New Books in Literary Studies

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan PeeleAmerica is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode features Daniel Majchrowicz, Associate Professor of South Asian Literature & Culture at Northwestern University, discussing his new book, The World in Words: Travel Writing and the Global Imagination in Muslim South Asia published in 2023 by Cambridge University Press. It is a study of South Asia’s global imagination as it was expressed in Urdu-language travel writing from 1840 to the present. The book argues that travel writing in South Asia was a broadly ecumenical genre that let Indian travelers not just describe the world as they found it, but to imagine it as they wished for it to be. Opening this vast South Asian travel atlas, The World in Words introduces a new literary genre, unlocks new forms of literary subjectivity from long-ignored voices, and reveals new modes of circulation, mobility, and connection between India, Asia, and Africa, while also revealing how class, language, gender, race and power formed in colonial and post-colonial South Asia. While this is an academic book that could be used in South Asian studies courses and Islamic Studies courses, it also reads in part like a travelogue as Majchrowicz shares his own journeys discovering texts, libraries, and splendid private collections, sometimes with unexpected but fruitful leads. This text helps to decenter Western colonial travleogues and narratives, and allows for South Asian writers from Khanums' to princes' voices to be heard and studied, while also tracing the development of Urdu as a dominant regional language. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lisa Swayze has been the General Manager at Buffalo Street Books for 7 years and will transition to becoming the Executive Director of the bookstore’s new literary nonprofit in 2025. Lisa is on the board of directors of the American Booksellers Association and the Downtown Ithaca Alliance.Jessica Stockton-Bagnulo is the owner and co-founder of Greenlight Bookstore in Brooklyn, New York, where she also currently serves as the Events & Marketing Manager (because she loves hosting parties). She has worked in independent bookstores in New York City since 2000, has served on the board of NAIBA and various other book industry boards and committees, and is currently on the board of the American Booksellers Association (along with lovely colleagues Lisa and Jake). She lives with her husband and daughter (both avid readers, thankfully) in Brooklyn.Lisa's Favorites:  James - Percival Everett The Sapling Cage - Margaret Killjoy Not for the Faint of Heart - Lex Croucher (YA) Swift River - Essie Chambers American Daughters - Maurice Carlos Ruffin God of the Woods - Liz Moore Where They Last Saw Her - Marcie Rendon Anita de Monte Laughs Last - Xochitil Gonzalez Blue Light Hours - Bruna Dantas Lobato Catalina - Karla Cornejo Villavicencio The Pairing - Casey Mcquiston Shred Sisters - Betsy Lerner A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy - Nathan Thrall Jessica's favorites: The Book of Love by Kelly Link — Best Literary Novel Featuring Complex Magic Systems, Diverse Love Stories, Unexpected Beauty, and Karaoke Hum by Helen Phillips — Best Near-Future Dystopia that is Also About Parenting Help Wanted to Adelle Waldman — Best Novel About Capitalism The Light Eaters by Zoe Schlanger — Best Science Writing / Best Book About Plant Intelligence and Scientist Drama The Bright Sword by Lev Grossman — Best Doorstop Literary/Historical Fantasy (With Philosophical Caveats) In Universes by Emet North — Best Queer Multiverse Novel Playground by Richard Powers — Best Nature Writing as Fiction Far Sector by N. K. Jemisin — Best Socially Aware Superhero Graphic Novel Orbital by Samantha Harvey — Best Sentences About Earth non-frontlist / rereads: Space Crone by Ursula LeGuin — Best Essays by Best Essayist The Privilege of a Happy Ending by Kij Johnson — Best Quest Narrative Berlin: City of Stones, City of Smoke, City of Light — Best Epic of Quotidian Life Before the Abyss Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eighteenth century prison break artist and folk hero Jack Sheppard is among history’s most frequently adapted rogues: his exploits have inspired Daniel Defoe, John Gay, Bertolt Brecht, and most recently, Jordy Rosenberg, whose first novel, Confessions of the Fox (2018), rewrites Sheppard as a trans man and Sheppard’s partner Bess as a South Asian lascar and part of the resistance movement in the Fens. Rosenberg embeds the manuscript tracing their love story within a satirical frame narrative of a professor whose discovery of it gets him caught up in an absurd and