32 | Writer Ed Solomon (Bill & Ted, MIB): Finding Emotional Truth In Every Story
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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Is There an Originality of Voice in a 120 Page Screen?
"I can't believe that I'm 40 years into this. And I still have that feeling like I finished it," he said. "My skill set is evolving. It's never as good as we think it is." A lot of people's early scripts contain more of a voice, which is important to look for in new writers. He says if you hit your inciting incident on page 10, nobody gives a shit.
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