Seriously...

Why are women not used as the dramatic engines in drama more? asks double Oscar-winning, recent Tony, Bafta and Emmy Award-winning actress Glenda Jackson.Despite improvements, the statistics concur with her theory. With great contributions from actress Adjoa Andoh, director Phyllida Lloyd (Mamma Mia, The Iron Lady), actress Harriet Walter, writer Sally Wainwright and director Richard Eyre.Presented by Glenda Jackson Produced by Pauline Harris

It is almost 40 years since Professor Sir Alec Jeffreys discovered genetic fingerprints in his University of Leicester laboratory. Now DNA is an integral part of criminal investigations worldwide, providing vital evidence to secure convictions and exonerate the innocent.But the extraordinary breakthroughs in genetic science since then means a suite of new DNA tools is now available to police and law enforcement, as well as private citizens doing a spot of freelance crime fighting. How are these novel uses of forensic genetics overseen? And is there a risk of over-reach, the science running ahead of an ethical and regulatory framework?Turi King led the genetic identification of Richard III after his body was dug up in a Leicester City carpark. She's also a Professor of Genetics at the University of Leicester (Sir Alec was her mentor) and in this programme she explores the history of forensic DNA and the unanticipated role of family tree hobbyists and recreational genealogy databases in crime fighting.It was the recent Golden State killer case in the US where a serial murderer was eventually captured with the help of DNA, that thrust into the spotlight the use of private genealogy databases by law enforcement. Until this case hit the headlines the millions of family tree enthusiasts who had uploaded their DNA profiles in order to find their relatives, were blissfully unaware that the science in the genealogists' toolkit had been adopted by police officers hunting new leads in criminal cases.Turi meets one of the first private DNA detectives from the US, Dr Colleen Fitzpatrick, who coined the phrase "forensic genealogy". Colleen uses her skills as a genealogist (originally this was her hobby; she trained as a rocket scientist) to help police solve scores of cold cases. She tells Turi that the DNA genie is out of the bottle, and the stopper can't be put back in.And Turi discovers this is indeed the case. She hears about a group of private citizens, international freelance crime fighters, who, inspired by the Golden State killer case, are using DNA to track down abusive men.Lawyer and former army officer, Andrew MacLeod, spent years working in war zones and on disaster relief and humanitarian emergencies. Frustrated by what he saw as an institutional failure to stop the rape and abuse of women and girls by aid workers, peacekeeping soldiers and sex tourists, he decided to take direct action through a charity, Hear Their Cries.Their strategy is to match the DNA of children born from these abusive relationships, with relatives on the major genealogy databases ("we're doing family reunions" he tells Turi). Then, using classic genealogy skills, they can build the children's family tree and track down their fathers, wherever they might be in the world.A pilot project in the Philippines led to five out of six fathers in the UK, US, Canada and Australia being confronted with their paternity obligations. The long-term aim, he tells Turi, is to send the message that with the help of DNA to identify them, there will be no escape for abusive men. If they have committed a crime, they will eventually be tracked down and made to pay.Also in the programme: Gill Tully, former Forensic Science Regulator for England and Wales and Professor of Practice for Forensic Science Policy and Regulation at King's College, London; Carole McCartney, Professor of Law and Criminal Justice at Northumbria University; Dr Connie Bormans, Laboratory Director for Family Tree DNA, commercial genetic testing company in Houston, Texas; Manfred Kayser, Professor of Forensic Molecular Biology and Head of the Department of Genetic Identification, Erasmus University, the Netherlands and David Baker, former Chief Superintendent Leicestershire Police, led the double murder hunt for the killer of teenagers Lynda Mann and Dawn Ashworth in the 1980s.Producer: Fiona Hill

Brexit has been a reality for seven months – long enough for fears and speculation to give way to actual experience of individual business people. How is British business faring outside the EU? Do they feel liberated, unchained from the rules of the European Union, or ensnared in a new tangle of unfamiliar red tape? How important are new trade deals in their calculations? This programme is not a definitive verdict. But amid all the wealth of commentary and speculation it is a snapshot of the experience so far of three industries. Mark Mardell looks at Scotch whisky – the country’s biggest and most profitable food and drink export, and talks to the man who prepared the giant drinks company Chivas Brothers for Brexit, and to the boss of a new small Glasgow distillery. He examines aerospace, another huge British money spinner which warned loudly of the dangers of Brexit to their pan-European business, sees how Airbus is coping now and peers in to the future to ask if entrepreneurs at the new cutting edge technology of vertical take-off drones and air taxis are finding fresh opportunities and pitfalls. And he hears from the maker of upmarket lawnmowers who says his customers are fanatical about their striped lawns. But are they taking advantage of predictions that Britain unfettered could prosper making powerful models banned by the European Union?Producer: Caroline Bayley

