Granta

On the latest Granta podcast we hear from George Saunders. One of the finest, funniest writers of his generation, he writes stories that pulse with outsized heart, crackle with the ad-speak and eek out the human story from the lives of theme-park workers and the subjects of strange drug tests that enhance libido and eloquence. His books include CivilWarLand in Bad Decline, In Persuasion Nation, Pastoralia and most recently Tenth of December. He has also published a book of essays, The Braindead Megaphone. Here he spoke to online editor Ted Hodgkinson about allowing his characters access to goodness, why he wants to avoid ‘auto-dark’ in his stories, how the death of David Foster Wallace affected his writing and closing the gap between art and life.

The final in our series of podcasts featuring the Best of Young British Novelists 4, we hear from Tahmima Anam. Anam is the author of the Bengal Trilogy, which chronicles three generations of the Haque family from the Bangladesh war of independence to the present day. Her debut novel, A Golden Age, was awarded the Commonwealth Writers’ Prize for Best First Book. It was followed in 2011 by The Good Muslim. ‘Anwar Gets Everything’, in the issue, is an excerpt from the final instalment of the trilogy, Shipbreaker, published in 2014 by Canongate in the UK and HarperCollins in the US. Here she spoke to Saskia Vogel about making a home in London and migration.

Continuing our series of podcasts on the Best of Young British Novelists 4, we hear from Steven Hall. Born in Derbyshire, Hall’s first novel, The Raw Shark Texts, won the Borders Original Voices Award and the Somerset Maugham Award, and has been translated into twenty-nine languages. ‘Spring’ and ‘Autumn’, in the issue, are excerpts from his upcoming second novel, The End of Endings. Here he spoke to online editor Ted Hodgkinson about how the internet is, to his mind, disturbing the possibility of a novel with a single continuous narrative thread, writing from memory and the significance of Ian the cat in his first novel.

Continuing our series of podcasts on the Best of Young British Novelists 4, we hear from Jenni Fagan. Fagan’s critically acclaimed debut novel, The Panopticon, was published in 2012 and named one of the Waterstones Eleven, a selection of the best fiction debuts of the year. Her poetry has been nominated for a Pushcart Prize and her collection The Dead Queen of Bohemia was named 3:AM magazine’s Poetry Book of the Year. She holds an MA in creative writing from Royal Holloway, University of London, and currently lives in a coastal village in Scotland. ‘Zephyrs’, in the issue, is an excerpt from her novel in progress. Here she speaks with Granta’s Ellah Allfrey about the care system, how a library van nurtured her love of reading from a young age and her days in a band.

Continuing our Best of Young British Novelists we hear from Kamila Shamsie. Shamsie is the author of five novels. The first, In the City by the Sea, was published by Granta Books in 1998 and shortlisted for the John Llewellyn Rhys Prize. Her most recent novel, Burnt Shadows, was shortlisted for the Orange Prize for Fiction and translated into more than twenty languages. She is a fellow of the Royal Society of Literature, a trustee of English PEN and a member of the Authors Cricket Club. ‘Vipers’, in the issue, is an excerpt from a forthcoming novel. Here she talks to John Freeman about the themes of love and war in her work, moving between her native Karachi and London where she lives now, her choice to become a UK citizen and how her uncle directed the first episode of Doctor Who.

Ross Raisin’s first novel, God’s Own Country, about a disturbed adolescent living in the Yorkshire Dales, won him the 2009 Sunday Times Young Writer of the Year Award, the Guardian First Book Award, a Betty Trask Award and numerous other prizes. His second novel, Waterline, about a former shipbuilder grieving the death of his wife in Glasgow, was published to critical acclaim in 2011. His short stories have been published in Prospect, Esquire, Dazed & Confused, the Sunday Times, on BBC Radio 3 and in Granta. In this podcast, he spoke to Yuka Igarashi about how he evokes place and inhabits characters in his writing; the difference between his approaches to short stories and novels; and what it means to him to be part of the Best Young British Novelist list. He also discusses his work on a new novel, which began as a story published in Granta: Britain.

Continuing a series of podcasts featuring our Best of Young British Novelists, today we bring you an interview with Nadifa Mohamed. Mohamed was born in Somalia and moved to Britain in 1986. Here she spoke to online editor Ted Hodgkinson about how her first novel, Black Mamba Boy (which won the Betty Trask Award), was inspired by her father’s journey to the UK from Somalia, and how that process brought them closer together. They also spoke about her arrival from Somalia, growing up in Tooting and how she believed from a young age that cats were spies for the government. ‘Filsan’, in the issue, is an excerpt from her new novel, The Orchard of Lost Souls, forthcoming from Simon & Schuster in the UK and Farrar, Straus and Giroux in the US. You can also watch a specially commissioned short film in which Mohamed visits Shepherd’s Bush Market and explains why she wants to be the griot of London.

Continuing a series of podcasts featuring our Best of Young British Novelists, today we bring you an interview with Sunjeev Sahota. Sahota was born in Derby and currently lives in Leeds with his wife and daughter. His first novel, Ours are the Streets, was published in 2011. ‘Arrivals’, in the issue, is an excerpt from The Year of the Runaways, his unfinished second novel, forthcoming from Picador. Here Sahota spoke to Ellah Allfrey about his work, finding Midnight’s Children in an airport bookshop and having a day job.

Benjamin Markovits is the author of six books: The Syme Papers, Either Side of Winter and Playing Days as well as a trilogy on the life of Lord Byron — Imposture, A Quiet Adjustment, and Childish Loves. He is also the only Granta Best of Young Novelists who is known to be able to dunk. In this podcast with Yuka Igarashi, he discusses his time playing minor-league basketball for a team in southern Germany, and the ways in which this and his other experiences inform his work as a writer. He also talks about his new novel, extracted in the issue, about a group of university friends who get involved in a scheme to regenerate Detroit.

In our latest instalment of podcasts featuring our Best of Young British Novelists, we speak to Helen Oyeyemi. Oyeyemi is the author of The Icarus Girl and The Opposite House. Her third novel, White is for Witching, was awarded a 2010 Somerset Maugham Award, and her fourth, Mr Fox, won the 2012 Zora Neale Hurston/Richard Wright Foundation Award. ‘Boy, Snow, Bird’, in the issue, is an excerpt from a new novel of the same title, published in 2014 by Picador in the UK and Riverhead in the US. Here Oyeyemi spoke to online editor Ted Hodgkinson about the joys of writing from a male perspective, the role of magic in her work, some of her influences from Alfred Hitchcock to Jeanette Winterson and how as a young girl she would write alternate endings in the margins of the classics.