Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25
Introduction
00:00 • 2min
The Rise of the Composer
02:21 • 3min
The One Thing to Remember About Marlors
05:02 • 3min
The Fifth Symphony, by Cristoon Dorani
07:43 • 2min
What Makes a Good Performance Different From a Great Performance?
10:07 • 4min
The Clempo, the First Movement of the Second Symphony
13:44 • 2min
I Wonder if Clempera Had Seen the Score of Totenfire?
15:16 • 4min
What Is the Essence of Bernstein's Marlow?
19:23 • 4min
The Greatest Performance in the D G Cycle
23:48 • 4min
Adagietto - A Love Letter to Alma
27:29 • 2min
The Sixth Symphony - The Order of the Inner Movements
29:41 • 4min
The Scherzo Is a Mirror Image, a Deformed Mirror Image of the First Movement
33:37 • 2min
Is It Better to Record Live, or Record Live?
35:22 • 3min
I Love Barbaroli, but I Like It All Too Slow From Start to Finish
38:48 • 2min
I'd Rather Listen to Barbaroli and Brookner Than Than Than in Mala And.
40:34 • 4min
Whataklis: A Great Performance
44:06 • 2min
The Eighth Symphony
46:30 • 3min
Marlo's 'The Last Move of the Sevent'
49:09 • 2min
The Great Interpreter
51:39 • 3min
Did He Leave a Record of His Thoughtfulness?
54:11 • 3min
The Voice, a Very Specific Kind of Voice
57:05 • 2min
Mala Music Making in the Years to Come
59:24 • 3min
The Danger Is Always Going to Be, as Orchestras Become More and More Virtuosica
01:02:19 • 3min
The Ending of the Fourth Complete Aberration
01:05:19 • 4min
Gramophone Podcast 20
01:09:04 • 2min