Children say it every day in school, but have you ever wondered why we recite the pledge of allegiance? We journey back to the late 1800s to understand how a massive wave of immigration and sagging magazine subscriptions gave rise to this vow of patriotism. From the Civil War to anti-immigrant nativism and Cold War politics, this one pledge tells many stories. Guests: Debbie Schaefer-Jacobs, curator for the history of education collection at the Smithsonian’s National Museum of American HistoryMarc Leepson, author of Flag: An American Biography

"I’m not superstitious, but I’m a little stitious.” As the New Year approaches, this iconic line from The Office feels more relatable than ever. From gulping grapes in Spain to donning yellow underwear in South America and practicing Scotland’s ancient “first-footing” tradition, people around the world embrace odd – and oddly meaningful - rituals to ensure good luck in the year ahead. Join us as we travel around the Smithsonian to explore how facing the unknown brings us together at New Year’s… in the most unusual ways.Guests:Jim Deutsch, senior content coordinator for America at 250 book project with the Smithsonian Institution, formerly a curator at the Smithsonian Center for Folklife and Cultural HeritageTey Marianna Nunn, associate director of content and interpretation for the Smithsonian’s National Museum of the American LatinoTheo Gonzalvez, curator at the National Museum of American HistoryGrace Jan, Yao Wenqing Chinese Painting Conservator at the Smithsonian’s National Museum of Asian Art

Sojourner Truth was a women's rights advocate known best for her famous speech "Ain't I a Woman." But Truth never actually said these words. In fact, much of the Truth we know… is fiction. Depictions from different artists and journalists have tweaked Truth's legacy to fit their messages, giving her a “kaleidoscopic reputation,” according to Nell Irvin Painter, author of Sojourner Truth: A Life, A Symbol.  So how did a speech she never gave make Sojourner Truth one of the most famous women’s suffragists of the 19th century? And what did Truth actually say? Turns out, the whole Truth is even better than fiction.  Guests: Nell Irvin Painter, author of Sojourner Truth: a Life, a Symbol; Edwards Professor of American History Emerita at Princeton University Ashleigh Coren, former content strategist for the Smithsonian's Our Shared Future: Reckoning with Our Racial Past initiative Kim Sajet, director of the Smithsonian’s National Portrait Gallery and host of the Smithsonian's Portraits podcast

Edmonia Lewis was the first sculptor of African American and Native American (Mississauga) descent to achieve international fame. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention… and then the sculpture disappeared. On this return episode of Sidedoor, we find them both. You can see "The Death of Cleopatra" at the Smithsonian American Art Museum. The new exhibition, The Shape of Power: Stories of Race and American Sculpture features 82 artworks created between 1792 and 2023, including two by Edmonia Lewis. Guests:Marilyn Richardson, art historian and independent curator Kirsten Pai Buick, professor of art historian at the University of New Mexico and author of Child of the Fire: Mary Edmonia Lewis and the Problem of Art History's Black and Indian SubjectKaren Lemmey, the Lucy S. Reign Curator of Sculpture at the Smithsonian American Art Museum 

Imagine this: invisible robbers break into a bank and steal massive sacks of cash, but instead of running away with it they set their haul on the front stoop of the bank in a glass case. Everyone can see the money, but only the robbers can get to it. That’s how IRS Special Agent Chris Janczewski describes the 2016 Bitfinex heist – when mystery hackers made out with over $70 million in Bitcoin. By 2020, their loot had ballooned to over $4 billion. With only digital footprints to follow, federal agents tracked the criminals through the blockchain, across the dark web, and up the service elevator of a posh Manhattan apartment building in a sleuthing story that ends at the Smithsonian. The renovated The Value of Money exhibition will be opening at the National Museum of American History in November 2024. Check it out in person or online!Guests:Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American HistoryZia Faruqui, United States Magistrate Judge at the District Court for the District of Columbia Ari Redbord, Ari Redbord is the Global Head of Policy at TRM LabsChris Janczewski, Head of Global Investigations at TRM Labs, previously a special agent with IRS-CI Cyber Crimes Unit

Jon Grinspan, Curator of Political History at the Smithsonian and author of *Wide Awake*, teams up with Kevin Waite, Associate Professor at Durham University and author of *West of Slavery*, to uncover the fascinating story of the Wide Awakes. This grassroots movement, formed during the 1860 election, played a crucial role in rallying working-class Americans against slavery. They wore capes and marched by torchlight, not just for free speech but as passionate supporters of Abraham Lincoln. Grinspan and Waite discuss why this movement remains largely untold and its relevance today.

Imagine Jaws without the sneaking tuba. Or Psycho without the shrieking violins. Music can help a horror film strike fear in the heart of theatergoers. And you can trace some of these musical scare tactics back to the era of SILENT films — when organists made up film scores on-the-spot. To celebrate the spooky season this year, we're slashing apart a 1917 silent horror film with composer Andrew Earle Simpson to find out how music can be the beating heart of suspense. Grab your popcorn and get snuggly under the blanket. But be sure to check the closet for a pianist before turning out the lights. Want to see this movie for yourself? Don’t miss our live screening of The Devil’s Assistant at the National Museum of American History! Join Lizzie, Andrew, and Ryan on Wednesday, October 30th at 7:30pm to see this movie the way it was made to be watched – with live musical accompaniment. We’ll have objects from the Smithsonian collections and audience Q&A.  Reserve your FREE tickets here.Guests:Andrew Earle Simpson, composer and professor of music at the Benjamin T. Rome School of Music, Drama, and Art at The Catholic University of America in Washington, DC. Ryan Lintelman, curator of entertainment at the Smithsonian's National Museum of American History 

In the Lord of the Rings trilogy, Frodo becomes invisible when he puts the Ring on his finger. Well, at banks in the 1970s, this is basically what happened when a woman put a wedding ring on her finger. Her credit cards would no longer work, and the banks wouldn't count her income as part of the household income. This led to a fight for women's financial independence that gave rise to the landmark Equal Credit Opportunity Act (or ECOA) and the creation of the first women's banks. In honor of the 50th anniversary of ECOA becoming law, we’re looking back at a time when women had to have their husband or father cosign on a credit application. What did it take to pass this landmark legislation? And how did it improve women's lives in America?  Guests: Rachel Seidman, curator at the Smithsonian Anacostia Community Museum; curatorial consultant to the Smithsonian American Women's History Museum Emily Card, PhD, author of Staying Solvent: A Comprehensive Guide to Equal Credit for WomenElizabeth Babcock, director of the Smithsonian American Women's History MuseumJeanne Hubbard, former CEO of The Adams National Bank

During the mid-1800s, one third of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal? GuestsEllen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History

Sidedoor returns for its eleventh season on Wednesday, September 18th!