32 | Writer Ed Solomon (Bill & Ted, MIB): Finding Emotional Truth In Every Story

1

Introduction

00:00 • 2min

2

I Received a Compliment and I Accepted It

01:57 • 2min

3

I Love It. Great Week, Ed.

03:36 • 3min

4

I'm Going to Just Be So Anyway

06:18 • 2min

5

I Have a Musical, I'm a Producer and I Love Branching Narratives

07:52 • 4min

6

Is This a Big One?

11:58 • 2min

7

What's the Problem Under the Problem?

13:28 • 5min

8

What Is Your Job as a Parent?

18:37 • 2min

9

How Do I Write This Script?

20:10 • 2min

10

How Do You Create High Concept?

22:05 • 1min

11

Men in Black

23:29 • 5min

12

Getting Fired - I Still Have It

28:16 • 5min

13

What Does She Want? And What Do You Think She Wants?

33:45 • 2min

14

Emerging Writers

35:51 • 2min

15

How Do You Handle Rejection? You Don't Have to Experience It Anymore

37:35 • 1min

16

Are You a Fancy Writer?

39:05 • 2min

17

The Inability to Deal With Rejection

41:03 • 2min

18

The Idea of Rejection Is a Big, Big Idea

42:50 • 2min

19

Every Day Is a Failure

44:57 • 2min

20

Is It Failure or Challenge?

46:32 • 5min

21

Early Scripts Get Rejected a Lot

51:33 • 2min

22

Is There an Originality of Voice in a 120 Page Screen?

53:06 • 6min

23

Writers Are Not Being Taken Advantage of by Producers

58:37 • 2min

24

The Benefits of Rejection

01:00:42 • 5min

25

I'd Succeeded in TV, Bill and Ted Wouldn't Have Happened

01:06:11 • 2min

26

You Have to Take a Choice

01:08:11 • 3min

27

How to Pick a Direction for a First Time Writer

01:10:51 • 2min

28

The Fork in the Road - It's the Lottery

01:12:28 • 4min

29

Creative Writers Networking - Part Two

01:16:45 • 3min