New Books in Literature

Heather Bell Adams’ first novel, Maranatha Road (West Virginia University Press 2017), won the gold medal for the Southeast region in the Independent Publisher Book Awards and was selected for Deep South Magazine’s Fall/Winter Reading List. Her short fiction, which has won the James Still Fiction Prize and Carrie McCray Memorial Literary Award, appears in The Thomas Wolfe Review, Atticus Review, Pembroke Magazine, Broad River Review, The Petigru Review, Pisgah Review, and elsewhere. Originally from Hendersonville, NC, Heather lives in Raleigh with her husband and son. She works as a lawyer and volunteers on the Raleigh Review fiction staff. She loves hot yoga and does not love cooking.The Good Luck Stone (Haywire Books, 2020) appears on Summer Reading Lists for Deep South Magazine, Writer’s Bone, The Big Other and Buzz Feed. The story opens in Savannah, Ga with ninety- year-old Audrey Thorpe living in her historic mansion on palm-tree-lined Victory Drive, determined to retain her independence. When her health begins to fade and she stumbles at a fund-raising event, her granddaughter hires fellow mom Laurel to be a part-time caregiver. Laurel and Audrey seem to bond—until Audrey disappears. As the story moves between the verdant jungles of the war-torn Philippines, where Audrey served as a nurse, and glittering modern-day Savannah, friendships new and old are tested. Along the way, Audrey grapples with one of life’s heart-wrenching truths: You can only outrun your secrets for so long.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A tale of passion and obsession from a philosophy professor who learns to play Bach on the piano as an adult. Dan Moller grew up listening to heavy metal in the Boston suburbs. But one day, something shifted when he dug out his mother's record of The Art of the Fugue, inexplicably wedged between ABBA's greatest hits and Kenny Rogers. Moller was fixated on Bach ever since. In The Way of Bach, he draws us into fresh and often improbably hilarious things about Bach and his music. Did you know the Goldberg Variations contain a song about his mom cooking too much cabbage? Just what is so special about Bach’s music? Why does it continue to resonate even today? What can modern Americans—steeped in pop culture—can learn from European craftsmanship? And, because it is Bach, why do some people see a connection between music and God? By turn witty and though-provoking, Moller infuses The Way of Bach with philosophical considerations about how music and art enable us to contemplate life's biggest questions.Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and a PhD Candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I spoke with Max Gross about his book The Lost Shtetl (HarperCollins, 2020). Imagine a Jewish village hidden in the forests of Poland that somehow escapes the Holocaust. Eighty years later, a young woman divorces her husband and runs into the surrounding forest. The town sends a young man to find her. He’s an orphan and expendable because he’s not that good a marriage prospect, but suddenly he finds himself in modern-day Poland. He finds it hard to believe that all the Jews of Poland have been murdered along with most of Europe’s Jewry. Officials toss him in an institution and study him for months until a Yiddish translator is found. And when they fly him home in a helicopter, the townspeople think the Messiah has finally come. The Lost Shtetl is about love, family, community, religion, class, government, politics, antisemitism, assimilation, and history itself. Although the town never heard of electricity, running water, or cars, never advanced in science or medicine, and never even heard of sliced bread, it’s not clear that progress is going to be good for everyone in Kreskol.Max Gross was born in New York City in 1978 and is the son of two writers. After attending Saint Ann’s School and Dartmouth College, he worked at the Forward and as a travel correspondent for the New York Post before becoming the Edi­tor-in-Chief of Com­mer­cial Observ­er. He wrote a book about dating called "From Schlub to Stud" but has since been rescued from the single man's fate by his beloved wife and son, with whom he lives in Queens, New York. The Lost Shtetl, his first novel, is a winner of the National Jewish Book Award, a recipient of an honorable mention for the Sophie Brody Medal, and winner of the Association of Jewish Libraries Fiction Award. Gross is also a lifelong traveler, having studied in Scotland and London, and having lived in Arad, Israel for a year. When not writing, he is a degenerate poker player who once had the distinction of beating the 2003 World Series of Poker champion, Chris Moneymaker, in a media versus professional tournament.