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Artist Spotlight: Alida Sun and the Glitch Crystal Monsters

Nov 16, 2021

01:08:44

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Highlights

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Episode notes

Ike, I'm Excited for the Application of These Technologies

02:54

Currenly, Is There Any Current Exhibits Going on Right Now?

02:05

Is There a Difference Between Using Old Tools and Using Modern Tools?

01:58

Introduction

2min

How Did You Get Into Comics as a Child?

2min

Are You a Fan of Comics?

2min

Code Assemblage

2min

What Was the Journey Like for You in Industrial Design?

2min

How Did You Get Into Generative Art?

2min

Cherry Picking

2min

The Birth, Eath and Other Vital Records

2min

The Art of Astral Projection

3min

10.

Is There a Difference Between Using Old Tools and Using Modern Tools?

2min

11.

Nft's Going Forward, Is It Just a Small Part of Your Time?

2min

12.

Sun and Steel

2min

13.

Is It a Pornographic Thing?

2min

14.

I'm Curious on the Ic Crystals Output?

2min

15.

Are You Thinking About Using Projectors to Display a Glich Monster?

3min

16.

Women of Color Artists - What Are We Doing Wrong?

2min

17.

Is Craft a Hobby Versus a Profession?

2min

18.

The 12 Million Dollar Stuff Shark

2min

19.

Is There a Better Way to Spread the Word About Your Art?

3min

20.

How to Keep Up With Twitter and Discord?

2min

21.

Currenly, Is There Any Current Exhibits Going on Right Now?

2min

22.

What's Your Favorite Artist?

3min

23.

Are You Working on Another Art Block Drop?

3min

24.

Play Ground Drop

2min

25.

Comics and Cartoonists - What's the Beginning?

3min

26.

Ike, I'm Excited for the Application of These Technologies

3min

27.

Art and the Block Chain

2min

28.

Do You Have a Community?

3min

29.

The Red Lazer Eyes on Faces

1min

30.

Theria Maxm Atheory

2min

31.

The Art of the City Iman, a Capital Without Boarders

3min

32.

Engenerative Art

2min

33.

Proof NFT Dot X Y Z

2min

Kevin is joined by Alida Sun, a Berlin-based interdisciplinary artist and intersectional futurist who integrates generative art, large-scale installation, blockchain technology, and live performance. Her current studio practice focuses on assemblage, fluid dynamics, time crystals, and experimental humanities.

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