Ashish Avikunthak, "Bureaucratic Archaeology: State, Science and Past in Postcolonial India" (Cambridge UP, 2022)
Jan 21, 2025
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Ashish Avikunthak, Professor of Film Media at the University of Rhode Island, brings a unique perspective on the intersection of archaeology and bureaucracy in postcolonial India. He discusses how the Archaeological Survey of India intertwines scientific knowledge with state politics, revealing the impact on cultural heritage and identity. Avikunthak critiques the Saraswati Heritage Project's political misuse of archaeological findings. He also highlights the challenges faced in Indian archaeology, advocating for a deeper understanding of its societal implications and the contributions of those often overlooked.
The interplay between archaeology and state bureaucracy in postcolonial India significantly influences the construction of political and religious identities.
Archaeological practices in India are deeply politicized, reflecting ideological narratives that shaped the country's cultural politics and national identity.
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Ethnographic Study of Bureaucratic Archaeology
The book 'Bureaucratic Archaeology' by Dr. Ashish Avikantuk presents a unique perspective on archaeology within the context of postcolonial India, combining ethnographic methods with archaeological theory. Through detailed fieldwork in various sites, Dr. Avikantuk examines the bureaucratic structures and practices of the Archaeological Survey of India (ASI) and how they shape archaeological knowledge. This investigation sheds light on the complex interplay between state, science, and past in a non-Western context, revealing how archaeological practices are deeply politicized. By addressing these dynamics, the work contributes significantly to our understanding of how knowledge is constructed and applied in contemporary archaeology.
Cultural Politics of Archaeology in India
Archaeology in India is not merely an academic pursuit; it is entwined with the country's cultural politics and national identity. The narrative surrounding archaeological sites has often been influenced by ideological perspectives, particularly those stemming from Hindutva nationalism, which seeks to reinterpret historical narratives to align with contemporary political goals. For example, the excavation projects undertaken by the ASI often serve not only to uncover the past but also to legitimize certain nationalistic ideologies. Through an exploration of cases like the Babri Masjid, the complexities of how the past is employed to inform present political landscapes become apparent, showcasing the profound impact of archaeology on cultural and national identity.
Bureaucratic Archaeology: State, Science and Past in Postcolonial India(Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings.
This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation.
About the Author:
Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno.
About the Host:
Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford.