Melvyn Bragg and guests explore diverse concepts of heaven and the afterlife throughout history. They discuss medieval theologian Thomas Aquinas' views, the Protestant vs Catholic interpretations, and the allure of hell in Western culture. The podcast delves into ancient Egyptian and Zoroastrian beliefs, the evolution of individualism in religious contexts, and literary depictions of heaven in works like Dante's Divine Comedy.
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Quick takeaways
Heaven has been conceptualized differently across cultures, linking ethical behavior to the afterlife destination.
Heaven is depicted in religious texts as a place of eternal bliss, intellectual pursuit, and divine justice.
Deep dives
Concepts of Heaven Across Cultures
Various ancient cultures, such as the Egyptian and Zoroastrian societies, laid the foundation for ideas of heaven and hell based on ethical conduct and spiritual progression. The Egyptians believed in a judgment of the soul based on a heart's purity, while Zoroastrians emphasized individual morality influencing one's afterlife destination.
Biblical and Christian Perspectives on Heaven
The concept of heaven pervades the Bible from Genesis to Revelation, emphasizing a divine realm intricately linked to Earth. Early Christian theologians like Tertullian and Dante depicted heaven as a place of eternal bliss, intellectual pursuit, and graded hierarchy, shaping beliefs in salvation and divine justice.
Challenges of Describing Heaven
Throughout religious traditions, including Judaism, Christianity, and Islam, the ineffable nature of heaven is a recurring theme, symbolized by the tale of the turtle and the fish. The story illustrates the limitations of human language in capturing the transcendent nature of heaven, highlighting the enduring mystery and wonder that have captivated believers for millennia.
Melvyn Bragg and guests discuss ideas of heaven and the afterlife. The great medieval theologian Thomas Aquinas wrote 'that in the end language can only be related to what is experienced here, and given that the hereafter is not here, we can only infer'. Aquinas encapsulated a great human conundrum that has preoccupied writers and thinkers since ancient times: what might heaven be like. And although human language is constrained by experience, this has not stopped an outpouring of artistic, theological and literary representations of heaven. In the early Middle Ages men ascended up a ladder to heaven. In his Divine Comedy, Dante divided heaven into ten layers encompassing the planets and the stars. And the 17th century writer John Bunyan saw the journey of the soul to heaven as a spiritual struggle in his autobiography, The Pilgrim's Progress. But what exactly is heaven and where is it? How does the Protestant conception of the afterlife differ from the Catholic conception? How does one achieve salvation and what do the saved do when they get there? And, if heaven is so interesting, why has western culture been so spellbound by hell? With Valery Rees, Renaissance scholar and senior member of the Language Department at the School of Economic Science; Martin Palmer, Theologian and Director of the International Consultancy on Religion, Education and Culture; John Carey, Emeritus Professor of English Literature at Oxford University.
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