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Jonathan Rosenthal

The Economist''s Africa editor, providing expert analysis on South Sudan''s political and social landscape.

Top 3 podcasts with Jonathan Rosenthal

Ranked by the Snipd community
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Oct 3, 2022 • 24min

Poll vaulter: Brazil’s surprise election result

Sarah Maslin, Brazil correspondent for The Economist, provides a gripping analysis of Brazil’s unpredictable presidential election, where Bolsonaro’s unexpected strong showing sets the stage for a fierce runoff. Jonathan Rosenthal, Africa editor, sheds light on Malawi's democratic journey—its inspiring yet challenging transition from autocracy to democracy amidst economic hardships. The discussion also touches on the complexities of voter trust and the ongoing struggles for reform and stability in Malawi, showcasing the region's diverse political landscapes.
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Jan 5, 2022 • 22min

Stop the presses! Hong Kong’s media crackdown

In this insightful discussion, Sue Lin Wong, The Economist’s China correspondent, reveals the tightening grip on media freedom in Hong Kong, detailing the shutdown of pro-democracy outlets and the chilling effects of the national security law. Meanwhile, Jonathan Rosenthal, the Africa editor, sheds light on Sudan’s political turmoil post-Abdallah Hamdok, discussing the military's resistance to civilian governance amid ongoing protests. They also touch on the unintended consequences of US sanctions on the saffron trade, showcasing global interconnectedness.
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Jul 9, 2021 • 23min

A decade decayed: South Sudan

Jonathan Rosenthal, The Economist's Africa editor, sheds light on South Sudan's tumultuous history since independence, juxtaposing initial optimism with ongoing struggles of poverty and ethnic tensions. He emphasizes the pressing need for political change and advocates for grassroots movements to foster peace and women's rights. David Benin reflects on the haunting legacy of folk singer Karen Dalton, discussing her emotional depth and recent resurgence in popularity, showcasing how her music resonates with both past and present audiences.