Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25
Introduction
00:00 • 4min
Blue Buddha Entertainment, Chase Walker and Ari's Take Academy Alumnus
04:10 • 4min
Sync Licenses
08:23 • 5min
What's the Education Stopping the Sync License?
13:05 • 3min
What Happens When a Song Airs on TV?
15:44 • 4min
Sync Agents - How Do You Service Your Artists?
20:09 • 3min
What Is a Shortcase?
23:12 • 2min
What's the Difference Between Genre and Mood?
24:47 • 2min
We Need to Replace, What Does That Mean?
26:30 • 2min
What's the Budget Range in TV?
28:07 • 2min
Tv
29:52 • 5min
Sync Agents - What's the Business Model?
34:35 • 4min
I've Made More Money in a House Concert Than I Have in a Club
39:03 • 3min
What's Re-Titling?
41:54 • 1min
What Is Re-Titling?
43:12 • 6min
The Difference Between a Music Library and a Sync Agent
48:51 • 5min
The Music Bed and Its Impact on the Music Business
53:25 • 2min
Sync Agents - What Do You Look for in Artists?
55:45 • 5min
Music Supervisors Are Music Fans Too
01:00:23 • 2min
What's the Best Song Ever Written?
01:02:47 • 2min
What's Your Biggest Piece of Advice for Artists?
01:04:37 • 4min
Is There a Sink Agent?
01:08:09 • 4min
Is Your Style of Production Changing?
01:11:56 • 2min
Keeping That Artist Hat on First When You're Creating
01:13:47 • 3min
What Does It Mean to Make It in the New Music Business?
01:16:18 • 5min