In this lecture, Dr. Peterson continues his discussion of the archaic stories at the beginning of Genesis, including Cain and Abel, and the flood story of Noah (the return of chaos), and the story of the Tower of Babel (which he reads as a very old warning about the danger of erecting something akin to a totalitarian/utopian secular state -- that is pathological order).

In this lecture, Dr. Peterson discusses the creation stories in Genesis, the first book of the Bible, and describes the parallels with the stories of the development of the Buddha from childhood to early adulthood, using the archetypal schema developed previously in the course. For Advertising Inquiries, visit https://www.advertisecast.com/TheJordanBPetersonPodcast

In this lecture, Dr. Peterson discusses the manner in which the fundamental symbolic archetypes (particularly those dealing with the Wise King and Tyrant) are hijacked for the purposes of propaganda. Ideologies are parasites. Their hosts are archetypes. Knowledge of the underlying archetypes can produce immunity against ideological possession. For Advertising Inquiries, visit https://www.advertisecast.com/TheJordanBPetersonPodcast

In this lecture, Dr. Peterson discusses the relationship between the basic categories of imagistic/symbolic representation and brain function, noting that the very hemispheres of the brain are adapted, right/left to the environmental or experiential permanence of chaos/order or unexplored/explored territory, with consciousness serving the Logos role of communicative explorer (a function related in one of its deepest manifestations to the function of the hypothalamically grounded dopaminergic systems).-Thanks to our sponsors:https://helixsleep.com/jordan-Listen to The Mikhaila Peterson Podcast! https://podcasts.apple.com/us/podcast/the-mikhaila-peterson-podcast/id1514043751

In this lecture, Dr. Peterson discusses how the basic or archetypal categories we use to frame the world are represented in image, where they existed long before their nature could be articulated. These categories include the individual (hero/adversary), culture (wise king/tyrant), and nature (destruction/creation). The heroic individual (the knower) is typically masculine, as is culture (the known), while the unknown is feminine. These categories can be conceptualized, as well, as explorer, explored territory, and unexplored territory. The most abstract category is the dragon of chaos, the monster who guards what is most valuable. It is from this most primordial of categories that the other three emerge. Our existence as prey and predator is reflected in the ambivalent representation of the absolute unknown. Thanks to our sponsors:https://www.nhtsa.gov/https://allform.com/lp/jordan/podcastshttps://helixsleep.com/jordan Listen to The Mikhaila Peterson Podcast! https://podcasts.apple.com/us/podcast/the-mikhaila-peterson-podcast/id1514043751

In this lecture, Professor Peterson discusses uncertainty or anomaly. We frame the world -- or the world reveals itself to us -- as a story, with a starting point, a destination, and the behavioral means to move from one to the other. The destination is valued more highly than the starting point, and constitutes the point of the story -- the aim of the individual. Reality manifests itself within that story as what is relevant for forward movement, what gets in the way, and what is irrelevant and can be safely ignored. The largest category, by far, is the latter. Unfortunately, sometimes what has been happily classified as irrelevant rears up and gets in the way. That's a manifestation of chaos. Chaos can undermine the story, or break the frame. The degree of undermining or breakage is proportional to the time and space over which the story in question extends its operations.

In this lecture, I make the case that we each inhabit a story, describing where we are, where we are going, and the actions we must undertake to get from the former to the latter. These inhabited stories are predicated on an underlying value system (as we must want to be where we are going more than we value where we are). In addition, they are frames of reference, allowing us to perceive (things that move us along; things that get in our way), make most of the world irrelevant (things that have no bearing

Here is the fourth episode in a 12 part series that could only be found on youtube until now! In this lecture, I conclude my analysis of the Disney film Pinocchio to illustrate the manner in which great mythological or archetypal themes inform and permeate both the creation and the understanding of narratives. - Jordan Peterson See the full YouTube video: https://youtu.be/bV16NEWld8Q Thanks to our sponsor! The Jordan Harbinger Show: https://www.jordanharbinger.com  

Here is the third episode in a 12 part series that could only be found on youtube until now! In this lecture, I continue with the analysis of the Disney film Pinocchio to illustrate the manner in which great mythological or archetypal themes inform and permeate both the creation and the understanding of narratives. - Jordan Peterson See the full YouTube video: https://youtu.be/Us979jCjHu8 Thanks to our sponsors: http://trybasis.com/jordan/

Here is the second episode in a 12 part series that could only be found on youtube until now! In this lecture, I begin using a particular piece of dramatic art -- the Disney film Pinocchio -- to provide a specific example of the manner in which great mythological or archetypal themes inform and permeate narrative.