Team Deakins

Alwin Kuchler - Cinematographer

Sep 22, 2021
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Episode notes
1
Introduction
00:00 • 2min
2
Early Childhood Paintings
02:27 • 3min
3
A Photographer's Apprenticeship
05:06 • 3min
4
Film School
07:41 • 2min
5
I Love, I Love That Word
10:02 • 3min
6
Film School: Is It a Collaboration?
12:51 • 3min
7
Cinemotographers - Youowe That My Style
16:00 • 4min
8
Filmmaking in the San Francisco Opera
19:45 • 3min
9
How Did You Make Them Work?
22:37 • 4min
10
How Did You Get Yo?
26:22 • 6min
11
I'm a Photographer, and I've Always Wanted to Shoot a Filmstock, but Never Got a Good Result.
32:01 • 4min
12
Theras's Heart O Unmeto
35:54 • 2min
13
Then I Was Cursing My Own Idea
37:41 • 2min
14
The Ratcatcher - A Film Review
39:49 • 5min
15
Sene - The Story of the Day
44:27 • 3min
16
How Did You Get Into the Night Working in Spain?
47:06 • 3min
17
How Do You Think Your Film Making Experiences Have Changed Over the Earth?
50:00 • 3min
18
Do You Start Over Thinking Things?
52:39 • 2min
19
Tes, I Love Solving Problems
54:59 • 5min
20
Do You Need All Themselves?
59:59 • 5min
21
Anamorphic Lenses in Spaceship Corridors
01:04:33 • 4min
22
How Do You Choose to Collaborate With Them?
01:08:40 • 3min
23
The Submarine, You Know What I Mean
01:11:46 • 3min
24
You Can't Read a Street Sign Anymore
01:14:58 • 3min
25
The Big Labawsky
01:17:46 • 3min
26
How Do You Work With the Gaffers?
01:21:07 • 4min
27
How Much of the Landscape We Shot Was Planted Out?
01:24:47 • 2min
28
Your Ideas Come From All Over the World, Don't They?
01:26:30 • 2min