Team Deakins

Donald Mowat - Makeup Artist

Jun 7, 2020
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Transcript
Episode notes
1
Introduction
00:00 • 3min
2
The No Makeup Look
02:57 • 3min
3
How Early Do You Get Into a Project?
05:28 • 2min
4
Is It the Director's Prerogative?
07:01 • 2min
5
Do You Work on Makeups With the Director?
09:09 • 2min
6
Is There a Pressure on a Cinematographer?
10:51 • 2min
7
You're the Closest Person to the Actor, Right?
12:35 • 2min
8
Do You Have a Commitment to Makeup?
14:50 • 3min
9
Changing With Continuity and Script Supervision
17:25 • 2min
10
The Complexity of Pre-Production
19:15 • 3min
11
Can You Talk About Makeup Tests?
22:17 • 2min
12
Do You Have a Team of Makeup Artists?
24:26 • 4min
13
How Do You Make Your Contact Lenses Look Good?
28:54 • 3min
14
You Have to Take Something Away
31:40 • 2min
15
How to Make Pink Joy?
33:28 • 3min
16
How Do You Interact With Hair People?
36:15 • 2min
17
Blade Runner or Dune?
37:58 • 2min
18
Blade Runner
40:12 • 2min
19
Is There Too Much Makeup on Set?
42:00 • 2min
20
The First CG, Is It Make-Up?
44:02 • 2min
21
How Do You Do This?
45:33 • 3min
22
What's the Fun in CG?
48:05 • 5min
23
Movies of the 50s - Who Does That?
52:50 • 2min
24
I've Got More Makeup on Than Faye Dunaway
54:30 • 2min
25
Do You Want to Be a Professional Makeup Artist?
56:30 • 4min