Team Deakins

Donald Mowat - Makeup Artist

Jun 7, 2020

01:00:21

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Highlights

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Episode notes

Can You Talk About Makeup Tests?

02:09

Changing With Continuity and Script Supervision

01:51

How Early Do You Get Into a Project?

01:33

Introduction

3min

The No Makeup Look

3min

How Early Do You Get Into a Project?

2min

Is It the Director's Prerogative?

2min

Do You Work on Makeups With the Director?

2min

Is There a Pressure on a Cinematographer?

2min

You're the Closest Person to the Actor, Right?

2min

Do You Have a Commitment to Makeup?

3min

Changing With Continuity and Script Supervision

2min

10.

The Complexity of Pre-Production

3min

11.

Can You Talk About Makeup Tests?

2min

12.

Do You Have a Team of Makeup Artists?

4min

13.

How Do You Make Your Contact Lenses Look Good?

3min

14.

You Have to Take Something Away

2min

15.

How to Make Pink Joy?

3min

16.

How Do You Interact With Hair People?

2min

17.

Blade Runner or Dune?

2min

18.

Blade Runner

2min

19.

Is There Too Much Makeup on Set?

2min

20.

The First CG, Is It Make-Up?

2min

21.

How Do You Do This?

3min

22.

What's the Fun in CG?

5min

23.

Movies of the 50s - Who Does That?

2min

24.

I've Got More Makeup on Than Faye Dunaway

2min

25.

Do You Want to Be a Professional Makeup Artist?

4min

EPISODE 16 - DONALD MOWAT - Makeup

Team Deakins has the pleasure of learning the ins and outs of the makeup department in films. Who better to cover these subjects than the extremely talented Donald Mowat? Donald's credits include BLADE RUNNER 2049, STRONGER, SICARIO, NIGHTCRAWLER, PRISONERS, THE FIGHTER and 8 MILE. We learn what this department brings to the film, how strong the collaboration is, different types of approaches and how to get started in the field.