Jewish Studies Unscrolled: American Horror and Sidney Lumet’s film The Pawnbroker (1964), with Jeremy Dauber
Dec 30, 2024
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In this discussion with Jeremy Dauber, a Columbia University professor and author, the exploration of Jewish contributions to horror focuses on Sidney Lumet's groundbreaking film, The Pawnbroker. They dive into the haunting portrayal of trauma through Saul Nazerman’s subway flashbacks. The concept of 'thin places' is analyzed, highlighting the intersection of past and present horrors. The conversation also addresses the emotional and moral complexities of Holocaust representation in American culture, showcasing how this film challenges traditional horror narratives.
The podcast explores the unique intersection of Jewish identity and horror, noting the rarity of such themes in Jewish American cinema.
Through the film 'The Pawnbroker,' the discussion highlights how specific places, like the subway, evoke traumatic memories and reflections on healing.
Deep dives
Jewish Perspectives on Horror
Jewish contributions to American culture typically highlight music, literature, and comedy, while the genre of horror often goes overlooked. Interestingly, prominent Jewish filmmakers like Ari Aster and Steven Spielberg seldom explore horror within the context of American Jewish life, largely because recent Jewish history carries its own inherent horrors. This reluctance is contrasted by the film 'The Pawn Broker,' which presents a powerful exploration of trauma through its protagonist, Saul Nazerman, a Holocaust survivor. The film uses the subway as a haunting metaphor, linking Nazerman's present-day struggles to his traumatic memories, creating an unsettling blending of the past and present.
The Emotional Impact of Trauma
The protagonist, Saul Nazerman, embodies the psychological scars of his Holocaust experience, showcasing the crippling effects of trauma. As he navigates the streets of New York, his solitary pawn shop serves as a reflection of his internal despair and emotional detachment. A significant moment in the film occurs when Nazerman's subway journey triggers vivid flashbacks, revealing his haunting past involving a cattle car during the Holocaust. This moment signifies how places can evoke painful memories, illustrating the film's central theme that trauma continues to haunt the present.
Exploring Themes of Catharsis and Identity
The film delves into complex themes of trauma, catharsis, and identity, questioning whether true healing from these past horrors is achievable. The ending reveals Nazerman's struggle with his emotions, culminating in a symbolic act of self-harm that evokes religious imagery tied to suffering. This act prompts a discussion about the representation of Jewish suffering within a predominantly Christian cultural context. The movie raises critical inquiries about how narratives of trauma are framed, leaving audiences to ponder whether healing is possible or whether individuals remain trapped in their haunting past.
Today on Jewish Studies Unscrolled, we delve into a rare cultural intersection: Jewish life and the genre of horror. While Jewish contributions to American culture often focus on comedy, literature, or music, horror remains largely unexplored, even by prominent Jewish filmmakers. We’re joined by Jeremy Dauber, Columbia University professor and author ofAmerican Scary: A History of Horror from Salem to Stephen King and Beyond. Together, we examine Sidney Lumet’s 1964 film The Pawnbroker as a rare exception, highlighting its haunting depiction of Holocaust survivor Sol Nazerman’s trauma, particularly through the “thin place” of the subway—a space where the present collides with the horrors of the past.