New Books in Science, Technology, and Society

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway’s 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben’s claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020’s version of the same dark satire as the 1950’s Twilight Zone. John asks about Stanislaw Lem’s Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam’s Hitchhiker’s Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this engaging discussion, Cass R. Sunstein, a Harvard law and public policy scholar, explores the intricacies of AI outlined in his book, Imperfect Oracle. He reveals how AI can help combat human biases and noise that lead to poor decision-making. Sunstein discusses the limits of AI predictions, the importance of quality training data, and how algorithms can aid in reducing discrimination in legal contexts. He also highlights the potential risks of over-reliance on AI and the need for thoughtful regulation to mitigate manipulation.

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls’ self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade’s current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers’ preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne’s exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Mark Vellend, a biology professor and author of Everything Evolves, dives into how evolutionary principles shape everything from bacteria to technology. He discusses the intersection of physics and evolution, challenging the idea that Darwin's theories are the beginning of evolutionary thought. Vellend explains how even man-made technologies can evolve and explores the implications of artificial intelligence embracing evolutionary processes. He also touches on the significance of diversity, adaptation, and the impacts of global homogenization.

We live in an age of increasing complexity--an era of accelerating technology and global interconnection that holds more promise, and more peril, than any other time in human history. The fossil fuels that have powered global wealth creation now threaten to destroy the world they helped build. Automation and digitization promise prosperity for some, unemployment for others. Financial crises fuel growing inequality, polarization, and the retreat of democracy. At heart, all these problems are rooted in the economy, yet the guidance provided by economic models has often failed. Many books have been written about J. Doyne Farmer and his work, but Making Sense of Chaos (Yale UP, 2024) is the first in his own words. It presents a manifesto for how to do economics better. In this tale of science and ideas, Farmer fuses his profound knowledge and expertise with stories from his life to explain how we can bring a scientific revolution to bear on the economic conundrums facing society. Using big data and ever more powerful computers, we are now able for the first time to apply complex systems science to economic activity, building realistic models of the global economy. The resulting simulations and the emergent behavior we observe form the cornerstone of the science of complexity economics, allowing us to test ideas and make significantly better economic predictions--to better address the hard problems facing the world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Humanity's relationship with black holes began in 1783 in a small English village, when clergyman John Michell posed a startling question: What if there are objects in space that are so large and heavy that not even light can escape them? Almost 250 years later, in April 2019, scientists presented the first picture of a black hole. Profoundly inspired by that image, physicist Jonas Enander has traveled the world to investigate how our understanding of these elusive celestial objects has evolved since the days of Michell. With the particular goal of discovering our human connection to black holes, Enander visits telescopes and observatories, delves deeply into archives, and interviews over 20 world-leading experts, including several Nobel laureates. With Facing Infinity: Black Holes and Our Place on Earth (The Experiment Press, 2025), he takes us on a spellbinding journey into the universe's greatest mystery, deciphers the most mind-bending science, and answers questions surrounding how black holes work, where they come from, and what role they play in the universe. Along the way Enander discovers how our desire to understand black holes inadvertently paved the way for the invention of Wi-Fi and the calibration of our global navigation satellites, how astronomical discovery became entangled with colonial conflicts, and how our looking outward gave us critical evidence of the impact of climate change. Facing Infinity helps us appreciate and understand as never before these mysterious celestial objects and our surprising connections to them. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

It has become habitual to think of our relationship with energy as one of transition: with wood superseded by coal, coal by oil, oil by nuclear and then at some future point all replaced by green sources. Jean-Baptiste Fressoz’s devastating but unnervingly entertaining book shows what an extraordinary delusion this is. Far from the industrial era passing through a series of transformations, each new phase has in practice remained almost wholly entangled with the previous one. Indeed the very idea of transition turns out to be untrue. The author shares the same acute anxiety about the need for a green transition as the rest of us, but shows how, disastrously, our industrial history has in fact been based on symbiosis, with each major energy source feeding off the others. Using a fascinating array of examples, Fressoz describes how we have gorged on all forms of energy – with whole forests needed to prop up coal mines, coal remaining central to the creation of innumerable new products and oil still central to our lives. The world now burns more wood and coal than ever before. This book reveals an uncomfortable truth: ‘transition’ was originally itself promoted by energy companies, not as a genuine plan, but as a means to put off any meaningful change. More and More and More: An All-Consuming History of Energy (Harper, 2025) forces its readers to understand the modern world in all its voracious reality, and the true nature of the challenges heading our way. Jean-Baptiste Fressoz is a historian at the CNRS and the EHESS. He works on the history of the contemporary environmental crisis. He is currently working on the history of energy and material symbioses in the 19th and 20th centuries. Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF). Book Recomendations: 1. The Shock Of The Old: Technology and Global History since 1900 by David Edgerton2. Fin du monde et petits fours by Édouard Morena3. Accumuler du béton, tracer des routes Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Have you ever stopped to think about how your morning cappuccino came to be? From the coffee bush that yielded the beans, to the grass for the cattle – or perhaps the soya – that produced the milk, plants are an indispensable part of our everyday life. Beginning with some of the earliest uses of plants, in 50 Plants that Changed the World (Bodleian, 2025) Dr. Stephen Harris takes us on an exciting journey through history, identifying fifty plants that have been key to the development of the western world, discussing trade, imperialism, politics, medicine, travel and chemistry along the way. There are plants here that have changed landscapes, fomented wars and fuelled slavery. Others have been the trigger for technological advances, expanded medical knowledge or simply made our lives more pleasant. Plants have provided paper and ink, chemicals that could kill or cure, vital sustenance and stimulants. Some, such as barley, have been staples from earliest times; others, such as oil palm, are newcomers to western industry. We remain dependent on plants for our food, our fuel and our medicines. As the wide-ranging and engaging stories in this beautifully illustrated book demonstrate, their effects on our lives continue to be profound and often unpredictable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Taking recent spectacular progress in AI fully into account, Mark Seligman's AI and Ada: Artificial Translation and Creation of Literature (Anthem Press, 2025) explores prospects for artificial literary translation and composition, with frequent reference to the hyperconscious literary art of Vladimir Nabokov. The exploration balances reader-friendly explanation (“What are transformers?”) and original insights (“What is intelligence? What is language?”) with personal and playful notes, and culminates in an assortment of striking demos The book’s Preface places the current AI explosion in the context of other technological cataclysms and recounts the author’s personal (and not always deadly serious) AI journey. Chapter One (“Extracting the Essence”) assesses the potential of machine translation of literature, exploiting Nabokov’s hyperconscious literary art as a reference point. Chapter Two (“Toward an Artificial Nabokov”) goes on to speculate on possibilities for actual artificial creation of literature. Chapter Three (“Large Literary Models? Intelligence and Language in the LLM Era”) explains recent spectacular progress in Generative Artificial Intelligence (GenAI), as exemplified by Large Language Models like ChatGPT. On the way, the chapter ventures to tackle perennial questions (“What is intelligence?” “What is language?”) and culminates in an assortment of striking demos. In this episode, Ibrahim Fawzy sat with Mark Seligman to talk about how the current AI revolution fits into the long arc of cultural and technological shifts, Seligman's framing of the “Great Transition” between Humanity 1.0 and 2.0, Nabokov’s style as a lens for thinking about artificial creativity, the possibilities and limits of machine translation and literary artistry, and the philosophical stakes of whether AI-generated works can ever truly be considered art.Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society