he argues that these works, which dive into thinking about community and collective engagement, may provide guidance for contemporary politics and society. This is a fascinating structuring of reading Herodotus as an historian, examining his thinking and his critiques of Athens, of Persia, and of the political life and decisions that have been made by those in positions of power, and also in reading for guidance, to compel contemporary thinking in unanticipated ways. Schlosser centers his explication of Herodotus on the discussion of the nomoi, the informal cultures and traditions that make up our understanding of the fabric of political life, as well as the laws written by legislatures and that are more concrete. These nomoi are created by humans, to manage life. The nomoi contribute to the flourishing of society and should be designed to shift and adapt with time and circumstances. If the nomoi are not changed, they can become sclerotic, or corrupt and destructive of both humans and non-humans. This emphasis on fluidity is quite important to how we may want to craft our thinking in ways like Herodotus’s thinking.Herodotus, as Schlosser notes, is a storyteller, and in the way that he tells stories, instead of writing factual histories like Thucydides, or making logical arguments like so many philosophers, Herodotus is able to engage in complexities of examples and of thinking. This mode of storytelling comes from older Greek traditions of the oral tales like those that Homer sang, or that the playwrights of Athens produced to communicate comedy and tragedy. This approach allows Herodotus to integrate not just the human experience, but also the experience of the non-human, all of the systems of energy that also exist and are natural, like the weather, the geography of a place, animals and other wildlife, diseases and illnesses. This weaving together of the human and the natural and non-human lays out a complexity of thinking and understanding that Schlosser suggests can be quite important for us to learn as we face complex natural, human, and non-human systems of energy that we need to repair or work collaboratively with in order to try to solve some of the more significant problems of the Anthropocene.Herodotus in the Anthropocene (U Chicago Press, 2020) is an elegant argument that makes the case for Herodotus’s continued import, not just in the stories he tells, but in the way he grasps the world around him and how he discusses that world, of different systems of energy, and the complexities of these different entities. Herodotus, and Schlosser, compel us to broaden our ways of thinking and how we think, what we consider, and why.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it.The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read.Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon Critchley's Tragedy, the Greeks, and Us (Vintage, 2020) does not offer a comprehensive theory of tragedy. Instead, it takes issue with the bland simplifications that philosophers have offered in place of a robust engagement with tragedies, plural. Critchley examines Nietzche's wishful speculation on the origin of tragedy, Aristotle's dry and under-examined notion of catharsis, and Plato's excessive hatred of tragedy, finding that each attempt to find an essence of tragedy ignores the fact that tragedy as a form is uninterested in tidy endings or comforting morals. Critchley insists we go back to the experience of theatre in search of what Anne Carson calls a "more devastating" account of what it's like to watch these plays, which somehow resonate with us after more than two thousand years.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Signs of the Messiah: An Introduction to John’s Gospel (Lexham Press, 2021), Andreas J. Köstenberger—veteran New Testament scholar and expert on the Gospel of John—guides readers through John and highlights its plot and message. John’s Gospel is written to inspire faith in Jesus. By keeping the Gospel’s big picture in view, readers will see Jesus’ mighty signs and be compelled to trust more fully in the Messiah. Readers will have a deeper grasp of John’s message and intent through this short and accessible introduction.Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He can be reached at jonrichwright@gmail.com, on Twitter @jonrichwright, or jonathanrichardwright.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recognizing the absence of a God named Yahweh outside of ancient Israel, this study addresses the related questions of Yahweh's origins and the biblical claim that there were Yahweh-worshipers other than the Israelite people. Beginning with the Hebrew Bible, with an exhaustive survey of ancient Near Eastern literature and inscriptions discovered by archaeology, and using anthropology to reconstruct religious practices and beliefs of ancient Edom and Midian, this study proposes an answer. Yahweh-worshiping Midianites of the Early Iron Age brought their deity along with metallurgy into ancient Palestine and the Israelite people. Join us as we talk with Robert Miller about his latest book, Yahweh: Origin of a Desert God (Vandenhoeck & Ruprecht, 2021).Robert Miller, II, O.F.S., Ph.D., is Ordinary Professor of Old Testament and Associate Dean for Graduate Studies at The Catholic University of America.Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption(IVP Academic, 2020). He can be reached at mmorales@gpts.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcus Aurelius’ Meditations is one of the most popular philosophical works by sales to the public, while in academic philosophy he is considered somewhat of a philosophical lightweight. In Marcus Aurelius (Routledge, 2020), John Sellars argues that this academic perception mistakes the Meditations as a failed work of theoretical argument, when instead it is a series of spiritual training exercises to condition the Roman emperor’s character in accordance with the Stoic doctrines he learned as a bookish boy. Sellars, who is reader in philosophy at Royal Holloway, University of London, sees Marcus Aurelius as using his Meditations as an antidote to corrupting pressures of his powerful position and debilitating suffering in the face of adversity in his personal life and in his military campaigns against Germanic tribes. The book accessibly introduces the main Stoic doctrines that form the background of Marcus Aurelius’s writings, and shows how he reviews the day’s events and where he has gone wrong in his responses to them in their light. Learn more about your ad choices. Visit megaphone.fm/adchoices

When asked what he saw after reverently peering into the freshly opened tomb of Pharaoh Tutankhamun, Egyptologist Howard Carter could only find the words the say “Wonderful Things.” These words have become legend in Egyptology; whether they were actually spoken by Carter or were ascribed to him after the events took place in order to embellish the moment is moot; the discovery and opening of King Tut’s tomb is notorious within and without Egyptology. However, as Jason Thompson’s recent trilogy shows, the history of Egyptology is full of such “Wonderful Things.”Wonderful Things: A History of Egyptology is a 3-volume history of the study of ancient Egypt from ancient times to the present. Beginning with how the ancient Egyptians reconciled their own past through colonialism and two world wars, Wonderful Things is encyclopedic in its biography of many of the field’s practitioners from around the world. In its comprehensiveness, this series is an accomplishment and a fantastic first step for anyone interested in the history of Egyptology. Yet, it never sacrifices depth for breadth, often weaving chronological developments in the field with deeply empathetic narratives.Thompson wrote this series with a critical eye towards many of the dubious practices of past Egyptologists—indeed not all archaeologists played nice with one another nor excavated according to standards that would be acceptable today. But Wonderful Things is written from a place of both attentiveness to the problematics of the past and with sincere appreciation for the study of ancient Egypt. It is that appreciation, that enthusiasm, which has kept Egypt in the imagination of people around the world for millennia, now more so than ever before.Samuel Pfister is the collections manager at the Badè Museum in California's East Bay. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura Eastlake’s Ancient Rome and Victorian Masculinity (Oxford University Press, 2019) examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. These manifold and often contradictory representations were used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde.In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models.Using approaches from literary and cultural studies, reception studies, and gender studies, and ranging across the topics of education, politics, empire, and late Victorian decadence, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity.Dr. Laura Eastlake is a senior lecturer in English literature at Edge Hill University in the UK, with degrees in the Classics, classical reception, and Victorian literature, with additional research interests in sensation fiction, Victorian humour and substance-use, and the late-Victorian Gothic. Check out her exhibition at The Atkinson museum: Fatal Attraction: Lilith and Her Sisters.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this magnum opus, Paul Vallely guides the reader on a journey through the history and meaning of giving in religion and society.Vivid with anecdote and scholarly insight, this magisterial survey – from the ancient Greeks to today's high-tech geeks – provides an original take on the history of philanthropy. It shows how giving has, variously, been a matter of honor, altruism, religious injunction, political control, moral activism, enlightened self-interest, public good, personal fulfillment and plutocratic manipulation.Its narrative moves from the Greek man of honor and Roman patron, via the Jewish prophet and Christian scholastic – through Puritan proto-capitalist, Enlightenment activist and Victorian moralist – to the robber-baron philanthropist, the welfare socialist, the celebrity activist and today's wealthy mega-giver. In the process it discovers that philanthropy lost an essential element as it entered the modern era. The book then embarks on a journey to determine where today's philanthropists come closest to recovering that missing dimension. Philanthropy: From Aristotle to Zuckerberg (Bloomsbury Continuum, 2020) explores the successes and failures of philanthrocapitalism, examines its claims and contradictions, and asks tough questions of top philanthropists and leading thinkers – among them Richard Branson, Eliza Manningham-Buller, Jonathan Ruffer, David Sainsbury, John Studzinski, Bob Geldof, Naser Haghamed, Lenny Henry, Jonathan Sacks, Rowan Williams, Ngaire Woods, and the presidents of the Rockefeller and Soros foundations, Rajiv Shah and Patrick Gaspard. In extended conversations they explore the relationship between philanthropy and family, faith, society, art, politics, and the creation and distribution of wealth.Highly engaging and meticulously researched, Paul Vallely's authoritative account of philanthropy then and now critiques the excessive utilitarianism of much modern philanthrocapitalism and points to how philanthropy can rediscover its soul.Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com. Learn more about your ad choices. Visit megaphone.fm/adchoices