Sodajerker On Songwriting

Episode 92 - Field Music

Aug 18, 2016
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Episode notes
1
Introduction
00:00 • 2min
2
Field Music - The Noisy Days Are Over
01:46 • 1min
3
Music for Drifters
03:11 • 2min
4
Do You Have to Be Strategic About Your Writing?
04:47 • 2min
5
How Do You Get Along With Other Musicians?
06:22 • 2min
6
How Did You Write a Pop Song?
08:15 • 2min
7
Those Mistakes Are Part of the Drums
10:32 • 2min
8
Ir Rit on the Guitar, Peter on the Bass
12:38 • 3min
9
The Cut Off Point Between Song Writing, Arranging and Recording
15:12 • 2min
10
How to Make a Great Record From the Song That You Write
16:44 • 2min
11
The Drummond's the Funny One, You Know?
18:18 • 2min
12
Are We Going to Play Bass on Stage?
20:15 • 2min
13
The Drums Are Important to the Recorder
21:46 • 2min
14
A Lot of Your Music Is Groove Base, Isn't It?
23:28 • 2min
15
Did You Write Songs Together?
25:45 • 2min
16
'Tis the Season to Come,' He Said.
27:16 • 1min
17
Is Ten C C a Big Influence on You?
28:46 • 2min
18
The Beach Boys, I Think a Lot of the Influences Came From Television
30:39 • 2min
19
Field Music - I'm a Doalyas Masty Fan
32:18 • 2min
20
'Bad by Nowye'
33:55 • 2min
21
Em Stay Awake and the Morning Is Waiting for You
35:43 • 1min
22
Is That a New Song?
37:05 • 3min
23
What's on the Gow?
39:48 • 2min
24
A, Is It a Documentary About the Northeasten?
41:28 • 2min
25
The Yong Oos
43:01 • 2min
26
Sodo Jake on Song Writing
45:16 • 2min