Imaginary Worlds

Steven Sheil grew up in the era of "video nasties" -- a pushback by conservatives in the UK to ban Hollywood slasher films before they could corrupt the youth. The effort backfired and made contraband films like The Evil Dead into hot commodities for impressionable youth like Steven. He grew up to become a horror filmmaker, but he never imagined the genre would help him deal with personal loss. Across the pond, Aaron Orbey wrote in The New Yorker about having a similar experience. Except in Aaron's case, he needed horror to remember a tragedy he was too young to fully experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine you're a New Yorker in the mid 22nd century. You have to deal with all sorts of headaches like traffic jams on the East River or brownstones collapsing into the canals. People think you're crazy to live in this Super Venice, but you wouldn't want to be anywhere else. That's the world Kim Stanley Robinson imagines in his latest novel New York 2140. It's a hopeful vision of a future where people are doing their best to live normal lives while climate change radically alters everything around them. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comrades! The USSR pioneered the craft of science fiction long before the decadent West. This is not an opinion - this is a scientific fact. Noted intellectuals Anindita Banerjee, Sibelan Forrester, Asif Siddiqi, Gregory Afinogenov and the author's father Steven Molinsky discuss how the glorious Soviet people brought the Revolution to Mars, and used science fiction such as Aelita and Solaris to explore existential questions. Lenin lived, Lenin lives, Lenin will live forever in outer space!Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imaginary Worlds goes live in this special presentation from the work x work on air festival. In celebration of Will Eisner's centennial, authors Paul Levitz and Bob Andelman, along with comics publisher Denis Kitchen and MAD Magazine's Al Jaffee discuss at how Eisner redefined comics as an art form, and became the "father of the graphic novel." Then comics historian and author Danny Fingeroth, editor Joan Hilty, and artist Dean Haspiel explore Eisner's legacy today in a live panel discussion.http://willeisnerweek.com/Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cosplay has gotten huge in the age of social media, but when websites feature their ComicCon slides shows, they often don't reflect the true diversity of the fans. So black Cosplayers created their own hashtag #28DaysofBlackCosplay (although it was #29DaysofBlackCosplay on the leap year.) Harry and Gina Crosland of Pop Culture Uncovered talk about why they like putting an original spins on classic characters. Cosplayers Suqi and Brittnay N. Williams of the site Black Nerd Problems talk about finding their community, and having to call out Cosplayers who don't understand why blackface shouldn't be part of any costume. Special thanks to Monica Hunasikatti.blacknerdproblems.com popcultureuncovered.cominstagram.com/BrittanyActs instagram.com/mssuqiyomifacebook.com/BishopCosplay Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mamatha Challa, Emily Tetri, Viet Hung, Elaine Wang, and Nhu Nguyen share their insights on the cultural impact of 'Avatar: The Last Airbender.' They explore how the series shaped their identities and resonated deeply within the Asian-American community. Personal anecdotes reveal the complexities of navigating cultural representation and the significance of the show's diverse narratives. Conversations touch on the balance between celebrating heritage and facing generational challenges, illustrating the show's vital role in personal and collective storytelling.

Larp stands for Live Action Role Play. That's about as simple as it gets when trying to understand what Larps are. They can be fantastical and magical, or they can be hyper-realistic dramas that grapple with topical issues. And Larps are getting more popular -- maybe even on the verge of becoming mainstream. Game masters and Larpwrights Lizzie Stark, Evan Torner, Caroline Murphy and Eirik Fatland explain why playing pretend is the right cathartic outlet for our times; and why Larps may be redefining what we consider fiction or art. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tim Lapetino's book "The Art of Atari" is full of eye candy for anyone who grew up playing those games -- especially if you gazed at the game boxes, with illustrations that barely resembled the blips on screen. But the book also tells the story of how Atari invented the video game console as we know it, pioneered the lifestyle of the Silicon Valley start-up and kickstarted a billion dollar industry before Atari gobbled too much, ran smack into its own ghosts and flattened into a yellow pancake. With Atari veterans Steve Hendricks and Barney Huang. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Think of all the movies and TV shows that reference Star Wars. Most of those scenes are pretty forgettable -- except for a scene in the 1994 film Clerks, which set off a debate that's still going on today. One of the characters notes that the second Death Star in Return of the Jedi was still under construction when it got blown up. So there must have been independent contractors still trying to finish the job. Is it fair that they got killed along with the Imperial Army and the Stormtroopers? Judge Matthew Sciarrino, Josh Gilliland of the podcast Legal Geeks and economist Zachary Feinstein of Washington University in St. Louis discuss the value "good guys" should place on the lives of "bad guys." ** This is part VI is a series that will probably go on forever about the influence of Star Wars **Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drew Boughton, the production designer for The Man in the High Castle, shares insights on crafting an alternate history where the Axis powers won WWII. He discusses the challenges of creating a period that never existed, blending reality with fiction. The conversation dives into how fascism distorts culture and identity, shaping a world where societal norms collapse. Boughton also reflects on the moral complexities faced by characters like John Smith, illustrating the thin line between complicity and resistance in an unsettling reality.