
Jewish Studies Unscrolled: American Horror and Sidney Lumet’s film The Pawnbroker (1964), with Jeremy Dauber
Tablet Studios
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Urban Isolation in The Pawnbroker
This chapter analyzes the artistic choices in Sidney Lumet's film The Pawnbroker, contrasting the protagonist's idyllic memories with the harsh realities of 1960s New York City. It explores themes of suffering, identity, and the complexities of the American Jewish experience, culminating in a critical look at the film's emotional climax and broader cultural implications.
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