Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
Introduction
00:00 • 3min
The Difference Between Clarity and Being Straightforward
02:33 • 2min
Clarity and the Service of Audience, Right?
04:28 • 3min
Is There Something Outside of the Poem?
06:59 • 2min
Editing a Poem
08:33 • 2min
Is Lucille Clifton or Sharon Olds a Good Poet?
10:19 • 2min
Glamour and Grammar Have the Same Root, Right?
12:10 • 2min
Imperial, Liquor - The Last Poem in the Book
13:47 • 4min
Is Hip-Hop a Structural Critique of Romantic Music?
17:39 • 2min
The Hyper-Master and the Hyper-Feminine
19:15 • 2min
Smokey: A Chronicle of Melancholy
21:10 • 4min
Is There a Through Line in Delphonic?
25:06 • 2min
I Love the People Watch, You Know?
27:07 • 2min
What Kind of Poems Should a Poet Do?
29:16 • 2min
How Many Times Have I Turned to Latasha Harlan's for Us?
31:30 • 2min
Is There a Relationship Between Poet and Teacher?
33:58 • 2min
I Love Poems
35:41 • 2min
The Imposter Syndrome
37:41 • 2min
The Beginnings of Poems
40:00 • 2min
The Book of Illusions
42:24 • 2min
Is a Poem One Half of the Gonna Magic Conversation?
44:10 • 4min
I'm Rocking With You, Robert Hayden
48:05 • 3min
How Do You Create the Self?
50:38 • 2min
What Was It Like Growing Up in a Ghetto?
52:20 • 2min
Compton Is a Place That's Very Different From the Way People See Compton, Right?
53:54 • 4min
Doo-Wop. Oh Yeah, Okay. Okay.
58:22 • 2min
The Poet Salon Poems
01:00:00 • 3min