Gramophone Classical Music Podcast

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's String Quartet in G Minor Op 20, No 3, and an arrangement of A legszebb Virág by Ligeti.

Hattie Butterworth is joined by pianist and historian Samantha Ege and author Leah Broad to discuss the life and music of composer Avril Coleridge-Taylor as the first recording of her orchestral music and piano concerto is released on Resonus

In May this year, the Concertgebouw – Amsterdam's legendary concert hall – played host to the 2025 Mahler Festival. Originally scheduled for 2000, the centenary of the first such event, but moved back by five years due to the pandemic, the Mahler Festival saw all of Mahler's symphonies performed chronologically over two weeks, and performed by a handful of the world's great orchestras. The Eighth Symphony fell to the local band, the Royal Concertgebouw Orchestra and their Chief Conductor Designate, Klaus Mäkelä, who gave two performances, both of which were recorded. And that recording has just been released by Decca – digitally worldwide, with a CD version available in Japan and Korea to coincide with the orchestra's first tour of Asia with Mäkelä before Christmas. James Jolly caught up with Klaus Mäkelä to talk about the conductor's continuing fascination with Mahler's music, and particularly with the Eighth Symphony, the performances of which were clearly a highpoint in the conductor's career so far.

Mao Fujita, who took second prize in the Piano category at the 2019 Tchaikovsky Competition, released an album on Sony Classical of 72 preludes back in the autumn of 2024 – the three sets of 24 by Chopin, Scriabin and Akio Yashiro. Now as a pendant to that project he has recorded another six, by Ravel, Rachmaninov, Mompou, Franck, Busoni and Alkan. These have been issued individually over the past couple of months, and on November 28 they are all gathered together as an EP. James Jolly caught up with Mao Fujita in the summer at the Verbier Festival and spoke to him about the 72 preludes album, the new six preludes, and his plans for the future.

The composer, academic and writer Robin Holloway has just published a new book, Music's Odyssey, An Invitation to Western Classical Music (Allen Lane). He's Emeritus Professor of Music at the University of Cambridge, where James Jolly went to visit him a couple of weeks ago to talk about the book's genesis and aims. The podcast features an excerpt from Holloway's Second Concerto for Orchestra played by the BBC SO conducted by Oliver Knussen on NMC which won Gramophone's Contemporary Music Award in 1994, and also one from Hans Werner Henze's Undine, played by the London Sinfonietta, also conducted by Oliver Knussen on DG.

The French countertenor Philippe Jaroussky has just released a new Erato album of cantatas da camera by Alessandro Scarlatti, Porpora, Galuppi, Handel and Vivaldi, 'Gelosia!'. On it he also conducts his ensemble Artaserse, which he founded in 2002, and with which he increasingly appears solely as conductor rather than as singer. Gramophone's James Jolly went to talk to him in Paris about the new album, but also about a major milestone in his musical career, 25 years of making recordings for Erato.

The Hermes Experiment - an ever-innovative, exploratory and imaginative ensemble - have released their new album, Tree, a meditation on nature, memory and change embracing contemporary composers and reimagined music from the past. Two members of the group, soprano Héloïse Werner and clarinetist Oliver Pashley - who also both have compositions on the album - joined Editor Martin Cullingford in the Gramophone Podcast studio to discuss this beautiful release.

In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor Emeritus James Jolly, Editor Martin Cullingford, Deputy Editor Tim Parry and Editor of Opera Now and Choir & Organ Hattie Butterworth talk through the Category Winners, the Special Awards, and of course the new Recording of the Year – complete with excerpts of every album.

For this week's Gramophone Podcast, Editor Martin Cullingford travelled to Padua to talk to Maxim Emelyanychev, Chief Conductor of Il Pomo d'Oro, about recording Mozart symphonies - and specially their latest release of Symphonies Nos 35 and 36, and Violin Concerto No 3 - on period instruments for the Aparté label.

This week's guest on the Gramophone Podcast is trumpeter Tine Thing Helseth, who talks to Editor Martin Cullingford about her new recording on the Lawo label. Called 'Echoes', it features works by Arutiunian, Penderecki and Weinberg - she talks about the album, as well as her wider work championing her instrument and its repertoire.