Real Photo Show with Michael Chovan-Dalton

Thank you everyone for listening to the show and I hope we have a healthier New Year. -Michael (My apologies if this episode showed up twice. I had a corrupted audio file.)

Karen Marshall is a documentary photographer and Chair of the Documentary Practice and Visual Journalism Program at ICP. We talk about her recent book, Between Girls published by Kehrer Verlag. The project started in 1985 when Karen began photographing a group of teenagers in New York City. A decade older than them, her intent was to look at the emotional bonding that happens between girls at age 16 and document the emblematic relationships that often develop at this time in their lives. 10 months into the project Molly Brover, Karen' first and closest connection in this project, was killed while on vacation and the project became more than its original idea. Between Girls is a 30 year long visual story of the lives of the core group of friends that started with Molly Brover. http://www.karenmarshallphoto.com This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. - www.charcoalbookclub.com Karen Marshall is a documentary photographer whose work examines the psychological lives of her subjects within the social landscape. Her photographs have appeared in numerous publications including The New York Times Magazine, the London Sunday Times, The Atlantic, New York Magazine, NPR Picture Show, GUP Magazine, and PDN. Marshall is the recipient of artist fellowships and sponsorships through the New York Foundation for the Arts, as well as grants and support from private foundations. Her photographs have been widely exhibited internationally and are part of several collections, including the Feminist Artbase at the Brooklyn Museum. Karen Marshall is Chair of the Documentary Practice and Visual Journalism program at the International Center of Photography in New York City.

Chris Facey is a documentary and portrait photographer. We talk about his three current projects, #DadDutyProject, which focuses on debunking the myth of absentee fathers in the Black and Brown community, Being Careful: Carrying More Than A Burden, where he hopes to bring awareness and change to the safety concerns of women, and Tale of Two Pandemics: Racism and Covid-19 which has been published in different forms in The New Yorker, New York Magazine, and The New York Times. Chris and I also talk about how he started photographing while serving in the army at Fort Drum, his decision to attend the School of Visual Arts, and how almost all of his decisions revolve around being a role model for his children. https://www.cocobuttershutter.com This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com About Chris Facey Chris Facey (b.1990) is a photojournalist and portrait photographer raised in Brooklyn, NY and currently resides in Raleigh, NC. Chris has the ability to create images that are powerful yet tender. Inspired by the works of Gordon Parks and W. Eugene Smith, he documents communities with a softness and allows space for emotional depth, while still covering hard hitting issues such as the racial injustices in civil rights to Women's Safety in New York City. With both vigor and a trained eye, Chris has been making work centering around the Black community throughout his career. Being a father himself, Chris has been working on his #DadDutyProject, which focuses on debunking the myth of absentee fathers in the Black and Brown community as well as his " Being Careful: Carrying More Than A Burden" project, where he hopes to bring awareness and change to the lack of Women Safety. A School of Visual Arts BFA graduate and an Army veteran, Chris is on a strong path to success with his photo documentary projects which has landed him opportunities to be featured in publications such as The New Yorker, New York Magazine , The Cut & The New York Times. He is currently available for assignments

Photographer and poet, Nat Ward returns to the show to talk about three of his latest projects. Nat created his first monograph in 2020 titled Big Throat, published by Kris Graves Projects. His web collaboration with Ben Alper, A New Nothing, was published as a three volume series each one curated by three different artists, John Pilson, Dan Paz, and S*ean D. Henry-Smith, published by Sleeper Studio. And Nat's photography and poetry are included in a recently published book, Return to the Field, edited by Gabriel Kruis and Martha Tuttle and published by Wendy's Subway. https://nat-ward.com --- https://www.krisgravesprojects.com/book/bigthroat --- https://sleeper.studio/ANN --- https://www.printedmatter.org/catalog/59044 --- This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com --- Nat Ward is a photographer based in Brooklyn, NY. He received his MFA from Columbia University in 2013 and was a resident in the Sharpe Wallentas Studio Program from 2015-16. He has exhibited internationally since 2008 with work in exhibitions presented by The Jewish Museum, Rail Curatorial Projects, and The Tel Aviv International Photography Festival. Ward’s practice takes form in books and large-scale, multi-image installations that explore the fictive potential of visual narrative sprawl. He is also the co-creator of the photographic online project space “A New Nothing.

