

Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023)
Apr 4, 2025
Julie Malnig, a Professor of Dance and Theatre Studies at NYU, dives into the intersection of rock 'n' roll, race, and youth culture in the 1950s and 60s. She discusses how televised teen dance shows shaped social dynamics while reflecting the segregation of the era. The conversation highlights the dual narratives of Black and white teens, exploring cultural exchanges, appropriation in dance, and the struggles for visibility of Black performers in a predominantly white media landscape. Malnig's insights reveal the transformative power of dance in navigating complex racial and societal issues.
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TV Dance Shows and Segregation
- Televised teen dance programs in the 1950s and early 1960s reflected and shaped social issues, especially racial segregation.
- Though Black teens had a vibrant youth culture, TV dance shows were primarily white, reflecting a segregated media landscape.
Racial Dynamics and Dance
- Rock and roll dances often originated in Black communities but were disseminated through segregated media channels.
- White youth listened to Black radio stations and learned Black dances, but TV shows remained segregated, reflecting Jim Crow-era racial dynamics.
Dance Style Differences
- White dancers adopted Black dance styles but with stylistic differences, like a more upright posture.
- Black dancers often felt their styles were appropriated or viewed them with a sense of rivalry and regional variation.