Breaking, also known as break-dancing, borne in New York City in the 1970s, is set to make its debut at the Olympic Games in Paris in 2024.Four-time breaking world champion, BoxWon (Benyaamin Barnes McGee), traces how breaking went from Bronx block parties to NYC’s downtown art scene, to the world.Speaking to legends of breaking, such as Rock Steady Crew's Ken Swift and B-Boy Glyde from Dynamic Rockers, BoxWon reveals how punk impresario, Malcolm McLaren, helped breaking become a worldwide craze in the 1980s - before it vanished.But when the mainstream got bored, breaking didn’t die - it just went back underground, only to re-emerge a decade later more extreme than ever.Breaking is once again a global phenomenon, with pro dancers coming from all corners of the world – Russia, Japan, and South Korea are now home to some of the world’s very best.But when the International Olympic Committee confirmed breaking as a new sport for the Olympic Games in Paris 2024, many people were taken by surprise.The last time they had heard of breaking was back in the 1980s - a fad which swiftly disappeared with shoulder pads and leg warmers.Breaking Through tells the fascinating story of how this dance-form survived and evolved outside of the media spotlight, fuelled by the scene’s die-hard devotees.Now, as it attracts global corporate sponsorship and demands for more stringent rules and regulations, we hear about the breaking world's own internal battle to maintain its integrity.Presenter: BoxWon (Benyaamin Barnes McGee) Producer: Simona Rata Research: Emmanuel AdelekunStudio Mix: James Beard Editor: Richard Fenton-Smith

Women may be caricatured as babbling chatterboxes, but in public, women speak a lot less.Be it in conferences or committee meetings, television or parliamentary debates, women do not get a proportionate amount of air space as men.Mary Ann takes us on a global journey to find out why women aren't speaking up and if they are being disproportionally side-lined, excluded from the world's debates.She explores the role history and social conditioning plays: the ancient Babylonians thought if a woman spoke in public, she should have her teeth smashed with a burnt brick; in classrooms today boys get far more attention, teachers accepting their calling out of answers, while punishing girls for the same behaviour.She hears that when women do speak, they are often spoken over regardless of their status. In the Australian High Court, women judges and even the female presiding judge were regularly interrupted by male advocates. And women aren't heard in the same way as men; many struggle to see that a woman might be the expert in the room.So how can women be heard? In a year in which the head of the Tokyo Olympics organizing committee said women talk too much and Jackie Weaver had to assert her authority in a fuming parish council meeting, we do need solutions.Should women be hesitant and tentative or bold and chatty? How can a slight change in the layout of a room make a fundamental difference? Mary Ann finds out how to speak up and be heard, to get your point across and influence both men and women.Interviewees: Deborah Cameron, Professor of Language and Communication, Oxford University, Chris Karpowitz, Professor of Political Science, Brigham Young University, David Sadker, Prof Emeritus at The American University, Linda Carli, Senior Lecturer Emerita in Psychology, Wellesley College, Ioana Latu, senior lecturer in Psychology, Queens University Belfast and author and speaking coach, Patricia SeabrightProducer: Sarah Bowen

As the Chinese Communist Party celebrates its 100th anniversary, Celia Hatton looks at how party slogans reveal the turbulent history of modern China. Throughout its existence, the party has used key slogans to communicate policy and mobilise the country's vast population. These messages reflect not just the ambitions of party leaders but also have a profound impact on the lives of millions. Using the BBC archive Celia examines the story behind eight key Communist Party slogans, from their early years as a guerrilla movement to the campaigns of China's current all-powerful leader Xi XInping.Contributors: Professor Vivienne Shue, Dr Jennifer Altehenger, Dr Olivia Cheung, author Lijia Zhang, Dr Rowena He, and New York Times correspondent Christopher Buckley.Presenter: Celia Hatton Producer: Alex Last Editor: Hugh Levinson

