In *Pulling the Chariot of the Sun*, Shane McCrae recounts his traumatic childhood after being kidnapped by his maternal grandparents, who sought to erase his Black heritage. The memoir explores themes of racial identity, intergenerational trauma, and the quest for self-discovery. Through lyrical prose, McCrae reflects on the complexities of memory and the power of storytelling in healing and finding one's place in the world.
Stay True is a poignant memoir by Hua Hsu that delves into his unlikely friendship with Ken, a Japanese-American college friend whose life was tragically cut short. The book explores themes of identity, belonging, and the power of friendship in shaping one's life. It is a coming-of-age story that navigates the complexities of growing up and finding meaning in a world that often seems indifferent.
Written in Latin between AD 397 and 400, 'Confessions' is a blend of autobiography, philosophy, theology, and critical exegesis of the Christian Bible. The first nine books are autobiographical, tracing Augustine's life from his birth to his conversion to Catholicism. He recounts his sinful youth, his involvement with Manicheism and Neoplatonism, and his eventual conversion in a Milanese garden. The last four books focus on philosophical and theological issues, including memory, time, eternity, and the interpretation of the Book of Genesis. The work is structured as a series of prayers to God, reflecting Augustine's journey of redemption and his understanding of God's grace and providence[2][4][5].
In 'The Wave', Susan Casey explores the world of massive, ship-swallowing rogue waves. The book delves into the historical and scientific aspects of these waves, including the 1,740-foot wave that hit the Alaskan coast in 1958. Casey follows big-wave surfers, such as the legendary Laird Hamilton, as they attempt to ride waves of 70 and 80 feet, and juxtaposes their exploits against the urgent efforts of scientists to understand the destructive powers of these waves. The book covers various types of giant waves, including those caused by landslides, earthquakes, and volcanic activity, and highlights the intersection of human adventure and scientific inquiry in the face of nature’s ferocity.
“The weird thing about growing up kidnapped,” Shane McCrae, the 47-year-old American poet, told me in his melodious, reedy voice one rainy afternoon in May, “is if it happens early enough, there’s a way in which you kind of don’t know.”
There was no reason for McCrae to have known. What unfolded in McCrae’s childhood — between a day in June 1979 when his white grandmother took him from his Black father and disappeared, and another day, 13 years later, when McCrae opened a phone book in Salem, Ore., found a name he hoped was his father’s and placed a call — is both an unambiguous story of abduction and a convoluted story of complicity. It loops through the American landscape, from Oregon to Texas to California to Oregon again, and, even now, wends through the vaster emotional country of a child and his parents. And because so much of what happened to McCrae happened in homes where he was beaten and lied to and threatened, where he was made to understand that Black people were inferior to whites, where he was taught to hail Hitler, where he was told that his dark skin meant he tanned easily but, no, not that he was Black, it’s a story that’s been hard for McCrae to piece together.
McCrae’s new book, the memoir “Pulling the Chariot of the Sun,” is his attempt to construct, at a remove of four decades, an understanding of what happened and what it has come to mean. The memoir takes the reader through McCrae’s childhood, from his earliest memories after being taken from his father to when, at 16, he found him again.
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