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Juliane Okot Bitek, of the Emily Carr University of Art and Design and writer-in-residence at Simon Fraser University, has written a terrific book of poetry on the 1994 Genocide of Tutsi in Rwanda. Published in 2016 by the University of Alberta, and simply titled, 100 Days (University of Alberta Press, 2016), Okot Bitek’s poetry is a form of witnessing violence that records the senseless loss of life in a way that reminds us violence is human and universal. Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of (white, foreign) producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Translator Jethro Soutar speaks to managing editor Emily Everett about three pieces he translated from Portuguese for Issue 20 of The Common magazine. These pieces appear in a special portfolio of writing from and about the Lusosphere—Portugal’s colonial and linguistic diaspora around the globe. In this conversation, Soutar talks about the complexities of translating poetry and prose: capturing not just the meaning of a piece but the feeling and atmosphere of it, and the culture behind the scenes. He also explains a little of the colonial and racial history of Portugal, Cape Verde, and Mozambique, and how those events echo today through the literature and language of modern Lusophone countries.Jethro Soutar is a translator of Spanish and Portuguese. He has a particular focus on works from Africa and has translated novels from Equatorial Guinea, Guinea-Bissau, and Cape Verde. He is also editor of Dedalus Africa and a co-founder of Ragpicker Press. Originally from Sheffield in the UK, he now lives in Lisbon, Portugal.Read “Maria, I’m Going To War,” “In Our Skin—A Journey,” and “Another Education,” all translated by Jethro Soutar, at thecommononline.org/tag/jethro-soutar.Explore The Common’s portfolio of writing from the Lusosphere at thecommononline.org/luso.Learn more about Dedalus Africa at dedalusbooks.com, and about Ragpicker Press at ragpickerpress.co.uk.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In his pathbreaking graphic novel, Berlin (Drawn and Quarterly, 2018), Jason Lutes creates a multifaceted exploration of urban life during the Weimar Republic. The book contains a variety of mostly fictional characters, all of whom capture aspects of the political, cultural, and social life of Berlin during the final years of Germany’s first democratic experiment. Beautifully drawn, this work provides a compelling alternative to readers used to reading only textual accounts of the period. Much the narrative revolves around two characters: Marthe Müller and Kurt Severing. The former is an art student from Cologne, spending time in Berlin. The latter is a journalist and keen observer of Weimar politics. The journey of these two characters as well as many others reveals much about the specific situation in Germany during this era as well as elements of the human condition. The novel appeals not only to the increasing number of graphic book readers, but also to anyone interested in the failure of Weimar democracy, the nature of popular culture during the 1920s, and the history of sexuality.Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mary Godwin Shelley had yet to reach her nineteenth birthday when she had the dream that gave rise to the classic Gothic horror tale Frankenstein. The daughter of a dissenting English clergyman and Britain’s first feminist, Mary Wollstonecraft, Mary Godwin lost her mother not long after her birth. After an unconventional upbringing by the standards of late eighteenth-century Europe, followed by the arrival of a very conventional and far from accommodating stepmother, at the age of fourteen Mary fell madly in love with the poet Percy Bysshe Shelley. Two years later, they eloped to Europe, leaving behind Percy’s wife and child but bringing along Mary’s stepsister, Claire.For the next decade, the trio traveled around the continent—especially France, Switzerland, and Italy—with occasional returns to London to secure funds. Through trips over the Alps by mule, sailing expeditions on Lake Como, and wild parties thrown by Lord Byron—a misogynist who belittles Mary’s talents even as he engages in a wild affair with Claire—Mary records in her journal the events and experiences that will blossom into her first and best-known novel.In Vindicated (Cuidono Press, 2020) Kathleen Williams Renk re-creates Mary’s inner world. Her crisp, utterly compelling prose brings to life a woman whose creation, as in the novel Frankenstein itself, has taken on a life of its own, eclipsing its creator. C. P. Lesley is the author of ten novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her next book, Song of the Sisters, will appear in January 2021. