Melvyn Bragg and guests discuss Christopher Marlowe, a controversial figure known for his playwright and poet talents. They delve into his mysterious death, literary rivalry with Shakespeare, espionage connections, and the potential impact of his continued life on literature.
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Quick takeaways
Marlowe influenced Shakespeare's writing style through dynamic villain characters and use of blank verse.
Marlowe's controversial beliefs and spy accusations led to his mysterious death, sparking conspiracy theories.
Speculations about Marlowe's potential future work and comparison to Shakespeare's versatility in comedy and tragedy.
Deep dives
Marlowe's Impact on Elizabethan Theater
Marlowe, a scholar and playwright, had a significant impact on Elizabethan theater with works like 'Tambalane' and 'The Jew of Malta' portraying dynamic and charismatic villain characters speaking dazzling verse. His use of blank verse and soliloquies influenced Shakespeare, as seen in 'Henry VI' and 'Richard II'. Marlowe's work pushed the boundaries of theatrical spectacle, with elaborate stage images and prop investments.
Marlowe and Shakespeare's Relationship
Marlowe and Shakespeare, born in the same year, are linked in the autumn of 1592 when both were attacked in a book called 'Green's Wit'. Marlowe was accused of atheism and Machiavellianism. Marlowe and Shakespeare likely interacted and possibly collaborated, influencing each other's writing styles. Their relationship suggests a complex interplay of themes and characters in their works.
Marlowe's Controversial Ideas and Untimely Demise
Marlowe faced escalating troubles due to his controversial ideas, including atheistic beliefs and challenging societal norms. He was entangled in spy accusations, leading to his arrest and eventual fatal altercation on May 30th, 1593, in Deptford. The circumstances surrounding Marlowe's death sparked conspiracy theories, questioning whether it was an assassination or a violent altercation.
Speculations on Marlowe's Future Potential
The discussion delves into what Marlowe's future might have held had he lived longer. Speculations consider whether his work would have diversified beyond plays into other literary forms. While Marlowe excelled in tragic and historic genres, his skill in comedy remained limited. Comparisons to Shakespeare highlight the latter's versatility and potential edge in developing comedic works had Marlowe survived.
Audience Participation and Vote on the Greatest Philosopher
The episode concludes by encouraging audience participation in voting for the greatest philosopher. Listeners are urged to cast their votes before midnight to determine the winning philosopher for the upcoming program. The engagement with the audience adds an interactive element to the show, inviting them to actively shape the content and direction of future episodes.
Melvyn Bragg and guests discuss Christopher Marlowe. In the prologue to The Jew of Malta Christopher Marlowe has Machiavel say:"I count religion but a childish toy, And hold there is no sin but ignorance. Birds of the air will tell of murders past! I am ashamed to hear such fooleries.Many will talk of title to a crown. What right had Caesar to the empire? Might first made kings, and laws were then most sure When, like the Draco's, they were writ in blood."A forger, a brawler, a spy, a homosexual and accused of atheism but above all a playwright and poet, Christopher Marlowe was the most celebrated writer of his generation, bringing Tamburlaine, Faustus and The Jew of Malta to the stage and far outshining William Shakespeare during his lifetime. Then came his mysterious death at 29, days before he was due to appear on trial accused of heresy. Was he stabbed in an argument over a bill? Was he assassinated? And how does his work measure up to Shakespeare, a man who paid generous tribute and some say stole some of his best lines? Was Marlowe assassinated by the Elizabethan state? How subversive was his literary work? And had he lived as long as his contemporary Shakespeare, how would he have compared?With Katherine Duncan-Jones, Senior Research Fellow in the English Faculty of Oxford University; Jonathan Bate, Professor of English Literature, University of Warwick; Emma Smith, Lecturer in English, Oxford University.
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