Ashish Avikunthak, a Professor of Film Media at the University of Rhode Island, combines archaeology, cultural anthropology, and avant-garde filmmaking. He discusses the transformation of the Archaeological Survey of India from colonial tool to heritage custodian and its influence on national identity. The conversation dives into how state governance shapes archaeological practices and the politicization of history, especially around controversial sites like the Babri Masjid. Avikunthak also explores future perspectives on archaeological endeavors in India's evolving political landscape.

Ashish Avikunthak, Professor of Film Media at the University of Rhode Island, brings a unique perspective on the intersection of archaeology and bureaucracy in postcolonial India. He discusses how the Archaeological Survey of India intertwines scientific knowledge with state politics, revealing the impact on cultural heritage and identity. Avikunthak critiques the Saraswati Heritage Project's political misuse of archaeological findings. He also highlights the challenges faced in Indian archaeology, advocating for a deeper understanding of its societal implications and the contributions of those often overlooked.