#5182

Mentioned in 6 episodes

Long Island Compromise

Book • 2021

Taffy Brodesser-Akner

Mentioned by

Camille Fournier

Jill Schlesinger

Bethanne Patrick

Mentioned in 6 episodes

Mentioned by

Jason Schreier

as a book that explores wealthy people in a similar setting to the show 'Your Friends and Neighbors'.

Triple Play: Elden Ring Nightreign

Mentioned by

Timothy Gombis

as a novel he is currently reading and enjoying.

When do We Stop Breaking Bread Together? - w/ Dr. Timothy Gombis

Recommended by

Zara McDonald

as a book about dynasty, money, and intergenerational trauma.

A recommendation extravaganza!

Mentioned by Alex Schwartz while discussing the portrayal of a wealthy Hollywood housewife who seeks guidance from various spiritual advisors.

Tarot, Tech, and Our Age of Magical Thinking

Recommended by

Camille Fournier

as a fantastic novel she recently read.

S1 E12 Founder mode vs manager mode with Camille Fournier

Recommended by

Jill Schlesinger

as an engaging family drama set on Long Island.

A Career on Wall Street

Mentioned by

Tonya Mosley

as a new novel that opens with a kidnapping and explores the lasting impact of trauma on a wealthy family.

Taffy Brodesser-Akner Writes Real People — Not Likable Ones

Mentioned by Lara as a book that didn't work for her due to its graphic content, despite the author's writing skill and interesting premise.

Ep 472: Literary + Genre = match made in heaven

Mentioned by

Matt Rodbard

as a compelling family story that starts with a crime and ends with reconciliation.

528: The New Taiwanese Pantry with Lisa Cheng Smith

Recommended by

Dave Kim

as a book with a similar milieu and era to Playworld.

Book Club: Let’s Talk About Adam Ross’s ‘Playworld’

Recommended by Seth Mandel.

What Do We Podcasters Read?

Quoted by

David Duchovny

, describing the protagonists as extraordinarily rich.

AI Should Fear Justine Bateman

Mentioned by

Bethanne Patrick

as one of her favorite books, contrasting it with "Something Rotten".

Getting Queerer Quicker: No, The Literary Man Isn't Disappearing—He's Just Not Longer White or Straight

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