The story is about three writers involved in the cultural cold war in the late 1950s. All art is considered propaganda as per George Orwell, but not all propaganda is art. The 1956 film version of Orwell's '1984' was secretly made by the CIA, showcasing the complexity of art and propaganda interplay in the cultural sphere.
In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 - 1960. We also meet a propagandist responsible for the CIA’s cinematic version of 1984 (Operation Big Brother) and “books that don’t smack of propaganda” aimed at European Intellectuals - including James Baldwin’s Notes of a Native Son.
Shownotes: Françoise Vergès is the author of A decolonial Feminism, James Campbell is the author of Paris Interzone and Talking at the Gates, Jelena Ćulibrk writes on IRD and Newsreels, Tony Shaw writes on British Cinema and the Cold War,
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