32 | Writer Ed Solomon (Bill & Ted, MIB): Finding Emotional Truth In Every Story
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How Do You Handle Rejection? You Don't Have to Experience It Anymore
The main question any actor is going to ask themselves and they're going to break the scene down into. What does this be? What do I want? Now, it's, you know, objective. What is my objective here? Yeah, amazing, amazing. There's no more excuse. You don't have to be terrible. You could be terrible at it. And that's also great for your ability to take that you think of something and you can still do it - which is also important as a writer to understand because you're going to write a lot of shit first so.
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