increasingly alarming tussle with neoliberal academic bureaucracy and corporate malfeasance. Jordy is joined here by Annie McClanahan, a scholar of contemporary literature and culture who describes herself as an unruly interloper in the 18th century. Like Jordy’s novel, their conversation limns the 18th and 21st centuries, taking up 18th century historical concerns and the messy early history of the novel alongside other textual and vernacular forms, but also inviting us to rethink resistance and utopian possibility today through the lens of this earlier moment. Jordy and Annie leapfrog across centuries, reading the 17th century ballad “The Powtes Complaint” in relation to extractivism and environmental justice, theorizing the “riotous, anarchic, queer language of the dispossessed” that characterizes Confessions of the Fox as a kind of historically informed cognitive estrangement for the present, and considering the work theory does (and does not) do in literary works and in academic institutions.Mentioned in this Episode Peter Linebaugh, The London Hanged John Bender, Imagining the Penitentiary Dean Spade Samuel Delany’s Return to Nevèrÿon series (Tales of Nevèrÿon, Neveryóna, Flight from Nevèrÿon, Return to Nevèrÿon) Samuel Richardson’s Pamela Sal Nicolazzo Greta LaFleur “The Powtes Complaint,” first printed in William Dugdale’s The history of imbanking and drayning of divers fenns and marshes, both in forein parts and in this kingdom, and of the improvements thereby extracted from records, manuscripts, and other authentick testimonies (1662) Fred Moten Saidiya Hartman Jordy Rosenberg, “Gender Trouble on Mother’s Day” and “The Daddy Dialectic” Amy De’Ath, “Hidden Abodes and Inner Bonds,” in After Marx, edited by Colleen Lye and Christopher Nealon Aziz Yafi, “Digging Tunnels with Pens” Jasbir Puar Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Writing in Red: Literature and Revolution Across Turkey and the Soviet Union (Columbia UP, 2024) examines political relations and literary translations between Turkey and the Soviet Union from the mid-1920s through to the 1960s. By drawing on a wide range of texts – from erotic comedy, historical fiction and film, to socialist realist novels and theatre – Ertürk argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution. A unique textual exploration, Writing in Red offers a new account of global revolutionary literary culture.Nergis Ertürk is Associate Professor of comparative literature at Pennsylvania State University. She is the author of Grammatology and Literary Modernity in Turkey (2011), which received the Modern Language Association Prize for a First Book, and editor of the Comparative Literature Studies journal.Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art.Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Margaret Ziolkowski’s Mega-Dams in World Literature: Literary Responses to Twentieth-Century Dam Building (University of Wyoming Press, 2022) reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject. Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism.In this episode, Ibrahim Fawzy interviews Margaret Ziolkowski about the symbolism of mega-dams, the environmental and social consequences of dam building, as well as the role of literature in critiquing those consequences.Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading with an "I" to the Heavens: Looking at the Qumran Hodayot Through the Lens of Visionary Traditions (de Gruyter, 2018) examines the collection of prayers known as the Qumran Hodayot (= Thanksgiving Hymns) in light of ancient visionary traditions, new developments in neuropsychology, and post-structuralist understandings of the embodied subject. The thesis of this book is that the ritualized reading of reports describing visionary experiences written in the first person "I" had the potential to create within the ancient reader the subjectivity of a visionary which can then predispose him to have a religious experience. This study examines how references to the body and the strategic arousal of emotions could have functioned within a practice of performative reading to engender a religious experience of ascent. In so doing, this book offers new interdisciplinary insights into meditative ritual reading as a religious practice for transformation in antiquity. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton University Press, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.Renée Bergland is professor of literature and creative writing at Simmons University. She is the author of Maria Mitchell and the Sexing of Science: An Astronomer among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature.Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies