Imaginary Worlds

J.R.R. Tolkien not only kicked off the modern fantasy genre, he also made maps an indispensable part of any fantasy book. Tolkien spent decades mapping out Middle-earth on graph paper -- and giving everything a name -- because he was inventing a world from scratch. Many of his maps weren't even published until after he died, but today's fantasy cartographers owe a great debt to his work. They also have a post-modern understanding that to create a believable fantasy map, they have to sow doubt in the minds of readers as to whether we should trust the mapmakers. With Isaac Stewart, Priscilla Spencer, Ethan Gilsdorf and Stefan Ekman.** This is part 2 in a 6 part series on magic and fantasy.**Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

J.R.R. Tolkien wanted his work to be taken seriously. But his magnum opus The Lord of the Rings was unlike most of great literature of the mid-20th century, which was modernist or tackled the great issues of the day. And wasn't The Hobbit a children's book? The critics wondered, is this sequel supposed to be serious literature for adults? But there was a group of people who took Middle-earth very seriously and pushed this cult classic into the mainstream -- they just weren't the people Tolkien had expected. Wheaton College professor Michael Drout, Gary Lachman ("Turn Off Your Mind: The Mystic Sixties and the Dark Side of Aquarius") and Ethan Gilsdorf ("Fantasy Freaks and Gaming Geeks") explain how and why Tolkien became a folk hero to the counter-culture -- whether he liked it or not. ***This is the first in a six-part series on Magic and Fantasy***Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the continuation of my behind-the-scenes mini-series, I revisit the first interview I ever recorded for Imaginary Worlds -- the puppeteer Stephanie D'Abruzzo, who is best known for performing as Kate Monster in the Broadway musical Avenue Q. I interviewed Stephanie for an episode that compared puppets to computer generated characters, but she had so many interesting things to say about the craft of puppeteering which didn't fit into that early episode. In other words, she can tell you how to get to Sesame Street. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, I pull the curtain back on my process and look at two public radio stories I reported back in 2008 when I began to find my voice as a reporter -- and started to realize that I might want to have my own show where I could geek out freely. Along for ride is my former editor at Studio 360 and mentor: David Krasnow. We talk about what goes into making an audio feature, why I needed more "sign posting," and how hard it is to not sound like Ira Glass. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

2016 marks the ten-year anniversary of Octavia Butler's passing. Commemorative events are happening across Southern California, where she spent most of her life, from conferences to panels to walking tours. Recently, I've become obsessed with her writing -- which can be so powerfully disturbing it keeps me up at night, while at the same time, I can't get enough of it. Nisi Shawl, Ayana Jamieson and Cauleen Smith explain how Butler came to tell stories about power imbalances between humans and other worldly beings, and what her work means to them. ***This is the end of Season 2.***Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ghost in the Shell was groundbreaking, visually and thematically. The 1995 Japanese animated film (or anime) was unapologetically for adults. The story focuses on a cyborg cop whose body is synthetic but her brain is organic. As she chases down a mysterious hacker, Major Motoko Kusanagi grapples with what it means to be alive. When Scarlett Johansson was cast as The Major in the live-action remake, there was an outcry over whitewashing. But the reaction in Japan has been different. Roland Kelts (author of "Japanamerica"), journalist Emily Yoshida and Tufts University professor Susan Napier discuss the racial politics of anime. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Digital technology has come so far that independent video game designers can create and distribute their work online, and make their games about whatever they want. Some indie games have become mainstream hits, but Toby Fox's Undertale is a phenomenon. Fans have even hailed it as the "best game ever." Julian Feeld of Existential Gamer and Nathan Grayson of Kotaku explain how Undertale deconstructs and questions the fundamentals of video games -- while at the same time being really fun to play, with unforgettable characters. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

June 16, 2016 is the 200th anniversary of the night Mary Shelley began to write, "Frankenstein, or The Modern Prometheus." Scholars have long speculated what Frankenstein can tell us about scientific hubris or "playing God." But Professors Gillen D'Arcy Wood and Ron Broglio think the book has just as much to say about how we adapt to "acts of God." In other words, Frankenstein was imagined in a year when the Earth's climate was thrown off balance and the weather was wildly unpredictable. Sound familiar? With biographer Charlotte Gordon and readings by Lily Dorment.  Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Immersive theater is a new trend where there are no seats and no stage. The audience moves through the space like a virtual world, touching whatever they want, interacting with the actors who give them food and drink. I love immersive theater. I've experienced a film noir-themed Macbeth and a fictitious elementary school reunion set in a real East Village apartment, but my favorite immersive show is Then She Fell. It's a retelling of Alice in Wonderland set in a turn-of-the-century insane asylum. Tom Pearson and Marissa Nielsen-Pincus of Third Rail Projects explain how the show reflects Lewis Carroll's own duality and the mystery behind his relationship with the real life Alice. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The discussion revolves around the intriguing idea of a robot uprising, exploring the anxieties tied to slavery and freedom in both fiction and reality. Scholars debate whether robots should be treated as slaves or if such a mindset degrades humanity. With thought-provoking insights, conversations highlight our emotional connections to robots and the ethical dilemmas of anthropomorphism. Engaging narratives in literature are examined, revealing deeper societal reflections on autonomy and rights, pushing us to confront the implications of our technology-driven future.