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Travelers often become enchanted with the first country that captures their hearts and gives them license to be free. For Wade Davis, it was Colombia. In his new book Magdalena, River of Dreams: A Story of Colombia (Knopf, 2020), the bestselling author tells of his travels on the mighty Magdalena, the river that made possible the nation. Along the way, he finds a people who have overcome years of conflict precisely because of their character, informed by an enduring spirit of place, and a deep love of a land that is home to the greatest ecological and geographical diversity on the planet. Only in Colombia can a traveler wash ashore in a coastal desert, follow waterways through wetlands as wide as the sky, ascend narrow tracks through dense tropical forests, and reach verdant Andean valleys rising to soaring ice-clad summits. This rugged and impossible geography finds its perfect coefficient in the topography of the Colombian spirit: restive, potent, at times placid and calm, in moments explosive and wild.Both a corridor of commerce and a fountain of culture, the wellspring of Colombian music, literature, poetry and prayer, the Magdalena has served in dark times as the graveyard of the nation. And yet, always, it returns as a river of life. At once an absorbing adventure and an inspiring tale of hope and redemption, Magdalena gives us a rare, kaleidoscopic picture of a nation on the verge of a new period of peace. Braiding together memoir, history, and journalism, Wade Davis tells the story of the country's most magnificent river, and in doing so, tells the epic story of Colombia.Akash Ondaatje is a historical researcher focusing on the interconnected lives of humans and animals. He studied at McGill University (B.A. History) and Queen’s University (M.A. History), where he researched human-animal relations and transatlantic exchanges in eighteenth-century British culture through his thesis, Animal Ascension: Elevation and Debasement Through Human-Animal Associations in English Satire, 1700-1820. Contact: 17amo2@queensu.ca Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This episode covers a range of topics from Old’s use of line breaks (enjambment that runs contrary to the tedious, end-stopped rhyming lines of hymnals) to the degree to which any art work can be really considered to be autobiographical as artists work from intuition. The episode features Olds reading from two of her poems in Arias (Knopf, 2019).Sharon Olds is the author of twelve books of poetry. Arias was short-listed for the 2020 Griffin Poetry Prize and her 2012 collection Stag’s Leap won both the Pulitzer Prize and England’s T. S. Eliot Prize. Olds is the Eric Maria Remarque Professor of Creative Writing at New York University’s Graduate Creative Writing Program.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Arranged marriages have been around for centuries, and in The Light Years (Angry Robot, 2020), R.W.W. Greene imagines they’ll be around for centuries more.With the addition of speed-of-light travel, Greene’s character Adem Saddiq can sign a contract with the parents of his wife-to-be before she’s even born, take to space on his family’s freighter and return several months later to find his 26-year-old bride, Hisako Sasaki, waiting for him. Because time dilation allows him to jump 26 years into the future, he can have his bride made-to-order, specifying what degrees and skills she’ll need to play a productive part in the family business. He can even require that she receive genetic modifications to make her a genius.Greene imagines that the same considerations that shaped arranged marriages in the past will shape them in the future. Hisako’s “parents are very poor. They’re refugees,” he explains. “Their only way to get out of this situation is to sign the contract. It's going to allow Adem and his family to pay for Hisako’s schooling, which she wouldn't otherwise have gotten. It’s going to pay for a family apartment, which they wouldn't otherwise have had. And it's going to make sure that she has a life that's going to be far better than her parents’.”Understandably, Hisako sees the situation differently. “If you're the mom and the dad, then you see [the arranged marriage] as something that would be good for your kid. If you’re the kid, your whole life has been stolen from you and preordained and pre-contracted. Like Hisako, you'd be a little pissed about it.”The Light Years is Greene’s first novel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature