Melvyn Bragg and guests delve into Aristotle's Poetics, exploring its impact on drama, tragedy, and epic poetry. They discuss catharsis, the defense of poetry, and its influence on Hollywood screenwriting. Guests analyze Aristotle's life, Greek culture, and his enduring legacy on literature and philosophy.
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Quick takeaways
Aristotle's Poetics emphasized the dynamic nature of art as a living organism, contrary to rigid rules.
Italian commentators popularized the concept of unities in time, place, and action in drama influenced by Aristotle's Poetics.
Deep dives
Aristotle's Influence on Creative Writing
Aristotle's Poetics, originally lecture notes, survived through the centuries and had a profound impact on creative writing. Translated into Latin and then Greek, it gained prominence in the 16th century with Italian humanist commentators. The text's formalizing qualities influenced generations of dramatists and writers, shaping literary theory and practice.
Unity of Time, Place, and Action in Drama
The concept of the unities of time, place, and action, popularized by Italian commentator Castelvetro, emerged as a key aspect in drama. These rigid unities, aimed at mirroring the events on stage with real time, affected the interpretation of Aristotle's Poetics, although Aristotle himself viewed art as a living, growing entity rather than a set of rigid rules.
Aristotle's Analogy between Art and Living Organisms
Aristotle likened a work of art to a living organism, emphasizing its dynamic and evolving nature. While great Greek dramas often exhibited unity in time and place, Aristotle did not mandate this structure. The ossification of the Poetics through the rigid unities has obscured the text's original view of art as a living, growing creation.
Aristotle's Enduring Influence on Screenwriting
Aristotle's Poetics remains a crucial text for screenwriters and creative writers, dating back to the late Victorian era. The text's relevance in screenwriting theory increased in the 1970s, with concepts like the Hollywood 3-act structure drawing inspiration from Aristotle's principles of beginning, middle, and end. The Poetics continues to be a manual and a foundational guide for narrative structure in modern storytelling.
Melvyn Bragg and his guests discuss Aristotle's Poetics. The Poetics is, as far as we know, the first ever work of literary theory. Written in the 4th century BC, it is the work of a scholar who was also a biologist, and treats literary works with the detached analytical eye of a scientist. Aristotle examines drama and epic poetry, and how they achieve their effects; he analyses tragedy and the ways in which it plays on our emotions. Many of the ideas he articulates, such as catharsis, have remained in our critical vocabulary ever since. The book also contains an impassioned defence of poetry, which had been attacked by other thinkers, including Aristotle's own teacher Plato.Translated by medieval Arab scholars, the Poetics was rediscovered in Europe during the Renaissance and became a playwriting manual for many dramatists of the era. Today it remains a standard text for would-be Hollywood screenwriters.With:Angie HobbsAssociate Professor of Philosophy and Senior Fellow in the Public Understanding of Philosophy at the University of WarwickNick LoweReader in Classical Literature at Royal Holloway, University of LondonStephen HalliwellProfessor of Greek at the University of St AndrewsProducer: Thomas Morris.
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