Elodie Mailliet Storm is the CEO of CatchLight. Catchlight is a nonprofit media organization that discovers and develops visual storytellers through the practices of art, journalism, and social justice. Elodie and I talk about CatchLight's new California Visual News Desk which is an evolutionary next step in their goal of collaborating with local media outlets and areas that are in need of good visual storytelling partnerships. We also talk about the history of CatchLight and some of the stories currently being shown and how you can see them.   https://www.catchlight.io   ------  This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com -------   CatchLight is pleased to announce the creation of a statewide visual news desk in California, with the support of five philanthropic organizations: the Enlight Foundation, the Kresge Foundation, the John S. and James L. Knight Foundation, the Hearst Foundations, in partnership with PhotoWings, for a combined investment of over $2 million. The initiative directly addresses the decline of visual journalism across the United States, advances visual representation in local media, and serves critical community information needs.    CatchLight, a nonprofit media organization borrowing from the practices of art, journalism, and social justice, believes in the power of visual storytelling to foster a more nuanced and empathetic understanding of the world. It serves as a transformational force, urgently bringing resources and organizations together to support leaders in a thriving visual ecosystem. Its goal is to discover, develop, and amplify visual storytellers at all levels.    Yesica Prado and Felix Uribe- Care in the Time of Covid https://www.catchlight.io/news/care-in-the-time-of-covid   Samantha Cabrera Friend - Garfield Park https://www.catchlight.io/news/2021/9/28/btgcduvggbjsxemtcucj6l2r0q12dp https://www.propublica.org/article/disinvested-how-government-and-private-industry-let-the-main-street-of-a-black-neighborhood-crumble

Joe and I talk about his life in photography and his long tenure teaching photography at Fordham University. His current show Being and There is now up at Aurelia Gallery in Santa Fe, New Mexico. You can view the show at: https://www.aureliagallery.com/current-exhibition http://www.josephlawton.com https://www.instagram.com/joelawton_photography/ Joseph Lawton has taught photography at Fordham University for over thirty-five years, and served as the Director of the Visual Arts Department at Fordham, as well at Hunter College, Pratt Institute, and the School of Visual Arts. The recipient of the Light Works and the Southeast Center for Photography grants, his work has been published in the New York Times, and in Life and Time magazines, and is included in numerous public and private collections, including Bibliothèque Nationale. Exhibitions include PS1, Canton Museum, and OK Harris Gallery. A catalogue of his photographs from the New York State Fair is available through Light Works, Syracuse University, and his recent book, Plain Sight, was published by waal-boght press.

From June 2020, My conversation with Martin Bough on his life and work. Martin Bough 1927-2021

Had some trouble getting it all together for this week.

Artist and educator, Anita Allyn and I talk about the origins of her photography and installation work and we talk about our shared experiences of teaching in Mercer County, New Jersey. Anita is the Coordinator and Professor of Photography and Video at The College of New Jersey.   https://www.anita-allyn.com https://www.instagram.com/anita_allyn/   This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com   Anita Allyn, born in Edinburgh, Scotland, is a Professor of Art at The College of New Jersey where she has taught since 1999. She has a MFA from The School of the Museum of Fine Arts, Boston and a BFA from The Kansas City Art Institute. She was awarded a student scholarship to study in Aix-en-Provence, France and has studied abroad at Brighton Polytechnic, England. Anita Allyn’s photography and installation works have been exhibited at such venues as The Tate Modern, London, National Centre for Contemporary Arts, Moscow, Russia, International Photography Biennial, Columbia, South America as well as local venues at the University of Pennsylvania, Vox Populi, Philadelphia, Art Institute of Boston, Atlantic Center for the Arts, and The Museum of Fine Arts, Boston. Her single channel video screenings have included The Institute of Contemporary Art, Philadelphia, Pioneer Theater in New York, Director’s Lounge, Berlin Germany, Massachusetts Museum of Contemporary Art, Elements Museum of Contemporary Art, Beijing, China, and the Israeli Center for the Arts.

No show today. Traveling with the family.