
Jewish Studies Unscrolled: American Horror and Sidney Lumet’s film The Pawnbroker (1964), with Jeremy Dauber
Tablet Studios
Haunting Memories in 'The Pawnbroker'
This chapter explores the deep psychological horror presented in 'The Pawnbroker,' focusing on protagonist Saul Nazerman's traumatic subway flashbacks to his past during the Holocaust. It discusses the concept of 'thin places' and how they evoke fear by blurring the lines between realities, while also analyzing the grim setting of the pawn shop as a reflection of East Harlem's community struggles. Through a pivotal subway scene, the chapter examines the emotional complexity of trauma, highlighting the film's innovative portrayal of PTSD and the lingering effects of unresolved pasts.
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