Granta

Ruth Ozeki is the author of 'My Year of Meats', 'All Over Creation' and 'A Tale for the Time Being', which was shortlisted for the Man Booker Prize and the National Book Critics Circle Award. For Granta’s Japan issue, she wrote an essay on her grandfather: about a mysterious photograph she has of him and about the ways she feels linked to him across time.In the latest Granta podcast, she reads from the piece and discusses it alongside her latest novel, 'A Tale for the Time Being', touching on haiku, feminist Buddhist nuns, memory, the idea of cultural gyres and why and how she wrote herself into her book.'I'm mixed race, I'm kind of like the meeting point between these two cultures and these two histories. And somehow that is in my DNA, and growing up mixed race, it always did feel like there was a tension there between the two halves. And I never was quite sure who I was or who I was supposed to be... it seemed very odd and unstable to be who I was.'

In the latest Granta podcast, Mark Gevisser and Jonny Steinberg discuss recent South African history, their personal relationship to Johannesburg, and their personal relationship to a divided city. Mark Gevisser is the author of 'A Legacy of Liberation: Thabo Mbeki and the Future of the South African Dream', published by Palgrave Macmillan in the UK, and by Jonathan Ball in South Africa under the title, 'Thabo Mbeki: The Dream Deferred'. His latest book, 'Dispatcher', is published by Granta. Jonny Steinberg is the author of several books about South Africa's transition to democracy. His next book, 'A Man of Good Hope', will be published in January 2015. He teaches African Studies and Criminology at the University of Oxford.‘Johannesburg is such an enormously contradictory place, it’s a place of great fear it’s a place of high walls and electric fences, and yet it is also a place of wall-lessness in such profound ways… it is a very mercurial place, it’s of great fear and yet extraordinary energy.’

Lindsey Hilsum is International Editor of Channel Four News and the author of ‘Sandstorm: Libya in the Time of Revolution’.In 1994 she was the only English-speaking Foreign Correspondent working in Rwanda when the genocide began. Her essay in the latest issue of Granta tells of her return to the country 19 years after the conflict.Here we talk about her time in Rwanda, Libya and how countries can repair in the aftermath of war. The podcast begins with Lindsey reading from her essay ‘The Rainy Season’, in Granta 125: After the War.‘I think that for me there were a lot of things that were unresolved which I tried to resolve by going back and by writing, but maybe I have to accept that some things will never be resolved.’

In the latest Granta podcast, we’re joined by Juan Pablo Villalobos, author of 'Down the Rabbit Hole', which was nominated for the 2011 Guardian First Book Award and, most recently, 'Quesadillas'.Here, Villalobos talks about parodying Mexican identity, the difficulty of translation and class struggle in Mexico. ‘The worst thing wasn’t being poor; the worst thing was having no idea of the things you can do with money.’

Eleanor Catton’s debut novel, The Rehearsal, was shortlisted for the Guardian First Book Award, and the Dylan Thomas Prize, longlisted for The Orange Prize and received a Betty Task award. Her second novel, The Luminaries, has been shortlisted for the 2013 Man Booker prize. Here, Granta Books editor Anne Meadows talks to Catton about opium sand gold, the ideas of the modern and the archaic, whether a good author can also be a sadist, and what it means to be a New Zealand writer today. ‘I am very firm in the belief that literature is not a competitive sport, we’re all doing the same thing, and hopefully for similar reasons.’

Granta speaks to Lina Wolff, author of the story collection 'Många människor dör som du' ('Many Pepole Die Like You') and the novel 'Bret Easton Ellis och de andra hundarna' ('Bret Easton Ellis and the Other Dogs'). Wolff writes in Swedish, and her story in the issue is based in Spain. Here she discusses the tension she felt between a ‘Spanishness’ and ‘Swedishness’, when writing and between a rational way of being and a magical way of thinking. She also discusses Lorca, Dante, literary travellers and their guides and the idea of irrationality and the artistic temperament. ‘I think in the beginning it was a crisis. I started to write because I felt the need to fit in, and not be an outsider... I have felt bound to an outsideness and an otherness.’ Image © Håkan Sandbring. 

In the latest Granta podcast, Saskia Vogel speaks to Sonia Faleiro, a contributor to the Travel issue and a reporter. Faleiro is the author of a book of fiction, The Girl, and one book of non-fiction, Beautiful Thing: Inside the Secret World of Bombay’s Dance Bars. She talks about how her gender influences her work and how she started out as a reporter. She also discusses the way we tell stories about women who use their bodies in to earn a living, Bombay’s complex sex industry and the idea of marginalized narratives.‘How we perceive people eventually influences what rights we think they deserve to be given, when there is actually no question of endowing someone with rights; you either have them or you don’t.’

In the latest Granta podcast, Rachael Allen speaks to travel writer Robert Macfarlane. Macfarlane is the author of Mountains of the Mind, The Wild Places and most recently, The Old Ways. Macfarlane talks about ‘Underland’, his essay in Granta 124: Travel, which sees him exploring the underground caves of Karst country, and the different approaches writers take to show landscape through language. ‘When you're dealing with a geological context,’ says Macfarlane ‘its age exceeds your knowing, exceeds your comprehension. Deep time is dizzying and vertiginous.’

In the latest Granta podcast, Yuka Igarashi speaks to writer, journalist and activist Rebecca Solnit. Solnit is the author of numerous books about art, landscape, ecology and politics. They include A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; Infinite City, a book of 22 maps with nearly 30 collaborators; and, most recently The Faraway Nearby, published this June. Solnit discusses how her new book interweaves personal narratives about family and illness with stories about Mary Shelley and Che Guevara. We also talk about her interest in paradoxes and her momentary connection to Beyonce.

In the latest Granta podcast, Yuka Igarashi talks to A.M. Homes, the recipient of this year’s Women’s Prize for Fiction for May We Be Forgiven. Homes is the author of the novels This Book Will Save Your Life, Music for Torching, The End of Alice, In a Country of Mothers and Jack; the story collections The Safety of Objects and Things You Should Know; and the memoir The Mistress’s Daughter (Granta Books). As a followup to an interview when May We Be Forgiven was published, they spoke about what winning the prize means to her. They also discussed family and the American Dream as themes in her book, why the Korean translation of one of her novels comes with a coupon for Dunkin Donuts, and the influence that her writing teacher Grace Paley had on her work and life.