"I couldn't stand back anymore and just watch people die."In September 2020, drug policy activist Peter Krykant decided he'd had enough. The former heroin addict, turned frontline campaigner, bought a minivan and kitted it out with sanitisers and needles, a supply of naloxone- the medication used to reverse an opioid overdose- and a defibrillator.He parked it in Glasgow's city centre and opened its doors to homeless drug users who are most at risk of overdose.The van is operating as a drug consumption room (DCR), which are widely used in Europe and North America. But in Britain they're considered illegal under the 1971 Misuse of Drugs Act, though legal experts dispute that.Scotland now holds a per capita death rate three times higher than anywhere else in Europe, tallying six straight years of record-setting, drug-related deaths. The SNP government has expressed support for bold initiatives, like DCRs, but claims its hands are tied by Westminster.A few years ago the Home Office had stepped in to halt plans for permament site in Glasgow. Since then DCRs have been at the centre of fierce debate.For Peter Krykant, setting up the van is not just about saving lives, but challenging drug policy.Presenter Dani Garavelli recorded with Peter at the van over eight months, getting to know him, his family and the users who rely on the service.Producer: Caitlin Smith

Meet Velma: a cat with attitude. (Possibly...)And her owner, ​comedian Suzi Ruffell, who adores her pet - but thinks she's been getting a tad tetchy since they started spending more time together during the past year's various lockdowns.Is Suzi just projecting her own feelings onto an unsuspecting animal, or are those pointed stares a sign that Velma's passing frosty judgement on her owner's life choices?Together, they embark on a journey of discovery to find out more about cat behaviour and cognition, the world of feline research and the bond between cats and humans.And of course, to discover the answer to Suzi's burning question: is her cat judging her?Presented by Suzi Ruffell Produced by Lucy Taylor for BBC Audio in BristolFeaturing excerpts from: - The ending of an episode of the television show 'Pointless', produced for the BBC by Remarkable Television with theme tune composed by Marc Sylvan; - A video of Texas lawyer Rod Ponton appearing as a cat during a virtual court session, as shared online by Judge Roy Ferguson; - A video of 'Barney the Cat' playing the keyboard, as shared on TikTok via @mars.gilmanov.

Struggling to find words might be one of the first things we notice when someone develops dementia, while more advanced speech loss can make it really challenging to communicate with loved ones. And understanding what’s behind these changes may help us overcome communication barriers when caring for someone living with the condition.When Ebrahim developed Alzheimer’s Disease, for example, he’d been living in the UK for many years. Gradually his fluent English faded and he reverted to his mother tongue, Farsi - which made things tricky for his English-speaking family who were caring for him. Two decades on, his son, the journalist and author David Shariatmadari, seeks answers to his father’s experience of language loss. What can neuroscience reveal about dementia, ageing, and language changes? Why are some aspects of language more vulnerable than others - and, importantly, what are the best approaches to communicating with someone living with dementia?David reflects on archive recordings of his dad, and speaks to a family in a similar situation to theirs, to compare the ways they tried to keep communication alive. And he discovers there are actually clear benefits to bilingualism when it comes to dementia: juggling two or more languages can delay the onset of symptoms by around four years. So while losing one of his languages posed practical difficulties for Ebrahim, it’s possible that by speaking two languages in the first place, he was able to spend more valuable lucid years with his family.Presented by David Shariatmadari and produced by Cathy Edwards

A year after rough sleepers were given emergency accommodation during the first coronavirus lockdown, has the unprecedented operation had a lasting impact?In March 2020, Simon’s life was transformed, from sleeping in shop doorways in Manchester to an en suite room at the Holiday Inn. He was one of thousands of homeless people across the country offered somewhere to stay as the Covid-19 pandemic reached the UK. The highs and lows of Simon’s experience were captured in Radio 4’s The Homeless Hotel as he dealt with the challenges of his addictions, illness, and the fear of ending up back on the streets.In Return to the Homeless Hotel, reporter Simon Maybin asks where Simon is now. What’s happened to the hotel? And has the radical approach to accommodating people who are street homeless resulted in a radical reduction of rough sleepers - or a return to the status quo?Reporter/producer: Simon Maybin